2,569 research outputs found
Letter from Carl Hayden to Harold Greene
No full textLetter from Carl Hayden to Harold Greene regarding the progress of the national park bill
Letter from Harold Greene, Tusayan National Forest to Carl Hayden
No full textLetter from Harold Greene to Carl Hayden regarding the proposed boundaries for the national park bill
Harold Palmer
No full textHarold E. Palmer (1877-1949), was a London-born early twentieth century linguist, phonetician, language educator, and author of over a hundred books, research papers and monographs. A school dropout, he started work as a learner- teacher at a school in Verviers, Belgium where he taught and experimented with teaching methods, and learnt several languages, both living and artificial
Broad thinking: An interview with Harold Kalant
No full textIn this interview, Dr. Harald Kalant, Professor Emeritus at the University of Toronto, talks about his career in addiction science, his professional associations with E.M. Jellinek, Griffith Edwards and other luminaries, the growth of the addiction field, and the issue of cannabis legalization in Canada, among other things. The interview was made by Judit H. Ward and William Bejarano on May 16, 2016 in Toronto.Peer reviewe
Harold Dudley papers
No full textHarold Dudley (1896-1970) was a poet, author, and founder of the Washington Pilgrimage, later known as Religious Heritage of America. The organization actively promoted the Judeo-Christian heritage of the United States. Dudley was instrumental in lobbying Congress to add "under God" to the official text of the Pledge of Allegiance. He also wrote The Populist Movement, American Women in Public Life, This New America, Thoughts of Love and You, a volume of poetry to his wife; and the music to "Lead My America," a patriotic anthem. The collection consists of biographical materials documenting Dudley's life, as well as selected poems and other of Dudley's publications
Letter from Harold Johnson to Tsuneo Iwata, April 16, 1942
No full textLetter from Harold Johnson field representative of Federal Reserve Bank of San Francisco to Tsuneo Iwata, president of the Turlock social Club, in regards to mass removal preparation.The Nisaburo Aibara Collection features materials from the Turlock Social Club, a local Japanese-American community group active between 1939 and 1970. It contains documents regarding the Stockton, Turlock and Merced Assembly Centers and Japanese American Citizens League chapters. The Collection also features correspondences with reactions, responses, and preparations for the forced evacuation. Additionally, the Collection has records on the Central California Cantaloupe Company, Turlock Farm Corporation, Turlock Japanese Society, and family records and funeral service programs of Japanese-American residents of Turlock
Sichuan (China), view of the Daba Mountains
No full textView of the western section of the Tapa-shan looking towards Chien-ko in the east from a point above the vicinity of Chiang-yu or Chung-pa, Szechuan.Image is part of research condcuted by Harold J. Wiens for the article: The Shu Tao or Road to Szechwan
Author(s): Herold J. Wiens
Source: Geographical Review, Vol. 39, No. 4 (Oct., 1949), pp. 584-604
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/210674http://www.jstor.org/stable/210674Grayscal
Harold Pinter and the Performance of Power: Considerations of Affect in Select Plays, Screenplays and Films, Poetry and Political Speeches
No full textThis thesis looks at selections of Harold Pinter's work across multiple media: written dramatic texts, screenplays and poetry, activity in theatrical and film production and his political activism. It has been argued that Pinter's dramatic medium is exceeded by movements, intensities and
forces that operate on and circulate within the corporeal bodies of Pinter's 'audiences'. However, approaches to Pinter to date remain overly focused on representation and hermeneutics and tied to a decidedly idealist conception of being, perception and knowledge. I argue that in order to
appreciate the politics of Pinter's aesthetics, readings of Pinter's work need to move in a more decidedly materialist direction. To do so, I enlist the conceptual tools of Gilles Deleuze and felix Guattari, specifically 'affect'. In bringing affect theory to Pinter I illustrate how 'the direct, mutual involvement of language and extra-linguistic forces,1 must be taken into account at every
critical step, and that meaning need be construed as a material process, the expression of forces
acting upon each other. The diversity of Pinter's work is explored over six chapters with a view to its aesthetic disposition and function, how it enters into noteworthy relations with those who engage with it, and how it establishes conditions that are propitious for transitory but ultimately productive trans formative encounters. Proceeding as such necessitates appraisal of ethical and
political positions in relation to Pinter's expression without distinguishing politics from aesthetics - a trend common to intellectual enterprise. Rather, the three keywords in the title of this thesis - performance, power and affect - function as concepts to advance the argument for Pinter's aesthetics as a politics. In considering the aesthetics of Pinter's work in varied media, this thesis invites the reader to see the strategies by which Pinter intervenes in each area as interrelated and political
Shaanxi (China), aerial view of Han river and Daba mountains
No full textThe Han River seen from the air above Han-chung (Nan-cheng), Shensi, with a braided channel. Looking westward up the course of the river, one sees at the upper right the Pao River entering the Han, while on the left are the foothills of the Ta-pa Shan.Image is part of research conducted by Harold J. Wiens for the article: The Shu Tao or Road to Szechwan
Author(s): Herold J. Wiens
Source: Geographical Review, Vol. 39, No. 4 (Oct., 1949), pp. 584-604
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/210674http://www.jstor.org/stable/210674Grayscal
Harold Puylaert
No full textPhotograph - Harold Puylaert cutting his crop with a Fordson Tractor, Athabasca, Albert
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