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KARAKTERISTIK GAMELAN ANGKLUNG PADMA GITA SWARA DI LINGKUNGAN KARANG SERAYA CAKRANEGARA MATARAM NUSA TENGGARA BARAT
No full textAbstrak
Gamelan Angklung adalah gamelan yang digunakan sebagai pendukung kegiatan upacara agama Hindu di Bali maupun di Lombok. Gamelan Angklung berperan penting sebagai pengiring upacara Pitra Yadnya (Ngaben) maupun Manusa Yadnya. Gamelan Angklung ini memiliki karakteristik yang unik jika dibandingkan dengan gamelan Angklung pada umumnya. Salah satu contohnya adalah gamelan Angklung yang terdapat di Lingkungan Karang Seraya Cakranegara Mataram NTB. Berdasarkan fenomena di atas dalam penelitian ini diteliti karakteristik gamelan Angklung di lingkungan Karang Seraya Cakranegara Mataram NTB.
Tujuan khusus dari penelitian ini adalah untuk mengetahui karakteristik gamelan Angklung Padma Gita Swara di Lingkungan Karang Seraya Cakranegara Mataram NTB, terfokus pada instrumentasi, reportoar, teknik permainanya dan fungsinya. Studi terhadap gamelan Angklung ini menggunakan beberapa teori, yaitu: teori Estetika,teori organologi dan teori Fungsional yang didukung dengan studi kepustakaan. Mengacu pada permasalahan yang diteliti hasil dari penelitian dapat dijabarkan sebagai berikut : a) Karakteristik instrumentasi gamelan Angklung di Karang Seraya menggunakan gangsa jongkok dan ceng-ceng penyelar dalam permainan gendingnya, hal inilah yang menjadikan sebuah ciri khas pada gamelan tersebut. b) Karakteristik gending Angklung Padma Gita Swara di lingkungan Karang Seraya dibedakan menjadi tiga yaitu pelawasan, pejalan, dan kakebyaran c) Karakteristik teknik permainan gamelan Angklung yang paling menonjol pada permainan gending pelawasan dan pejalan. Teknik permainanya antara lain yaitu Teknik Oncang-oncangan pada gending pelawasan dan teknik Kakenyongan pada gending pejalan. (d) fungsi dari gamelan Angklung di lingkungan Karang Seraya dibagi menjadi dua yaitu fungsi primer dan skunder, fungsi primernya sebagai pengiring upacara keagaman baik Pitra yadnya maupun Manusa yadnya, fungsi sekundernya sebagai wadah untuk melestarikan seni dan budaya.
Kata Kunci: Karakteristik, Gamelan Angklung, Padma Gita Swara.
Abstract
Gamelan Angklung is a gamelan that is used as a supporter of Hindu religious ceremonies in Bali as well as in Lombok. Angklung gamelan plays an important role as accompaniment ceremony Pitra Yadnya (Ngaben) and Manusa Yadnya. Gamelan Angklung has a unique characteristic when compared with the gamelan Angklung in general. One example is the Angklung gamelan found in the Karang Seraya Cakranegara Mataram NTB. Based on the above phenomenon in this study examined the characteristics of Angklung gamelan in the environment Karang Seraya Cakranegara Mataram NTB.
The specific purpose of this research is to know the characteristics of Gamelan Angklung Padma Gita Swara in Karang Seraya Cakranegara Mataram NTB, focused on instrumentation, reportoar, game technique and its function. The study of Angklung gamelan uses several theories, namely: Aesthetic theory, organological theory and Functional theory supported by literature study. Referring to the problems studied the results of the research can be described as follows: a) Characteristics of Angklung gamelan instrumentation in Karang Seraya using squat gangsa and ceng-ceng penyar in game gendingnya, this is what makes a characteristic of the gamelan. B) Characteristics of gending Angklung Padma Gita Swara in the environment Karang Seraya divided into three namely the supervision, walkers, and kakebyaran c) Characteristics of gamelan game techniques Angklung most prominent in the game gending surveillance and walkers. Game techniques include the Oncang-oncangan technique on gending and Kakenyongan techniques on gending pedalan walkers. (D) the function of the Angklung gamelan in the Karang Seraya environment is divided into two, namely the primary and secondary functions, its primary function as the accompaniment of the religious ceremony both Pitra yadnya and Manusa yadnya, its secondary function as a container for preserving art and culture.
