1,722,299 research outputs found
Theses de moderamine inculpatae tutelae
No full textquas ... pro consequendis in utroq. iure privilegiis & insigniis licentiae publicè disputandas proponit Petrus Ernestus Ocker Thuringus, ad d. 22. Martii ...Enthält 31 ThesenLic. iur. Basel, 159
Ocker - Monografie einer Farbe
No full textDie vorliegende Monografie setzt sich mit der Bedeutung und der Verwendung der Farbe Ocker in einem Längsschnitt durch die Kunst- und Kulturgeschichte der Menschheit auseinander. Auf Grundlage von archäologischen Funden, kulturgeschichtlichen Forschungen und kunstwissenschaftlichen Erkenntnissen ist das Hauptanliegen dieser Arbeit, die Funktion und Bedeutung der Verwendung des Ockers als Farbe und Substanz zu erörtern. Die Arbeit wird ergänzt durch einen Katalog von Funden und Beispielen. Nach der ersten Einarbeitung in die Literatur zum Thema Ocker stellte sich heraus, daß Ocker über die Verwendung als gut verfügbares Farbmaterial hinaus, weitreichendere Bedeutung hat. Die Farbe Ocker, eine der frühesten Farben der Menschheitsgeschichte, fand schon zu kultischen Zwecken in prähistorischer Zeit Verwendung und weist ein großes Spektrum an historischer Verwendungs- und Bedeutungsvielfalt auf. Diese Untersuchung geht von der Hypothese aus, daß Ocker über einen Zeitraum von mehr als 60000 Jahren bis ins 20. Jahrhundert und in die Gegenwart in kultischen Handlungen und künstlerischen Äußerungen des Menschen in einem semantischen Feld zwischen Malfarbstoff und einem mythischreligiösen Bezugsrahmen als Symbol oder Zeichen Verwendung findet
Tudo é Ritmo (filme e memorial)
No full textTCC(graduação) - Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão. Cinema.Memorial descritivo da concepção do documentário “Tudo é Ritmo”. Anexo: Roteiro. Disponível no Laboratório de Estudos de Cinema(LEC).**FICHA TÉCNICA** Direção: Andressa Ocker Assistente de Direção: Krystopher Andrade Direção de Fotografia: Silvio Marchetto Som Direto: Lucas Feitosa Edição: Andressa Ocker e Vinicius Rosa Trilha Sonora: Soonanda Câmera Adicional: André Ricardo, Andressa Ocker e Gustavo Salavaggio Motion Graphics: Carlos Moura Ilustração e animação: Matthias Liesenberg Colorização: Gabriel Ornellas Finalização de audio: NOISEstudio Dançarinos e percussionistas: Ana Paula Cardoso, Aldelice Braga, André FM, Djanko Camara, Erik Djikstra, Fácio Cadore, Gerry Adriano, La Clínica, Nicolas Malhomme, Oscar Rodriguez, Simone Fortes e Soonand
The Impact of Personality on Virtual Team Creativity and Quality
No full textA series of experiments investigated creativity and quality of work-product solutions in virtual teams (Ocker,2007, 2005; Ocker & Fjermestad, 1998; Ocker, Hiltz, & Johnson, 1998; Ocker, Hiltz, Turoff, & Fjermestad, 1996). Across experiments, small teams with about five graduate students interacted for approximately two weeks to determine the high-level requirements and design for a computerized post office (Goel, 1989; Olson, Olson, Storrosten, & Carter, 1993). The means of interaction was manipulated in these experiments such that teams interacted via one of the following treatments: (1) asynchronous computer-medicated communication (CMC), (2) synchronous CMC, (3) asynchronous CMC interspersed with face-to-face (FtF) meetings, or (4) a series of traditional FtF meetings without any electronic communication.</jats:p
Steve Perisho & Mark Ocker, August 1973
No full textSteve Perisho and Mark Ocker, in boat with dogs.,August 1973.https://digitalcommons.georgefox.edu/perisho_alaska/1254/thumbnail.jp
Mark Ocker & Amos Greene, June (?) 1975
No full textMark Ocker and Amos Greene, June (?) 1975.https://digitalcommons.georgefox.edu/perisho_alaska/1289/thumbnail.jp
Masculinity, victimhood and national identity in 1970s Australian ocker cinema
No full textHistorians have long understood ocker cinema in terms of a more distinct and assertive national identity in Whitlam’s 1970s, yet only recently have begun to consider the context of the women’s liberation movement unfolding at the time. Adding to this emerging body of scholarship, this article reads the rise of ocker cinema both in the context of, and as a response to, second-wave feminism. Turning to the films Stork (1971), The Adventures of Barry McKenzie (1972) and Alvin Purple (1973), this article argues that the cinematic articulation of the ocker in the 1970s not only asserted a masculinist national identity, but also positioned this national masculinity as the victim of (and in danger from) threatening feminist challenges
The Impact of Personality on Virtual Team Creativity and Quality
