1,377,584 research outputs found
Interview avec Michel Prada
No full textMichel Prada : Interview
Michel Prada is in favor of the so-called « twin peaks » regulation, such as it is developed in France. In this system, market regulation and financial intermediaries regulation are clearly separated. This doesn’t prevent the two regulators to cooperate efficiently. Michel Prada is opposed to a european SEC : it is however essential to organise a real and active cooperation between national regulators.
Classification JEL : G18Michel Prada (Président de la Cob) indique dans son interview qu’il est favorable à un système à deux piliers, tel qu’il se met en place en France. Ce système repose sur une différenciation entre, d’un côté, le contrôle prudentiel qui a pour objet d’assurer la régulation d’intermédiaires financiers porteurs de risques dans leur bilan, et d’un autre côté, le contrôle de marché qui est une régulation plus microéconomique portant sur les règles concernant les comportements et les pratiques des acteurs de marché dans leurs relations entre eux. Selon Michel Prada, s’il y a intérêt à confier ces deux formes de contrôle à des organismes différents, il est également nécessaire que ces derniers coopèrent étroitement entre eux par des systèmes de représentations croisées dans leurs organes de direction. Il ne paraît pas opportun à Michel Prada d’envisager un grand régulateur de marché européen, une SEC européenne. Cela poserait trop de problèmes pratiques. En revanche, il essentiel d’organiser une coopération, sous forme d’un vrai réseau de régulation avec des relations étroites et organisées entre les régulateurs. A ce sujet, Michel Prada cite le travail remarquable accompli par l’Organisation internationale des commissions de valeurs (OICV) : ce club de régulateurs d’origine nord américaine qui fonctionne depuis 25 ans a permis de tisser des liens étroits et féconds entre régulateurs. De même, à l’échelle européenne, l’expérience du Forum of european securities commissions (Fesco), créé en 1997 à Paris, est cité en exemple par Michel Prada.
Classification JEL : G18Prada Michel. Interview avec Michel Prada. In: Revue d'économie financière, n°60, 2000. Sécurité et régulation financières. pp. 117-124
Machines à Penser:Fondazione Prada, Venice. The Venice Biennale
No full textThe international exhibition 'Machines à Penser' at the Fondazione Prada in Venice, Italy is curated by the acclaimed curator and writer Dieter Roelstraete (MCA Chicago, Documenta Kassel, Germany, Prada Thought Council, currently Neubauer Collegium University of Chicago) and is part of the international Venice Biennale of Architecture, 26 May–25 November 2018. Through bringing together a number of artists' works, the exhibition explores the correlation between conditions of exile, escape and retreat and physical or mental places which favour reflection, thought and intellectual production.'Machines à Penser' focuses on three major philosophers of the 20th century: Theodor W. Adorno (1903-1969), Martin Heidegger (1889-1976) and Ludwig Wittgenstein (1889-1951). The latter two shared a life-long need for intellectual isolation: Heidegger spent long periods of his life in a secluded hut in the village of Todtnauberg in the Black Forest in Germany, whilst Wittgenstein retreated on several occasions to a small mountain cabin situated in a fjord in Skjolden, Norway.Moreton was invited to present fifteen artworks which included new practice-led research that re-visoned Nan Shepherd's 'views' of the landscape of the Cairngorm mountains in Scotland, through the depiction of the Scottish architectural vernacular 'fog house' in parallel to the philosophical mountain retreats (Wittgenstein and Heidegger) that are central to the curatorial themes in the exhibition presented at the Fondazione Prada. Moreton's new and existing photographic works depicting the landscape of Nan Shepherd's philosophical meditation 'The Living Mountain' and the ruins of Ludwig Wittgenstein's retreat in Skjolden, Norway were presented in the galleries of the Fondazione alongside Gerhard Richter's overpainted photographic works of the Swiss Engadine mountainscapes evoking Friedrich Nietzsche's 'thinking space' in Sils-Maria. This is an academically researched exhibition of contemporary art that also includes works by internationally acclaimed artists Gerhard Richter, Anselm Kiefer, Goshka Macuga (Turner Prize), Susan Philipsz (Turner Prize) Ian Hamilton Finlay, Alec Finlay, Sophie Nys, Mark Riley, Patrick Lakey, and Albrecht Dürer.<br/
