1,722,406 research outputs found

    Letter from George W. P. Hunt to President Calvin Coolidge

    No full text
    Letter from Governor George W. P. Hunt to Calvin Coolidge arguing for more autonomy in Arizona state matters

    Letter from George W. P. Hunt to Carl Hayden

    No full text
    Letter from Governor George W. P. Hunt to Carl Hayden expressing his support for legislation that would grant National Park status to the Grand Canyon

    Letter from Carl Hayden to George W. P. Hunt

    No full text
    Letter from Carl Hayden to George W. P. Hunt outlining the proposed national park boundaries and the cost of a township if the state of Arizona decided to acquire one on the rim of the Grand Canyon

    C. P. Hunt, percussion

    Get PDF
    This Senior recital features C. P. Hunt (percussion)

    Letter from Carl Hayden to George W. P. Hunt

    No full text
    Letter from Carl Hayden to Governor George W. P. Hunt asking the governor to submit the idea of a national park near the rim of the Grand Canyon to the state legislature during the special session. Hayden mentions the state of Arizona would be charged about 28,800forthelandat28,800 for the land at 1.25 an acre. W. W. Bass and Bass Camp are also included in the letter

    Hunt's improved map of Venango County oil regions.

    No full text
    Cadastral map of selected townships (named) showing warranty tracts (numbered) and real-property tracts with owners' names.Does not show oil deposits or wells.Hand col. to emphasize township boundaries."Entered according to act of Congress 1864 by John P. Hunt ... in the Western District of Pennsylvania."LC copy imperfect: Wrinkled, fold-lined, torn at fold lines, taped on verso, annotated in black ink/lead pencil. DL

    Why I oppose the Colorado River Compact / by George W. P. Hunt, Governor of Arizona.

    No full text
    Why I oppose the approval of the Colorado River Compact, by Geo. W.P. Hunt, Governor of Arizona, 1923?Press of Tombstone EpitaphScanned with Epson Expression 1640 XL Scanner at 300 dpiDigital image copyright Arizona State University Libraries, 2004-2012. Request permission to publish via [email protected]

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore