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    KELUHURAN CINTA KASIH DALAM DRAMA RADIO NGLINGGIHI KLASA GUMELAR KARYA RETNO HARTININGSIH ( Sebuah Tinjauan Psikologi Sastra )

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    Latar belakang dari penelitian ini adalah : bahwa drama radio merupakan hasil karya pengarang Jawa modern yang telah menjadi salah satu genre sastra dalam khasanah kesusastraan Jawa baru, Adanya perubahan karakter pada masing-masing tokoh menarik untuk diteliti, melalui pendekatan psikologi sastra dapat mengungkapkan proses kejiwaan para tokohnya, sehingga dapat diperoleh nilai dan makna secara keseluruhan. Masalah yang dibahas dalam penelitian drama ini adalah (a) struktur yang membangun pada drama radio karya Retno Hartiningsih yang berjudul Nglinggihi Klasa Gumelar yang meliputi : tema, alur, penokohan, amanat, latar, dan dialog. (b) Latar belakang proses penciptaan drama radio Nglinggihi Klasa Gumelar. (c) Dinamika dan proses kejiwaan para tokoh dalam drama radio Nglinggihi Klasa Gumelar. (d) Makna dan Nilai yang terkandung dalam drama radio Nglinggihi Klasa Gumelar. Penelitian ini bertujuan : (a) mendeskripsikan struktur yang membangun dari drama radio karya Retno Hartiningsih, (b) mengungkapkan latar belakang proses penciptaan drama radio Nglinggihi Klasa Gumelar, (c) mendeskripsikan aspek psikologi sastra drama radio Nglinggihi Klasa Gumelar yang di dalamnya terkandung proses kejiwaan para tokoh-tokohnya, dan (d) mendeskripsikan makna dan nilai drama radio dalam kehidupan yang terkandung dalam drama radio Nglinggihi Klasa Gumelar. Pendekatan yang dilakukan adalah pendekatan struktural dan pendekatan psikologi sastra. Pendekatan struktural diambil karena drama radio merupakan bentuk karya sastra yang di dalamnya mengandung unsur-unsur pembangun seperti tema, alur, penokohan, latar, dialog dan amanat. Pendekatan psikologi sastra digunakan untuk mengetahui unsur ekstrinsik dari drama radio tersebut yaitu kondisi kejiwaan para tokohnya Bentuk penelitian ini merupakan penelitian deskriptif kualitatif, yaitu datadata yang dikumpulkan berupa kata-kata. Sumber data dari penelitian ini adalah drama radio dengan judul Nglinggihi Klasa Gumelar karya Retno Hartiningsih yang disiarkan setiap hari Rabu, 10 Agustus 2005 sampai 05 Oktober 2005 pukul 22.00WIB di RRI Surakarta. Adapun data yang dipakai dalam penelitian ini ada dua yaitu data primer dan data sekunder. Data primernya yaitu unsur-unsur intrinsik serta aspek psikologi sastra dalam teks drama radio Nglinggihi Klasa Gumelar karya Retno Hartiningsih. Data sekunder dalam penelitian berupa bukubuku referensi yang menunjang, hasil wawancara dari pengarang. Metode pengumpulan data dengan cara menggunakan studi pustaka yaitu mengumpulkan data-data dari sumber tertulis. Wawancara digunakan untuk mengetahui biografi pengarang. Data yang telah terkumpul dianalisis dengan empat tahap, yaitu : Deskripsi data, Analisis data, Interpretasi data, Evaluasi data

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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