Keywords: Characteristics, Angklung Gamelan, Padma Gita Swara
The life of Padma /
No full textThe Life of Padma, or the Paümacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. The work was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama's exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship. The first volume of The Life of Padma begins by recounting the histories and noteworthy ancestors of Rama's allies and enemies, focusing on his antagonist, Ravana. Svayambhudeva connects central characters from the Ramayana tradition to one another and to Rishabha, the founding prophet of Jainism, in a complex web of family relations dating back generations. This is the first direct translation into English of the oldest extant work in Apabhramsha, accompanied by a corrected reprint in the Devanagari script of Harivallabh C. Bhayani's critical edition.--Volume 1. Book of the VidhyadharasIncludes bibliographical references and index.The Life of Padma, or the Paümacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. The work was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama's exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship. The first volume of The Life of Padma begins by recounting the histories and noteworthy ancestors of Rama's allies and enemies, focusing on his antagonist, Ravana. Svayambhudeva connects central characters from the Ramayana tradition to one another and to Rishabha, the founding prophet of Jainism, in a complex web of family relations dating back generations. This is the first direct translation into English of the oldest extant work in Apabhramsha, accompanied by a corrected reprint in the Devanagari script of Harivallabh C. Bhayani's critical edition.-
Image 7 in Twelve species of nematodes: new records for India
No full textImage 7. Mesodorylaimus subtiloides (Paetzold, 1958) Andrássy, 1959. A - Anterior end; B - Female Posterior end; C - Male Posterior end.Published as part of Bohra, Padma, 2012, Twelve species of nematodes: new records for India, pp. 2889-2899 in Journal of Threatened Taxa 4 (9) on page 2895, DOI: 10.11609/JoTT.o2703.2889-99, http://zenodo.org/record/498713
Image 2. Helicotylenchus californicus Sher, 1966. A in Twelve species of nematodes: new records for India
No full textImage 2. Helicotylenchus californicus Sher, 1966. A - Anterior end; B - Basal Knobs; C - Posterior end.Published as part of Bohra, Padma, 2012, Twelve species of nematodes: new records for India, pp. 2889-2899 in Journal of Threatened Taxa 4 (9) on page 2891, DOI: 10.11609/JoTT.o2703.2889-99, http://zenodo.org/record/498713
Mesodorylaimus subtiloides Andrassy 1959
No full textMesodorylaimus subtiloides (Paetzold, 1958) Andrassy, 1959 (Fig. 2 A–B and Image 7 A–C) Material examined: Two females, two males, 14.x.2009, coll. P. Kadela, Reg.No. IV/ 2283. Measurements: Females: L = 1.17–1.21 mm; a = 31–41; b = 4.45–4.92; c = 8.36–10.85; c´ = 8.5–8.6; V = 47–50. Males: L = 0.88–1.06 mm; a = 31–35; b = 3.50–3.98; c = 40–50; T = 52–55.Published as part of Bohra, Padma, 2012, Twelve species of nematodes: new records for India, pp. 2889-2899 in Journal of Threatened Taxa 4 (9) on page 2894, DOI: 10.11609/JoTT.o2703.2889-99, http://zenodo.org/record/498713
Padma Bhushan Dr P R Dubhashi Public Lecture (Photographs)
No full textPhotographs of Padma Bhushan Dr P R Dubhashi Lecture organised by Gokhale Institute of Politics and Economics (GIPE), Pune (India) on 22 March 2014 at 10.30 am in the Kale Hall of the Institute. Dr C P Chandrashekhar, Professor, Centre for Economic Studies and Planning, Jawaharlal Nehru University, New Delhi delivered a lecture on 'Illicit Finance Flows and India's Development
Fig.2 in Twelve species of nematodes: new records for India
No full textFig.2. Mesodorylaimus subtiloides (Paetzold, 1958 Andrássy, 1959 A - Anterior end; B - Posterior end. Aporcelaimellus adoxus Tjepkema, Ferris & Ferris, 1971 C - Anterior end; D - Posterior end. Sicorinema sericatum Siddiqi, 1982 E - Anterior end; F - Posterior end.Published as part of Bohra, Padma, 2012, Twelve species of nematodes: new records for India, pp. 2889-2899 in Journal of Threatened Taxa 4 (9) on page 2894, DOI: 10.11609/JoTT.o2703.2889-99, http://zenodo.org/record/498713
The Effect of Anti-Inflammatory and Antimicrobial Herbal Remedy PADMA 28 on Immunological Angiogenesis and Granulocytes Activity in Mice
No full textPADMA 28 is a herbal multicompound remedy that originates from traditional Tibetan medicine and possesses anti-inflammatory, antioxidant, antimicrobial, angioprotecting, and wound healing properties. The aim of the present study was to evaluate the influence of this remedy on immunological angiogenesis and granulocytes metabolic activity in Balb/c mice. Mice were fed daily, for seven days, with 5.8 mg of PADMA (calculated from recommended human daily dose) or 0.085 mg (dose in the range of active doses of other herbal extracts studied by us previously). Results. Highly significant increase of newly formed blood vessels number in ex vivo cutaneous lymphocyte-induced angiogenesis test (LIA) after grafting of Balb/c splenocytes from both dosage groups to F1 hybrids (Balb/c × C3H); increase of blood lymphocytes and granulocytes number only in mice fed with lower dose of remedy; and significant suppression of metabolic activity (chemiluminescence test) of blood granulocytes in mice fed with higher dose of PADMA.