No full textA series of experiments investigated creativity and quality of work-product solutions in virtual teams (Ocker, forthcoming; Ocker, 2005; Ocker & Fjermestad, 1998; Ocker et al., 1998; 1996). Across experiments, small teams with about five graduate students interacted for approximately two weeks to determine the high-level requirements and design for a computerized post office (Goel, 1989; Olson et al., 1993). The means of interaction was manipulated in these experiments such that teams interacted via one of the following treatments: (1) asynchronous computer-medicated communication (CMC), (2) synchronous CMC, (3) asynchronous CMC interspersed with face-to-face (FtF) meetings, or (4) a series of traditional FtF meetings without any electronic communication. A repeated finding across experiments was that teams interacting only using asynchronous CMC – that is, teams without any FtF or synchronous communication -- produced significantly more creative results than teams in the other treatments. Additionally, asynchronous virtual teams rated high in creativity were generally not the same teams that were judged high in terms of the quality of their deliverable. To further examine these findings, this chapter presents results of an exploratory study designed to investigate the impact of individual personality facets on team outcomes. The objective of this study is to determine whether differences in team outcomes – in terms of the level of creativity versus the quality of the team deliverable – can be predicted by individual member personality.no abstract</jats:p
Sedimentary Layers: Bob Hawke’s Beer World Record and Ocker Chic
No full textAustralia’s 23rd prime minister, Bob Hawke, is celebrated for a world record set at the University of Oxford in the 1950s for the fastest consumption of a yard of ale. The beer record is apocryphal, having five evidential flaws. However, the embellishment—or fabrication—of the record was crucial to the “larrikin-leader” dual image Hawke constructed over the course of the 1970s as he manoeuvred to enter parliament. Hawke’s dual image appealed widely from the 1970s onwards because of the rise of the “ocker”: a middle-class caricature of Australians. By the 1980s, a refined “ocker chic” identity had emerged in which the middle class could erect a national culture that feigned meritocracy. In the 2020s, politicians, professionals, performative fathers and others identify with an ahistorical nation in which irreverence, elasticated leather boots, cowboy hats, Bavarian-style cold beer, and stories of endurance in foreign lands help to conceal their privilege. While many commentators have tried to explain this phenomenon, Diane Kirkby’s formulation of ocker chic reveals the interchange between class, gender and race that has preserved neoliberal capitalism in Australia. © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
Ocker : en studie om gällande rätt
No full textOcker är ingen ny företeelse, då det finns uttryck för ocker i Bibeln. Definitionen för ocker har ändrats genom åren. Syftet med uppsatsen är att belysa ocker och jämföra med 36 § avtalslagen Uppsatsen använder traditionell juridisk metod. Traditionell juridisk metod innebär att man använder olika rättskällor som lagstiftning, förarbeten, praxis och doktrin. Kriterier för ocker är trångmål, oförstånd, lättsinne och beroendeställning. Det ska också ha förekommit ett uppenbart missförhållande. Trångmål är situationer, där ockraren vet att den svagare parten är i stort behov av att låna pengar, för att köpa något och banken har sagt nej till lån. Oförstånd är en situation, där den ena parten inte är allmänt mer eller mindre intelligent, men kan inte förstå hela omfattningen av sitt handlande. Lättsinne innebär att personen handlar med ockraren utan att se vilka konsekvenser handlandet kan få. Beroendeställning är att ena parten är starkare än den andra och drar nytta av den svagare partens brist på egen insats eller medverkan. Ett uppenbart missförhållande innebär att avgöra de olika prestationernas värde, mellan det krävda värdet.Usury is not a new commonplace, although there are expressions for usury in the Bible. The definition for usury has changed through the years. The purpose of this essay is to elucidate the usury prerequisite in the contract law and compare with the 36 § in the contract law. The essay uses a traditional jurisprudential research method. The traditional jurisprudential method means that you use different kind of accounting practise such as legislation, legislative history of an enactment, codes of practise and doctrines. The criteria for usury are distress, want of judgement, license and dependent attitude. There must also have been a clear case of abuse. Distress situations are those where there the usurer knows that the victim is in need of money, to buy something and the bank had said no to raise a loan. Want of judgement is a situation where one part is not less intelligent but cannot understand the full extent of the action. License means that a person deals with the usurer without realising the consequences of the action. Dependent attitude means that one part is stronger than the other part and takes advantage of the weaker part’s incapability to think or act by himself or herself. A clear case of abuse is to conclude the value of different performances, between the demanded values
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