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    Ukrainische Volksmärchen, Nikola Verlag

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    UKRAINISCHE VOLKSMÄRCHEN, NIKOLA VERLAG Ukrainische Volksmärchen, Nikola Verlag ( -

    NIKOLA TESLA EXPERIENCE CENTAR KARLOVAC

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    Nikola Tesla imao je značajan utjecaj u svijetu a tako i gradu Karlovcu gdje je završio svoje prvo školovanje. Kako u svijetu tako i u Hrvatskoj daje se poseban značaj izumima Nikole Tesle i njegovu životu. Grad Karlovac u svrhu davanja na važnosti Teslinom radu odlučuje rekonstruirati staru zgradu pored karlovačke gimnazije u svrhu osnivanja Nikola Tesla poduzetničkog centra. U ovom radu prikazan je značaj projekta za grad Karlovac njegova svrha i cilj razvoja. Također su prikazani glavni dijelovi projekta upotpunjeni tehničko dokumentacijom. Nikola Tesla poduzetnički centar zasigurno će biti od značaja za grad Karlovac i njegove stanovnika kako na lokalnoj tako i međunarodnoj razini.Nikola Tesla had a significant influence in the world, including the city of Karlovac, where he completed his first schooling. Both in the world and in Croatia, special importance is given to the inventions of Nikola Tesla and his life. In order to give importance to Tesla's work, the City of Karlovac decides to reconstruct the old building next to the Karlovac Gymnasium in order to establish the Nikola Tesla Entrepreneurship Center. This paper presents the importance of the project for the city of Karlovac, its purpose and goal of development. The main parts of the project, complete with technical documentation, are also presented. Nikola Tesla Entrepreneurship Center will certainly be important for the city of Karlovac and its inhabitants both locally and internationally

    Analiza posjetitelja Memorijalnog centra Nikola Tesla u Smiljanu

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    U radu je prikazana analiza posjetitelja Memorijalnog centra Nikola Tesla u Smiljanu pri kojoj su korišteni primarni podaci dobiveni osobnim istraživanjem autorice rada.Istraživanjem je obuhvaćen reprezativni uzorak ispitanika koji dolaze s područja Ličko -senjske županije i susjednih županija.Podatci su istiniti i vjerodostojni te prikazuju stvarnu sliku posjetitelja i ljubitelja životnog dijela najvećeg uma ovih prostora, čovjeka koji je svojim radom osvijetlijo svijet i bez kojega naša svakodnevnica ne bi nalikovala na ovo što danas jest.U radu se koriste osnovni statistički pokazatelji i metode kojima se došlo do vrijednih rezultata navedenim istaživanjem.Također opisana je i sama ustanova i rad Memorijalnog centra Nikola Tesla te aktivnosti kojima se bavio da bi se djelo našeg genija Nikole Tesle prenijelo na nove naraštaje i za ostale posjetitelje koji nisu upoznati sa svim čudesnim činjenicama iz života izumitelja.The paper presents an analysis of visitors to the Memorial Center Nikola Tesla in Smiljan ,where primary data was obtained by personal research of the author of the work.The survey included a representative sample of respondents coming from the Lika -Senj County and adjacent counties.The data are true and credible and depict the real picture of the visitor and the fan of the work of the greatest mind of this space, a man who,through his work, illuminated the world without which our everyday life would not resemble what he is today. This paper uses basic statistical indicators and methods that have made valuable results in the above mentioned research.Also,the institution itself and the work of the Memorial Center of Nikola Tesla and the activities he dealt with are described in order to transfer the work of our genius Nikola Tesla to new generations and to other visitors who are not acquainted with all the miraculous facts from the life of the inventor

    Analiza emisije zagađujućih materija u vazduh iz termoelektrana „Nikola Tesla A“ i „Nikola Tesla B“

