1,720,967 research outputs found
L’écriture comme événement
No full textZeitgenössisches Theater überschreitet zunehmend den institutionellen Rahmen des Stadttheaters und verändert zugleich das Verhältnis von Dramentext und Inszenierung, Produktion und Prozess, Interpretation und Lektüre. Die Autorenregisseur_innen René Pollesch, Christoph Schlingensief, Sabine Harbeke und SIGNA zeigen je eigene Modelle, wie der Dramentext kurz vor, während oder sogar erst nach der Aufführung Gestalt annehmen kann, wie der Produktionsprozess den Theatertext unnachspielbar macht und wie die Rezeption der Zuschauenden von der semiotisch geschulten Interpretation eines aufgeführten Dramas zur teilnehmenden Lektüre eines Theaterereignisses im öffentlichen und subjektiven Raum wird.Contemporary theatre increasingly transgresses the framework of institutionalized theatre and simultaneously inverts the conventional relations between dramatic text and staging, production and process, and interpretation and reading. The author-directors René Pollesch, Christoph Schlingensief, Sabine Harbeke and SIGNA have each developed their own models of inversion: Either the dramatic text is finished shortly before, during or even after a performance; or the process of production makes it impossible to reproduce the theatrical text; or the mode of reception adopted by the audience shifts from the semiotic interpretation of a performed drama to a participatory reading of the theatrical event taking place in public and subjective space.Le théâtre contemporain dépasse de plus en plus l’espace du théâtre institutionnel et transforme en même temps le rapport entre le texte dramatique et la mise en scène, la production et le processus, l’interprétation et la lecture. Les auteurs-metteurs en scène et les auteures- metteuses en scène René Pollesch, Christoph Schlingensief, Sabine Harbeke et SIGNA montrent chacun un modèle : comment le texte dramatique prend forme juste avant, pendant ou même après le spectacle, comment le processus de production rend le texte théâtral non rejouable, et comment la réception des spectateurs et des spectatrices passe de l’interprétation sémiotique d’un drame joué à une lecture participative d’un événement théâtral dans un espace public et subjectif
Autorenregie : Theater und Texte von Sabine Harbeke, Armin Petras/Fritz Kater, Christoph Schlingensief und René Pollesch /
No full textOriginally presented as the author's thesis (doctoral)--Universität Hamburg.Includes bibliographical references
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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