Prada Evans 1949
No full textPRADA EVANS, 1949 The genus Prada contains three species endemic to mainland New Guinea (Parsons, 1998). Evans (1949) considered Prada to be closely related to the monotypic Tiacellia Evans, 1949 (also from New Guinea), and he classified this pair within the Plastingia group of the subfamily Hesperiinae, although he noted a possible link with the Trapezitinae. Parsons (1998) pointed out that the male genitalia and hindwing venation of Prada rothschildi (Evans, 1928) was similar to that of Rachelia extrusa (C. & R. Felder, 1867). Subsequently, Atkins (2017) transferred Prada and Tiacellia to the Trapezitinae and suggested that Prada and Tiacellia might be closely related to Trapezites and Rachelia based on study of male genitalia and wing venation. Cong et al. (2019) reached a similar conclusion regarding Prada based on molecular data of a limited set of Trapezitinae (10 species representing 10 genera), in which Prada rothschildi was sister to Trapezites symmomus Hübner, 1823 in most of their analyses, rather than to other members of the Hesperiinae in which Prada has traditionally been placed. In our comprehensive molecular phylogeny of Trapezitinae, Prada was placed as sister to Trapezites, thus supporting previous views that this genus belongs in the Trapezitinae and not in Hesperiinae. Our analysis also supports, in part, the hypothesis of Atkins (2017) of a close relationship between Prada and Trapezites. Tiacellia, however, was not recovered within the Trapezitinae, falling well outside this subfamily (Fig. 1). Larval food plants remain unknown.Published as part of Toussaint, Emmanuel F. A., Braby, Michael F., Müller, Chris J., Petrie, Edward A. & Kawahara, Akito Y., 2022, Molecular phylogeny, systematics and generic classification of the butterfly subfamily Trapezitinae (Lepidoptera: Papilionoidea: Hesperiidae), pp. 1407-1421 in Zoological Journal of the Linnean Society 195 on pages 1417-1418, DOI: 10.1093/zoolinnean/zlab086, http://zenodo.org/record/699301
Fashion Culture: Agatha Ruiz De La Prada
No full textAriele Elia and Elizabeth Way, curators of the exhibition Global Fashion Capitals, spoke with Spanish designer Agatha Ruiz de la Prada about her successful career in fashion. Since the early 1980s, her brand has been based in Madrid but has had global reach, with points of sale in over 150 countries. Characterized by a whimsical, often surrealist style, her designs are featured in MFIT's Global Fashion Capitals and are also showcased this summer (2015) in the exhibition Agatha Ruiz de la Prada: Posters Design at the Instituto Cervantes New York
The DESI One-Percent Survey: Modelling the clustering and halo occupation of all four DESI tracers with Uchuu [Dataset]
No full textSupplementary material to DESI's publication "The DESI One-Percent Survey: Modelling the clustering and halo occupation of all four DESI tracers with Uchuu" to comply with the data management plan. -- This includes the Python scripts and data points required to reproduce all figures in the publication.F. Prada et al.Peer reviewe
PER LA DIDATTICA DI UNA SCRITTURA ESPOSITIVA: LA RELAZIONE
No full textIn questo articolo si descrive – con una specifica attenzione alle ricadute didattiche – la relazione in quanto tipo testuale, discorsivo e linguistico e si forniscono indicazioni operative utili alla stesura di relazioni corrette, adeguate ed efficaci. Il testo delinea così un possibile percorso formativo per migliorare – in un ambito ben determinato dello “scrivibile” – le competenze scrittura degli studenti della scuola secondaria di secondo grado. La prima parte del documento sottolinea le caratteristiche generali della relazione in quanto classe di testi e individua i tratti distintivi di sue forme particolarmente utili e praticabili in ambito scolastico: il verbale, il rapporto e la relazione di ricerca, il saggio breve e la recensione. La seconda parte, invece, si focalizza sul processo cognitivo e operativo che rende possibile la scrittura di relazioni funzionali, individuando un possibile itinerario compositivo distinto in fasi: