1,720,966 research outputs found
La pittura romana nell'Italia settentrionale e nelle regioni limitrofe
Curatela del volum
Rileggere Pompei II. L'insula 13 della Regio VI.
Il volume, con contributi di diversi studiosi, contiene i risultati delle indagini condotte a Pompei in diverse domus dell'insula 13 della Regio VI. Si individuano le fasi architettoniche, l'apparato decorativo, la decorazione pittorica. Tra i risultati, la ricostruzione della distribuzione irica nell'area studiata e un nuovo rilievo dell'insula
LA PITTURA ROMANA NELLA CISALPINA ORIENTALE : CONTESTI ARCHITETTONICI E SISTEMI DECORATIVI
Il tema del progetto di ricerca è lo studio della pittura romana nell’area della Cisalpina orientale, con particolare riferimento alle problematiche connesse alla definizione dei processi formativi e delle peculiarità delle maestranze. L’ambito geografico considerato è compreso tra Altino e Trieste: all’interno di questo comparto territoriale Aquileia e Altino hanno costituito i due ambiti privilegiati della ricerca, anche per la possibilità di condurre un’indagine rigorosa su tutto il materiale pittorico conservato presso i Musei Archeologici. L’esame autoptico condotto con un approccio metodologico volto a considerare il supporto e la superficie dipinta è stato incrociato con l’analisi delle fonti documentarie inedite, che nel caso di Aquileia hanno rappresentato un imprescindibile strumento per la restituzione dei contesti: sono stati riqualificate nel senso topografico alcune partizioni edite, che assieme a numerose altre inedite vanno a restituire una nuova immagine alle abitazioni scavate nel secolo scorso.
Lo studio ha messo in evidenza un panorama ricco dal punto di vista quantitativo che ho offerto significativi spunti di analisi sui caratteri della produzione, soprattutto nell’ottica del riconoscimento delle peculiarità regionali elaborate dalle officine pittoriche operanti sul territorio.The subject of this research project is the study of Roman wall-painting in eastern Cisalpine Gaul, more specifically dealing with the aspects of the creation and development of the local workshops and their peculiar characteristics. The area taken into consideration is set between Altino and Trieste: within this territory Aquileia and Altino have represented the two privileged research fields, given the possibility to analyse thoroughly all the wall-painting evidence preserved in the Archaeological Museums. Direct examination, conducted with a specific attention to the plaster bearer and the painted surface, has been combined with the analysis of unpublished documentation which, in the case of Aquileia, has represented an indispensable instrument for the reconstruction of the original contexts. In this way it has been possible to re-define topographically some well known examples of wall-paintings which, together with many yet unpublished examples, contribute to give a new image of the private houses excavated during the last century.
This research has revealed an outline very rich in respect of the quantities and which has offered interesting starting points for the analysis of the different aspects of the production, specifically aimed to the recognition of local peculiarities developed by the workshops operating in this area
Roman wall-painting in eastern Cisalpine Gaul
Il tema del progetto di ricerca è lo studio della pittura romana nell’area della Cisalpina orientale, con particolare riferimento alle problematiche connesse alla definizione dei processi formativi e delle peculiarità delle maestranze. L’ambito geografico considerato è compreso tra Altino e Trieste: all’interno di questo comparto territoriale Aquileia e Altino hanno costituito i due ambiti privilegiati della ricerca, anche per la possibilità di condurre un’indagine rigorosa su tutto il materiale pittorico conservato presso i Musei Archeologici. L’esame autoptico condotto con un approccio metodologico volto a considerare il supporto e la superficie dipinta è stato incrociato con l’analisi delle fonti documentarie inedite, che nel caso di Aquileia hanno rappresentato un imprescindibile strumento per la restituzione dei contesti: sono stati riqualificate nel senso topografico alcune partizioni edite, che assieme a numerose altre inedite vanno a restituire una nuova immagine alle abitazioni scavate nel secolo scorso.
Lo studio ha messo in evidenza un panorama ricco dal punto di vista quantitativo che ho offerto significativi spunti di analisi sui caratteri della produzione, soprattutto nell’ottica del riconoscimento delle peculiarità regionali elaborate dalle officine pittoriche operanti sul territorio.The subject of this research project is the study of Roman wall-painting in eastern Cisalpine Gaul, more specifically dealing with the aspects of the creation and development of the local workshops and their peculiar characteristics. The area taken into consideration is set between Altino and Trieste: within this territory Aquileia and Altino have represented the two privileged research fields, given the possibility to analyse thoroughly all the wall-painting evidence preserved in the Archaeological Museums. Direct examination, conducted with a specific attention to the plaster bearer and the painted surface, has been combined with the analysis of unpublished documentation which, in the case of Aquileia, has represented an indispensable instrument for the reconstruction of the original contexts. In this way it has been possible to re-define topographically some well known examples of wall-paintings which, together with many yet unpublished examples, contribute to give a new image of the private houses excavated during the last century.
This research has revealed an outline very rich in respect of the quantities and which has offered interesting starting points for the analysis of the different aspects of the production, specifically aimed to the recognition of local peculiarities developed by the workshops operating in this area
Prime esplorazioni e ricerche nel suburbio diAquileia. L’area nel comparto sud-occidentale tra Bacchina e Panigai
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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