Conclusion. PADMA 28 behaves as a good stimulator of physiological angiogenesis, but for this purpose it should be used in substantially lower doses than recommended by producers for avoiding the deterioration of granulocyte function
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
FILOSOFI DAN PENERAPAN KONSEPSI BUNGA PADMA DALAM PERWUJUDAN ARSITEKTUR TRADISIONAL BALI
No full textPadma adalah sebutan bunga teratai merah dalam bahasa Sanskerta. Padma tumbuh secara alami di media lumpur dengan kandungan air yang cukup. Akarnya tumbuh menjalar di media tanah, batangnya terendam di air, sedangkan daunnya yang lebar mengapung di permukaan air. Bunga padma yang sedang mekar berada di atas permukaan air, menengadah, bersih dari noda lumpur, dengan kelopaknya yang merekah sempurna ke segala arah. Karakter fisik padma yang sedemikian rupa ini telah lama melahirkan ilham dijadikannya padma sebagai bunga suci dalam ajaran Hindu dan Buddha. Dalam seni lukis dan seni arca timur, padma juga sering dijadikan lapik atau atribut yang digenggam tokoh dewa-dewi tertentu. Di Bali, padma juga dijadikan sebagai konsepsi dasar wujud bangunan suci dan arah mata angin. Kelopak-kelopak bunga padma yang merekah sempurna sering kali dikaitkan dengan keberadaan delapan arah mata angin utama yang diyakini dijaga oleh para dewata utama pula. Tulisan ini merupakan ringkasan dari suatu kajian yang menerapkan metode hermeneutik tentang filosofi bunga padma dan keterkaitannya dengan konsep arah mata angin utama yang dikenal dalam tatanan arsitektur tradisional Bali. Pada beberapa bagian juga akan dipaparkan gambaran wujud penerapan konsepsi bunga padma tersebut dalam berbagai perwujudan arsitektur tradisional Bali. Hasil akhir penelitian ini menunjukkan bahwa Konsepsi Padma ini telah terejawantahkan dalam tata ruang Pulau Bali, tata mandala pura, seni bangunan suci, dan seni ikonografis arca tradisional Bali.
Padma refers to red water lily in Sanskrit. Padma grows naturally in the mud media with enough water content. Its roots spread in the soil planting media, the stem is submerged in water, while the leaves float on the water surface. Water lily flower blooms above the surface of the water, looking up, clean from mud, with petals that splitting all directions. Such padma’s physical characteristics have brought inspiration so that it becomes a sacred flower in Hinduism and Buddhism. In Eastern art, padma is often used as a pedestal or character attributes of certain gods or goddess. In Bali, padma serves as the basic concept of the sacred structure form and eight directions. The splitting petals of padma are often associated with the presence of the eight cardinal directions guarded by eight major gods. This paper is a summary of the study which applied the methods of philosophical hermeneutics on the philosophy of padma and its relevance to the concept of the main wind direction known in the order of traditional Balinese architecture. In some parts, it is also described the application description of Padma concept various embodiments of the Balinese traditional architecture. The final result of this research shows that Padma concept applied on Bali island masterplan, Hindu temple mandalas, holy buildings and iconographic of traditional Balinese sacred statues.
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