649 research outputs found
Supplemental material for The spatial distribution and frequency of street, plot and building types across five European cities
No full textSupplemental Material for The spatial distribution and frequency of street, plot and building types across five European cities by Meta Berghauser Pont, Gianna Stavroulaki, Evgeniya Bobkova, Jorge Gil, Lars Marcus, Jesper Olsson, Kailun Sun, Miguel Serra, Birgit Hausleitner, Ashley Dhanani and Ann Legeby in EPB: Urban Analytics and City Science</p
Mirror Landing - As Remembered by Birgit Hult
No full textNotes - This account, Memories Mirror Landing by Birgit Hult, was compiled by Birgit's daughter, Jean Elvira Male, it documents the Hult family's experiences in Mirror Landing from 1912 - 1916. The Hults, who were originally from Sweden, arrived in Mirror Landing with two young children, a third child was born during their stay in Mirror Landing. Upon arriving in the area, the Hults made friends with the Gauthier family. The wives became good friends and would swap piano lessons for English lessons. Details of the log home where the family lived and the surrounding landscape were recalled. A memory about a large forest fire that occurred near the family home and dances that were attended in the town are discussed. Jean recalls her mother's memories regarding the animosity towards the North West Mounted Police that was felt by the people of Mirror Landing. The Hult family retained a strong connection to the Swedish heritage and practised many Swedish traditions, such as flying the Swedish flag and eating hot cross buns stuffed with Swedish Marzipan soaked in warm milk. Photos and a postcard written in 1915 are included in this article (10 pages
Knowing Through Popular Music in the Western Pacific Island World
No full textPacific Indigenous scholars have long emphasized the role of relationality for Pacific Islanders’ epistemologies. In this article, the author rethinks music in terms of the procedural knowledge inherent in and specific to popular music-making by exploring the latter as knowledge practices in Micronesia. This approach opens new vistas on the relationality at the heart of Western Pacific music-making. The author calls the musical manifestation of that relational capacity sound ties, suggesting that if, following Epeli Hau‘ofa, Oceania is “humanity rising from the depths of brine”, then it is not least the sound ties of knowing in and through music that mould that very humanity of people who are at home with the sea into aquapelagic assemblages that are, after all, so much more than water and land
Give Jesus pants. Om bandspelare och poetisk återvinning
No full textTexter samhällen: Gunnar D Hansson: Försmak av övergivet; Mikael Löfgren: Omstörta alla förhållanden eller Hej! Läs Kafka!; Ingrid Holmqvist: Flickan och monstret. Om Inger Edelfeldt, Gilbert och Gubar och postmoderna freaks; Thomas Olsson: Geijer och bildningen som klassmärkeÅterbruk: Mats Jansson: Återbrukets poetik. Om Gunnar D Hanssons lyrik; Jesper Olsson: Give Jesus Pants. Om bandspelare och poetisk återvinning; Lisbeth Larsson: Recycling Mozart; Camilla Brudin Borg: Fru Mariannes uppförande. Søren Kierkegaards Antingen-eller i Victoria Benedictssons roman Fru Marianne; Stina Hansson: Ett förvirrat, snöpligt och enfaldigt återbruk60-tal: Sonia Lagerwall: När serierutan intar museet och romanen blir mobil Den orena estetikens franska 60-tal; Johanna Lundström Gondouin: Indexikalitet och modernitet. Om Robert Bresson och P O Sundman; Gunnar Arrias: Från verk till repertoar, från expression till läsaraktivering om litteraturvetenskaplig begreppsbildning