quella della lettura dei testi fonte e della loro manipolazione; quella della vera e propria stesura progettuale; quella della revisione. Teaching expository writing: a report Massimo Prada With a specific focus on educational implications, this article describes the report as a textual, discursive and linguistic type and provides useful guidance useful for writing correct, appropriate and effective reports. In the well-defined area of “writablility”, the text outlines a possible way to improve teaching writing skills to secondary school students. The first part of the paper outlines the general characteristics of the report as a class of text and identifies the distinctive features of its form that are particularly useful and practicable in schools: memorandums, reports and research reports, short essays and reviews. The second part focuses on the cognitive and operational processes that makes it possible to write functional reports, identifying a possible distinct compositional stages: the reading of the source texts and their manipulation; writing the draft; and revision. </p
Manuel González Prada: un anarquista sui generis
No full textThe objective of this research article is to describe and revalue according
to a methodology of qualitative type, the characteristics of the political
and philosophical ideas of the great promoter of social, revolutionary and
anarchist ideas of Peru in the late nineteenth and early twentieth centuries. Also proposed is a new interpretation of the ideological location of
Don Manuel González Prada, illustrious predecessor of the great thinkers
of the twentieth century in Peru
The rebirth of the plaster cast : workshops, collections and academies
No full textexhibition, Milan, Fondazione Prada, 9 May-24 August 2015 ; Venice, Fondazione Prada, 9 May-13 September 2015International audienc
Informe de gestión Alfonso Prada Gil 20 de agosto de 2014 - 24 de marzo de 2017
No full textInforme de gestión de las labores desempeñadas por el Doctor Hernando Alfonso Prada Gil como Director General del SENA, cargo ejercido desde el 20 de agosto de 2014 hasta el 24 de marzo de 2017.Management report on the work performed by Dr. Hernando Alfonso Prada Gil as General Director of SENA, a position held from August 20, 2014 to March 24, 2017.Acta de informe de gestión (Ley 951 de marzo 31 de 2005) -- Datos generales -- Informe resumido o ejecutivo de la gestión - (Desde el 20 de agosto de 2014 hasta el 24 de marzo de 2017) -- Situación de los recursos -- Planta de personal -- Programas, estudios y proyectos -- Pago deducibles -- Informe comparativo programa seguros 2014 - 2015 vs 2015 - 2016 -- Concepto generalnaRadicado No 1-2017-007565486 página
María Prada habla del trabajo con organizaciones sociales y cooperantes internacionales
No full textEl video incluye la declaración de María Prada, directora de la oficina de Cooperación y Alianzas de la Comisión para el Esclarecimiento de la Verdad, la Convivencia y la No Repetición – CEV, en el primer encuentro de coordinación entre iniciativas adelantadas por la sociedad civil, con el apoyo de cooperantes internacionales, para aportar a la misión de la entidad, en febrero del año 2019. María Prada menciona que en el evento se reunieron organizaciones de la sociedad civil con presencia territorial y nacional, universidades y agencias de cooperación internacional que han trabajado por la paz en el país desde hace mucho tiempo. El espacio se generó para construir estrategias de articulación con el fin de avanzar en el cumplimiento de los objetivos y mandatos de la Comisión de la Verdad.
Finalmente, se menciona que las organizaciones presentes aportaron al esclarecimiento del Conflicto Armado Interno por medio de informes y casos sobre violaciones a derechos humanos en el territorio, así como sobre los procesos de resistencia y resiliencia de algunas poblaciones y comunidades. Otras apoyaron labores relacionadas con la pedagogía, la comunicación y/o los ejercicios de promoción de la convivencia y la no repetición. En el video aparecen diferentes personas que asistieron a la reunión como el comisionado Saúl Franco, defensores de derechos humanos, miembros de organizaciones sociales, de cooperantes internacionales y funcionarios de la Comisión de la Verdad
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