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    U radu je prikazana vremenska analiza emisije zagađujućih materija u vazduh na primeru dve najveće termoelektrane „Nikola Tesla A“ i „Nikola Tesla B“. Ogranak „Termoelektrane Nikola Tesla“ je najveći proizvođač električne energije u Jugoistočnoj Evropi. Ima 14 blokova čija je ukupna instalisana snaga 3.430 MW. U sastavu Ogranak „Termoelektrane Nikola Tesla“ su TE Nikola Tesla A (sa 6 blokova) 1650 MW projektovane snage i TE Nikola Tesla B (sa 2 bloka) 1.340 MW električne snage. U okviru „Termoelektrane Nikola Tesla A“ se nalaze blokovi A1 sa 660 MW, A2 sa 660 MW, A3 sa 932 MW, A4 sa 943 MW, A5 sa 934 MW i blok A6 sa 934 MW toplotne snage, dok u okviru „Termoelektrane Nikola Tesla B“ se nalaze dva bloka B1 i B2 sa po 1809 MW i 1826 MW toplotne snage. Trend emisije je prikazan za tri zagađujuće materije, sumpor-dioksid, azotove okside i praškaste materije za 2022., 2021. i 2020. godinu. Dimni gasovi koji sadrže zagađujuće materije se ispuštaju u vazduh preko dimnjaka visine 150 metara (blokovi А1, А2 и А3) и 220 metara (blokovi А4, А5 и А6) na „Termoelektrani Nikola Tesla A“ i 280 metara (blokovi B1 i B2) na „Termoelektrani Nikola Tesla B“. U skladu sa zakonskim zahtevima redovno vrše se kontinualna merenja, dok se periodična merenja vrše za proveru ispravnosti kontinualnih merenja

    A Palm as a Measure – Nikola Smilkov’s Figurines

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    The extraordinary tactility of figurines that can almost fit into the palm of one hand, their dimensions and the subtle processing of stone in the latest cycle of Nikola Smilkov reveal the idea of something extremely subtle and fragile, preserved as something precious; but, at the same time, a very suggestive impression of monumentality has been achieved by using wide and clean surfaces. Although unusually small in size, only ten to fifteen centimeters, the figurines are pondered and shaped as monumental sculptures, without meticulous processing and redundant details that would draw attention away from the whole. Clear and skillfully defined lines of mass have achieved exceptional ease not only of the movement, but also of the shape in its entirety, although it is mostly about the stone material. The manner of material processing has achieved the state of body sensuality, without the literal representation of recognizable attributes of nudity. Everything is reduced to the masses and the state of softness of the surface itself, i.e. of the texture of the stone material. By skillfully reducing the shapes in the spirit of Cubism, but without the depersonalization which is often present in Cubist figures, the artist “transfuses” the idea of the female being’s subtlety into stone in a very sensitive way. The softness of the flesh, the warmth of touch, the gentleness of the female body – they are all preserved in figurines shaped in stone … Although there is a noticeable Cubist reduction in shape, there are no sharp edges; by the very way of processing the stone everything is softened, with soft contours and in the sign of gentleness and confluence of masses. Everything “flows” softly, both lines and masses, so the figurines have a distinct visual effect of sophistication and subtlety. *** The artist opposes the firmness, the cold luster and sharpness of the contours of the black granite to the velvetyness of the surface, the gentleness of the contours and the luminous whiteness of the marble thus emphasizing the essential properties of the gentleness and fragility of the female being. On figurines in metal (bronze) a tougher modeling is observed; shapes are stricter; the principle of cubic reduction to basic geometric shapes is present to a greater extent, especially in the treatment of the head. The emphasis is more on the relation of mass and shape, and less on the fleshliness of the naked body, which is largely conditioned by the possibilities of the material itself. Being well aware of the possibilities of expression of the material, Smilkov uses bronze as a material in which the sharpness and slimness of the shape can be most clearly achieved, as well as the “soundness” of the material itself. By placing bronze figurines on a stone base, the artist measures the ratio of bronze and stone, opposing the two states and levels of the visual effect of the surface’s luster, but also the sonorousness of bronze – to the muffledness of stone. *** Finally, it can be said that the latest cycle of Nikola Smilkov’s figurines on the theme of the human body reveals the artist’s extremely nurtured sensitivity to the material’s expression. It is precisely the respect of the nature of the material that has essentially determined the modern sculpture at the beginning of the 20th century, which enabled a crucial shift in relation to the European sculpture of the last few centuries that “suffocated” in details in the representation of figures, which frequently annulled one of the essential characteristics of sculptural work, that is, above all, the expression of the material. The significance and the radical change that brought about a new approach to the material in modern sculpture are testified by artists’ superlative works, most prominent in the tendencies of respecting nature and possibilities of expression of the material itself, specifically in stone – primarily all the works of Constantin Brâncuşi at the very beginning of the 20th century, but also by Isamu Noguchi, Vojin Bakić and others during the second half of the 20th century; and, in the domain of bronze, i.e. metal – Alberto Giacometti, Henry Moore, Julio Gonzalez and others; and today, at the beginning of the 21st century, especially the works of Richard Serra. The basic guideline in Nikola Smilkov’s works has been so far precisely on that line of seeking and finding the possibility of expressing the essential properties of materials, primarily stone, but also of bronze. By exhibiting several of the most successful works of this cycle in a public space of monumental proportions, first of all, the sculptures Awakening (2015) and Anticipation (2015), in the well-established relationship of the sculpture itself with the surrounding space, the very essence of the female being would be “immortalized” in a modern but also timeless manner, and their full expression would be realized. Rajka Boskovic PhD Art Historian and Theoreticia

