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    Sintassi e testualità

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    Il contributo analizza la sintassi del testo edito nel volume

    Le parole del calcio: italianismi e forestierismi negli ultimi anni

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    L'articolo indaga la lingua del calcio degli ultimi tempi, concentrandosi in particolare sulla presenza di italianismi nelle altre lingue e di forestierismi in italiano

    LA PUNTEGGIATURA NEI SOTTOTITOLI INTERLINGUISTICI DI SERIE TELEVISIVE ANGLOSASSONI

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    Il contributo affronta il tema della punteggiatura nel sottotitolaggio interlinguistico di serie tv. Tra i motivi di interesse di questo genere testuale, oltre ad alcune caratteristiche peculiari (compresenza di più codici comunicativi, rapporto col parlato filmico ecc.), c’è anche la grande diffusione di questi prodotti audiovisivi presso le giovani generazioni, dunque il suo potenziale impatto modellizzante rispetto alle nuove forme di scrittura. A un inquadramento generale sui caratteri del sottotitolaggio, segue l’analisi di tre segni interpuntivi (virgola, due punti, puntini di sospensione) in un corpus di 12 episodi presi da 10 serie tv in lingua inglese. Punctuation in interlingual subtitles of Anglo-Saxon television series This paper deals with Italian punctuation marks in TV show subtitles. What makes this type of text interesting, apart from some very specific features (coexistence of different communication codes, connection between punctuation marks and spoken language etc.), is the widespread use of audiovisual products, especially among young audiences, hence the possible influence on new forms of writing. We first describe the main features of subtitling; then we analyze three punctuation marks (comma, colon, ellipsis) in a corpus of 12 episodes taken from 10 TV shows in English

    Serie tv anglosassoni e sottotitolaggio interlinguistico: note su alcuni segni di interpunzione

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    In questo articolo sono sondate le strategie interpuntive impiegate nel sottotitolaggio italiano di serie televisive in inglese; l’indagine prevede anche analisi contrastive con l’interpunzione dei sottotitoli originali in inglese. In particolare sono presi in considerazione tre segni: due punti, virgola, puntini di sospensione

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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