1,721,026 research outputs found
Biological treatment of nitrogen rich refinery wastewater by partial nitritation (SHARON) process
Wastewater discharges containing high nitrogen levels can be toxic to aquatic life and cause eutrophication. In this study, the application of the SHARON (Single reactor for High activity Ammonium Removal Over Nitrite) process for the treatment of refinery wastewater (sour water) was evaluated, in view of its coupling with the ANAMMOX (ANaerobic AMMonium OXidation) process. A Continuous Flow Stirred Tank Reactor was initially fed with a synthetic medium, and the applied NH4-N concentration and wastewater/synthetic medium ratio were progressively increased up to 2000 mg(N)/L and 100%, respectively. Despite the high potential toxic effect of the real wastewater, overall SHARON performance did not decrease with the increasing real wastewater/synthetic medium ratio, and biomass showed progressive acclimation to the toxic compounds in the real wastewater, as demonstrated by toxicity assessments. NH4-N and dissolved organic carbon removal efficiency were around 50% and 65%, respectively. Moreover, the effluent was characterized by a NO2-N/NH4-N ratio of 0.9 +/- 0.01 and low nitrate concentration (<30 mg(N)/L), in line with the requirements for the subsequent treatment by the ANAMMOX process
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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