100,316 research outputs found

    Tagging of Biomedical Articles on CiteULike: A Comparison of User, Author and Professional Indexing

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    This paper examines the context of online indexing from the viewpoint of three different groups: users, authors, and professional indexers. User tags, author keywords and descriptors were collected from academic journal articles, which were both indexed in Pubmed and tagged on CiteULike, and analysed. Descriptive statistics, informetric measures, and thesaural term comparison shows that there are important differences in the use of keywords between the three groups in addition to similarities which can be used to enhance support for search and browse. While tags and author keywords were found that matched descriptors exactly, other terms which did not match but provided important expansion to the indexing lexicon were found. These additional terms could be used to enhance support for searching and browsing in article databases as well as to provide invaluable data for entry vocabulary and emergent terminology for regular updates to indexing systems. Additionally, the study suggests that tags support organisation by association to task, projects and subject while making important connections to traditional systems which classify into subject categories

    Title not given

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    1 p. : ill. ; 27 cmThis untitled document invites readers to join the Coalition To Fight City Racism. The Coalition aims to secure financial support for the Victor Carvery Defence Fund and encourages participation in its upcoming activities, including political activism and demonstrations designed to showcase the community’s resolve to oppose City Ordinance 188

    Archivist, Archaeologist, Author and the Tactile Window

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    The idea that the predominant way of engaging with architecture is through vision is not uncommon but also not always the most appropriate given that buildings are also experienced through tactile interventions. This consequence that emphasises visual aesthetics in order to appreciate and understand architecture probably has much to do with the assumed but rather vaguely defined role of the architect as designer in the practice of architectural design. A resulting misapprehension is that architects designing for visual appreciation think that they are actually designing physical space for embodied tactile engagement. This prioritisation of vision in the way architects think about and approach design is questioned through the design project of the Tactile Window in which the position of the architect is redefined through inhabiting the roles of archivist, archaeologist and author during the design process. A 16th century portrait of Queen Elizabeth I known as the Ditchley portrait, currently on display at the National Portrait Gallery is used as the source from which the design of the Tactile Window is derived from and refers back to. Questioning the validity of vision as the sole means of engaging with the work, information about the portrait and working methods gathered from the three carefully chosen positions mentioned above are drawn on and applied to the making of this Tactile Window that becomes an alternative Ditchley portrait. Through exploring the hidden historical and current narratives of and in the existing portrait, the presence of the portrait is alluded to on an alternative physical site. Key to this are the working methods of an invented archival system of design reasoning, the unearthing of archaeological texts and assuming of authorship within the individual frameworks of the roles of archivist, archaeologist and author. The redefined role of the architect as archaeologist takes onboard the unearthing of associated drawings and writings as well as the methods of organising and applying the recovered information to the system set up by the archivist. This analysis of the graphic and text based information is used to formulate historical narratives that are woven into the design project. Whereas traditional archaeology stresses on the study of a site from a site with quantifiable limits to the physical context, the notion of archaeological sites in this instance refers to the places where the stored information is unearthed. Through the careful process of archiving and analysing this information, a new site that is located within both the physical and historical contexts of interest is discovered. The author then draws upon the elements in the archival system that includes the findings of the archaeologist to construct the alternative Ditchley portrait in this new site of the Echoing Cedar, the result of which bears no visual resemblance to the existing work. The Tactile Window is a reading of the Ditchley portrait in which information about and in the painting is transformed into a design proposal for an inhabited structure. The intended method of interaction with this alternative portrait is not merely restricted to vision but relies on engagement with the other senses. This experience is enhanced by the interplay with certain site conditions such as wind and rain in order to allude to specific aspects of the Ditchley portrait that are not visually apparent in the existing work. In the processes of excavating, finding and revealing the hidden information to create this alternative portrait, the effects of the visuals afforded by the existing portrait inadvertently begin to fade as the validity of a single means of visual expression is questioned

    George MacLeod’s open-air preaching: performance and counter-performance

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    Stuart Blythe uses the methodology of performance to analyse George MacLeod’s open-air preaching. He points out that MacLeod’s preaching was derived from a theology of the incarnation, and an understanding of the paradoxes and dichotomies of common human life. This preaching, Blythe suggests, was also a counter-performance in the context of outlooks and ideologies inimical to the gospel. The paper raises interesting issues related to preaching as performance, and the further question as to whether or not the life and work of the Church as a whole might now be better understood as a counter-performance.Publisher PD

    Letter from [author unknown] to John Muir, 1895 Dec 23.

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    Somers, Dec. 23rd. 1895.Mr. John Muir,Your book “The Mountains of California” has given such pleasure to one reader that she wishes to express gratitude to the author. My trip was a limited one and taken many years ago, but so far as ray experience went, your book confirms and revives my impressions. It was read with keen enjoyment and sympathy and many another will follow its pages with the same zest. The lines were not inspired by the book, but perhaps they will be in touch with it. My name has no significance and so it is not signed, but perhaps it will gratify you to know that your descriptions have brought some of the glories you have seen to an obscure person in an obscure village.Merced.Merced, Merced, thy crystal waveO\u27er granite sands doth flow, Whereon the vagrant sunbeams weaveA net of gold below.Thy banks are daintily besetWith ferns and grasses fine And beds of snowy violetThe tangled roots entwine.The stately rocks (E1 CapitanCathedral, Brothers Three) Within thy bosom hold divanIn tranquil majesty.Unaltered \u27neath the flowing tideThose sharp reflections dwell; E\u27en so while busy lustrums glideEndures thy beauty\u27s spell.[Envelope containing letter inscribed, in Muir\u27s handwriting, “Miss No Name, Somers, Cal.”]02054https://scholarlycommons.pacific.edu/jmcl/25216/thumbnail.jp

    The Myth of the Myth of the Rational Voter

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    This paper argues that Bryan Caplan’s Myth of the Rational Voter overstates in case against democracy by not dealing with what might be called the historical/instrumentalist argument for democracy. It argues that the case for democracy that he attacks is primarily an academic exercise, which makes his argument against that case also an academic exercise. It further argues that the supposed policy choice that Caplan presents between the market and democracy is not the correct choice, and that his proposals that economists should be given more voting weight in the democratic decision process is inappropriate.

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    Not AvailableNo APPRECIATING THE SUCCESSFUL FORMULATION AND EFFECTIVE EXECUTION OF OPERATIONAL RESEARCH PROJECTS ON WATERSHED MANAGEMENT BASIS BY THE CSWCRTI , DEHRADUN , THE INDIAN COUNCIL OF AGRICULTURAL RESEARCH ENTRUSTED THE RESPONSIBILITY TO THE INSTITUTE AND ITS RESEARCH CENTRES TO PREPARE WATERSHED MANAGEMENT PLANS FOR 18 WATERSHEDS LOCATED IN BACKWARD REMOTE AREAS OF THE COUNTRY. THE AUTHOR HAS GIVEN DETAILS REGARDING THE BACKGROUND , IMPORTANCE, COMPONENTS AND AREAS OF THESE WATERSHED PLANS IN THIS ARTICLE.Not Availabl
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