1,720,971 research outputs found

    Antologia della letteratura araba. Dalle origini al XVIII secolo

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    This anthology aims to introduce the reader to a vision of pre-modern Arabic literature which stands out, in terms of chronological breadth and thematic focus, from other works existing in the Italian publishing panorama. Rather than following the trace of historical development or sticking to the division by genres, as usual, it presents a thematic criterion that more faithfully reflects the way of working of the Arab anthologists themselves

    Antologia della letteratura araba. Dalle origini al XVIII secolo

    No full text
    This anthology aims to introduce the reader to a vision of pre-modern Arabic literature which stands out, in terms of chronological breadth and thematic focus, from other works existing in the Italian publishing panorama. Rather than following the trace of historical development or sticking to the division by genres, as usual, it presents a thematic criterion that more faithfully reflects the way of working of the Arab anthologists themselves

    Cecere Giuseppe, Loubet Mireille et Pagani Samuela (dir.), Les mystiques juives, chrétiennes et musulmanes dans l’Égypte médiévale (VIIe-XVIe siècles). Interculturalités et contextes historiques. Actes du colloque organisé à l’Ifao, 22-24 novembre 2010. Le Caire, Ifao (Recherches d’archéologie, de philologie et d’histoire, 35), 2013

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    Pisani Emmanuel. Cecere Giuseppe, Loubet Mireille et Pagani Samuela (dir.), Les mystiques juives, chrétiennes et musulmanes dans l’Égypte médiévale (VIIe-XVIe siècles). Interculturalités et contextes historiques. Actes du colloque organisé à l’Ifao, 22-24 novembre 2010. Le Caire, Ifao (Recherches d’archéologie, de philologie et d’histoire, 35), 2013. In: Bulletin critique des annales islamologiques, n°29, 2014. pp. 85-86

    Islam (with S. Pagani)

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    Edition of the Islamic part of Angeli (co-author S. Pagani

    Islam (with S. Pagani)

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    Edition of the Islamic part of Angeli (co-author S. Pagani

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Il Libro come Maestro: Sufismo e Storia della Lettura nel Medioevo Islamico

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    Between the end of the 8th/14th century and the beginning of the 9th/15th, the literate elites in Yemen and al-Andalus publicly debated the legitimacy and the educational function of Sufi books. In Yemen, where Ibn ʿArabī’s ‘school’ thrived, some jurists urged the ban of his books, while ʿAbd al-Karīm al-Jīlī and his associates extolled their educational virtue for Sufi novices. In al-Andalus, the debate focused on whether books could take the place of the master in Sufi education, an issue whose relevance was felt well beyond Sufi circles, prompting Ibn Ḫaldūn to join the discussion. These controversies, even though they were connected to specific local contexts, are significant in a general way because they offer evidence for the spread of private reading among Sufis in the later Middle Ages. To appreciate the historical importance of this, one should ask how far it is new and whether it is limited to Sufism. These two questions are addressed inthe first two parts of this article. The first part outlines key changes relating to Sufi literary output in the 12th and 13th centuries. In particular, it examines the tension between orality and writing within Sufism, and the ways in which the written transmission of mystical knowledge was controlled or repressed. The second part draws attention to shared paradigms of both esoteric and exoteric knowledge as the connection between private reading and innovation, and the preservation of oral symbolism in written transmission. Finally, the third part re-examines the 14th and 15th-century debates from the angle of the history of reading in medieval Sufism. The arguments exchanged in these debates bear witnesses to changes in reading practice linked to the shifting relationships between authority and knowledge in Islamic cultural history
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