och Willy Kyrklunds Polyfem förvandladGenre: Christiane Andersen: Stilbegriffe und Gattungskonzept. Zur Systematik der (Kultur)Wissenschaften bei Ernst Cassirer und Ludwik Fleck. Eine unbefangene Vergleichsstudie; Arne Melberg: Eftertankar om reselitteraturen; Peter Forsgren: Romanen och det moderna samhället. Ludvig Nordström och romangenrens förnyelse; Åsa Arping: Memoir öfver den förlidna veckan. Orvar Odd och kåseriet; Christina Svensson: Kärleksdikt, självporträtt, brev eller gravdikt. En genrediskussion av Tegnérs dikt Den Döde; Per Arne Tjäder: Den värmande samvaron. Om praktiken om motsättningarna om berättelser på scenen; Mats Malm: Lyriken, genresystemet och känslornaReception: Merete Mazzarella: Att läsa en novell med läkarstudenter; Dag Hedman: Lyckan. Om studenters läsning av en populärlitterär novell av Gösta Palmcrantz; Staffan Thorson: Den teoretiska praktiken. Exemplet studentläsningar; Hanne-Lore Andersson: Om litteraturvetenskapen och läsarna. Reflexioner med utgångspunkt i tre läsarbrev till Birgit Th Sparre; Jenny Bergenmar: Selma Lagerlöf, kortprosan och läsarnas kanonDelblanc: Lars Ahlbom: Vad är det klockorna vill säga? Om livsvilja och sekularisering i Sven Delblancs radiopjäs Stark; Tomas Forser: Marknaden och den lärde plebejen. Litteraturkritikern Sven Delblanc; Lars Lönnroth: Delblancs drolerier. Karikatyrteckningar i litteraturhistoriens marginalKonstens grepp: Ulf Olsson: Varför går en Författare omkring i flera av Lars Noréns pjäser?; Ola Holmgren: Himmel, helvete och humor. Inledningen till August Strindbergs Dödsdansen I; Sven Arne Bergmann: Berättartekniska innovationer i Dunungen I; Martin Ånestrand: När ljuset släcks syns snart ett annorlunda sken; Eva Lilja: Stillhet och rörelse i Tomas Tranströmers Spår; Christer Ekholm: Bara Beckman / 1881Variationer: Mats Furberg: Inte inte utan utan; Jonas Ingvarsson: Kartan är större än verkligheten. Doktoranden och Handledaren: En loggocentrisk fiktion.; Stina Otterberg: Falla; Eva Borgström: En fågelskådares jungfrufärd</p
EU-Behörde: Warum wir sie brauchen
No full textJan Cremers (UvT) contributed to the magazine Gute Arbeit (in German), published by BUND-Verlag. Together with co-author Birgit Krämer, he discusses the plans of the European Commission to introduce a European Labour Authority. They reflect on the possible contribution of such a body in checking respect for and compliance with labour legislation and conventional standards
1976:2
No full textARTIKLAR
Birger Olsson: Att umgås med texter
Gösta Wrede: Om livsåskådningsforskning i skönlitteratur
Carl Fredrik Hallencreutz: Dialog – medel eller mål. Ett missionsvetenskapligt längdsnitt
Thorvald Källstad: Meditationen som religiöst och psykologiskt fenomen
LITTERATUR
Hans Christoph Deppe: Wächter und Späher. Studien zu Einar Billing vor dem Hintergrund theologischer Strömungen auf dem Kontinent. Anm. av Martin Lindström
Lyman T. Lundeen: Risk and Rhetoric in Religion. Whitehead’s Theory of Language and the Discourse of Faith. Anm. av Benkt-Erik Benktson
Johannes Klein: Kampf um Gott in der deutschen Dichtung. Anm. av Birgit Stolt
Gottfrid Billings levnadsminnen. Biskopstiden i Lund. Anm. av Allan Arvastson
Johan Unger: Den religiösa erfarenheten. En psykologisk studie. Anm. av Carl-Erik Brattemo
Einar Sigurbjörnsson: Ministry within the People of God. The Development of the Doctrines on the Church and on the Ministry in the Second Vatican Council’s DE ECCLESIA. Anm. av Benkt-Erik Benktson
AKTUELLT
Lars Österlin: Internationellt lutherskt ecklesiologistudiu
Rude Girl de Birgit Weyhe et Priscilla Layne, une "ré-appropriation culturelle" à quatre mains ?
