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    Osborn, D

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    The future is in the post: perspectives on strategy in the postal industry.

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    This book is about ‘the post’ and its future. For many this means direct mail, and a common assumption is that this is a sector in almost inevitable decline. But to believe this is to take a far-too-limited view. In fact never has the business of the post been more exciting and challenging, and seldom have there been so many opportunities that could be grasped. With digital convergence direct mail has become an integral part of the media mix; electronic commerce has contributed to a healthy development in the traffic of parcels; and for those postal operators active in banking, finance and insurance competition and digitisation has offered new opportunities. In The Future Is in the Post an international group of highly experienced industry thought leaders discuss some of the strategic choices facing postal operators. Their discussion of the main drivers for change provides managers, suppliers, customers, policy-makers and politicians, regulators, and academics with insights into the challenges and opportunities the sector is facing, and how strategically the industry is responding. The Future Is in the Post shows clearly that there is no ‘one size fits all’ recipe for strategic success and that each business will need to determine its own route to survival. The sixteen contributors include those with senior managerial experience in posts in Australia, Canada, Germany, Italy, the Netherlands, Sweden, Switzerland and the UK, together with representatives of several major international consultancy organisations to posts and governments plus senior executives from international companies that are major users of, or suppliers to, the posts

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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