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    Tata Rias Pengantin dan Tradisi Perkawinan Wologoro pada Suku Tengger

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    ABSTRAK TATARIAS PENGANTIN DAN TRADISI PERKAWINAN WOLOGORO PADA SUKU TENGGER Nama : Dwi Putri Elvitasari NIM : 15050634057 Program Studi : S1 Pendidikan Tata Rias Jurusan : Pendidikan Kesejahteraan Keluarga Fakultas : Teknik Nama Lembaga : Universitas Negeri Surabaya Pembimbing : Dr. Mutimmatul Faidah, S.Ag, M.Ag Suku Tengger mempunyai tradisi sendiri dalam melaksanakan upacara perkawinannya, upacara tersebut dinamakan upacara perkawinan wologoro. Upacara ini wajib dilakukan oleh masyarakat suku tengger setelah sah melakukan perkawinan secara agama dan negara, upacara ini dilakukan untuk memperkenalkan mempelai pengantin dan juga meminta restu kepada para dewata dan para leluhur. Penelitian ini bertujuan untuk : (1) mendeskripikan bentuk, fungsi dan makna tata rias yang ada pada suku Tengger, dan (2) mendeskripsikan prosesi upacara perkawinan adat wologoro pada suku Tengger dan maknanya. Jenis penelitian ini adalah deskriptif kualitatif dengan metode pengumpulan data wawancara, observasi, dan dokumentasi. Keabsahan data dilakukan dengan triagulasi yaitu cross check hasil wawancara, observasi, dan dokumentasi. Hasil penelitian adalah : (1) bentuk, fungsi, dan makna tata rias pengantin sari Keputren sebagai tata rias khas dari kabupaten Lumajang dan merupakan perkembangan busana dari masyarakat kerajaan majapahit, dan juga hasil dari pengambilan data dilapangan bentuk tata rias yang dikenakan oleh masyarakat Tengger pada saat pernikahan, dan (2) bentuk dan makna prosesi perkawinan adat wologoro yaitu : (a) pasrah manten, (b) ngundang besan, (c) Temu manten, (d) wologoro, dan (e) banten kayopan. Dalam tahap wologoro sendiri juga memilki tahapan atau prosesi yang wajib dilakukan oleh mempelai pengantin dan juga keluarga mempelai pengantin dengan tujuan meminta restu kepada para dewata, danyang banyu, dan juga kepada para leluhur mereka, upacara ini wajib dilakukan oleh masyarakat suku Tengger tidak memandang ras, agama dan kedudukan sosial. Setiap tahapan pada upacara wologoro ini memiliki makna agar kehidupan keluarga mempelai pengantin kedepannya tidak mendapat gangguan dari makhluk dari alam lain, langgeng, dan dapat mendapat restu dari para dewa. Kata Kunci : Tradisi perkawinan wologoro pada suku Tengger, bentuk, fungsi dan makna. ABSTRACT BRIDAL MAKEUP AND WOLOGORO MARRIAGE TRADITIONS OF TENGGER TRIBE Name : Dwi Putri Elvitasari NIM : 15050634057 Studies Program : Beauty and Health Department Major : Home Economic Fakulty : Engineering Intitution Name : State University of Surabaya Supervisor : Dr. Mutimmatul Faidah, S.Ag, M,Ag. The Tengger tribe has its own tradition in carrying out their marriage ceremonies, the ceremony is called the wologoro marriage ceremony. This ceremony must be carried out by the Tengger tribal community after a legal marriage in religion and country, this ceremony is conducted to introduce the bride and also ask for the blessings of the gods and ancestors. This research aimed to: (1) describe the configuration, function and meaning of bridal makeup in Tengger tribe, and (2) describe the wologoro traditional marriage ceremony procession of Tengger tribe and its meaning. This type of research is a qualitative descriptive method of collecting data interviews, observation, and documentation. The validity of the data is done by triagulation, that is, cross-checking results of interviews, observations, and documentation.The results of the study are: (1) the configuration, function, and meaning of the sari Keputren bridal as the typical bridal of Lumajang district and are the fashion developments of the Majapahit royal society, and also the results of data collection in the form of bridal makeup worn by the Tengger community at the time of marriage, and (2) the form and meaning of the wologoro traditional marriage procession, namely: (a) bridal resigned, (b) inviting in-laws, (c) Gathering manten, (d) wologoro, and (e) banten kayopan. In the wologoro stage it self also has stages or processions that must be carried out by the bride and bridegrooms family with the aim of asking the blessings of the gods, and the banyu, and also to their ancestors, this ceremony must be performed by the Tengger tribe community regardless of race, religion and social position. Every stage in this wologoro ceremony means that the bride and grooms family life in the future will not be disturbed by creatures from other realms, lasting, and can get the blessing of the gods. Key words : wologoro marriage traditions of Tengger tribe, configurtion, function, and meaning

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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