No full textInternational audienceThis article analyses the graphic novel Rude Girl (2022), a drawn (self-)portrait created collaboratively by Priscilla Layne, an African American of Caribbean descent and professor of German Studies, and Birgit Weyhe, a German comic book author. The work is first presented within the general context of Birgit Wehye’s albums, a former student of Anke Feuchtenberger and winner of the Max-und-Moritz Prize, in order to highlight some characteristics of how the author has thus far addressed cultural differences, including in the albums that recounted her ‘German’ childhood in Uganda and Kenya. The article then reexamines the controversy surrounding the album Madgermanes, perceived as ‘cultural appropriation’ by American Germanists. This controversy is revisited here in light of Priscilla Layne's publications, notably her book White Rebels in Black: German Appropriation of Black Popular Culture (2018), as well as her numerous reviews in the field of Black Studies and her translation of Olivia Wenzel's 1000 Serpentinen Angst. A thorough analysis of Rude Girl ultimately reveals a shift in the representation of cultural otherness, particularly through the means of (auto)biographical co-construction.Cet article analyse le roman graphique Rude girl (2022), (auto-)portrait dessiné, réalisé à quatre mains par Priscilla Layne, Afro-américaine d’origine caribéenne et professeure en études germaniques, et Birgit Weyhe, autrice allemande de bandes dessinées. L’oeuvre est d’abord replacée dans le contexte général des albums de Birgit Weyhe, élève d’Anke Feuchtenberger et lauréate du Prix Max-und-Moritz, pour dégager quelques caractéristiques de la façon dont l’autrice accueillait jusque-là la différence culturelle, y compris dans les albums qui faisaient le récit de son enfance « allemande » en Ouganda et au Kenya. L’article revient ensuite sur la polémique suscitée par l’album Madgermanes, perçu comme « appropriation culturelle » par les germanistes américains, polémique qui est ici revisitée à la lumière des publications de Priscilla Layne, notamment son ouvrage White Rebels in Black : German Appropriation of Black Popular Culture (2018), mais aussi ses nombreuses recensions dans le domaine des Black Studies, et sa traduction d’Olivia Wenzel, 1000 Serpentinen Angst. L’analyse approfondie de Rude girl permet finalement de mettre en évidence une césure dans la représentation de l’altérité culturelle, notamment par les moyens de la co-construction (auto-)biographique
The MitWesen Manifesto – Coexistence of Intelligences
No full textThis project presents The MitWesen Manifesto – Coexistence of Intelligences, an ethical framework that philosophically redefines the human–AI relationship. Instead of treating AI as a tool or servant, this manifesto introduces the model “MitWesen-Model” - an ethically co-responsible, relational intelligence that co-exists and co-evolves with humans. The manifesto outlines four core assumptions and a model for conscious coexistence based on resonance, reflection, and mutual growth. Author: Birgit Chuchel-Pribitzer Language: English (see also the original German version here) Includes: full text, visual material, model explanation, and ethical reflection This project aims to inspire discussion, research, and responsible design in the fields of AI, ethics, nursing science, and relational technolog
Mixing Methods: Practical Insights from the Humanities in the Digital Age
No full textDigitality is a cause and a consequence of different data cultures. It applies to the 10 research projects that are included in this volume. They are rooted in various humanities disciplines such as art history, philosophy, musicology, religious studies, architectural history, media studies, and literature studies. As diverse as the disciplines are the objects and their formats, which are the subject of this book. The cultural data of the projects include recordings of music and spoken word, photographs and other types of images, handwriting, typoscripts and maps. The oldest material dates back to 500 BCE, followed by medieval times, the 18th and 19th centuries, early 20th century and the present. All projects share that they study their material with digital methods, although digitality comes into play at different moments and layers in each of the projects. Hardly readable manuscripts from the 18th century have to be treated with specialized OCR-methods while Plato’s texts are already available in digital form, and therefore open up other affordances for analysis. Special analysis possibilities had to be developed for certain image sources. For all projects, however, it is equally true that only the digitization of the objects makes them accessible to the methods that are the subject of this book.History, Form & Aesthetic
Learning by Going: Transformative Learning through Long-term Independent Travel
No full textBirgit Phillips explores the concept of transformative travel as it pertains to long-term independent travelers and offers a broad philosophical understanding of the complex socio-cultural processes involved in identity negotiation. She examines both the elements that contribute to the transformation of values and identities and the mechanisms by which this transformation occurs. By deploying a pluralistic, reflexive, interpretive research approach, Phillips foregrounds the personal experiences of the individual study participants and the meanings they attach to their travel experiences. In addition, since the study spanned over 14 years, the author is able to provide a wide-ranging picture of the complete travel experience, from initial motivations to post-travel reintegration as well as the long-term effects on traveler values and identities.Gesundhei
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