    Letter - Nikola Tesla to William B. Rankine, 19 April 1904

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    A letter from Nikola Tesla to William B. Rankine in the year 1904. Tesla discusses the worth of his patents/companies. Tesla also remarks on the power of several of his machines including "Tesla Coil", "Tesla Transformer", and "Tesla High-Potential Methods"

    Pfarrbrief St. Nikola/Donau

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    PFARRBRIEF ST. NIKOLA/DONAU Pfarrbrief St. Nikola/Donau Pfarrbrief St. Nikola/Donau 2014 / 01 (2014 / 01) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 02 (2014 / 02) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 03 (2014 / 03) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 04 (2014 / 04) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 05 (2014 / 05) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 06 (2014 / 06) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 07 (2014 / 07) ( - ) Pfarrbrief St. Nikola/Donau 2014 / 08 (2014 / 08) ( - ) Pfarrbrief St. Nikola/Donau 2015 / 01 (2015 / 01) ( - ) Pfarrbrief St. Nikola/Donau 2015 / 02 (2015 / 02) ( - ) Pfarrbrief St. Nikola/Donau 2015 / 03 (2015 / 03) ( - ) Pfarrbrief St. Nikola/Donau 2015 / 05 (2015 / 05) ([1]) Pfarrbrief St. Nikola/Donau 2015 / 06 (2015 / 06) ([uncounted]) Pfarrbrief St. Nikola/Donau 2015 / 07 (2015 / 07) ([uncounted]) Pfarrbrief St. Nikola/Donau 2015 / 08 (2015 / 08) ([uncounted]) Pfarrbrief St. Nikola/Donau 2015 / 09 (2015 / 09) ([uncounted]) Pfarrbrief St. Nikola/Donau 2016 / 01 (2016 / 01) ([uncounted]) Pfarrbrief St. Nikola/Donau 2016 / 02 (2016 / 02) ([uncounted]) Pfarrbrief St. Nikola/Donau 2016 / 03 (2016 / 03) ( - ) Pfarrbrief St. Nikola/Donau 2016 / 04 (2016 / 04) ( -

    NIKOLA TESLA`S TELEFORCE - THE ”DEATH RAY” MACHINE

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    It is well known that Nikola Tesla was a brilliant inventor. His inventions have advanced the World. His research work can be analyzed by the numerous interviews he had given to various media. The subject of this research is Nikola Tesla`s telеforce technology (the so-called ―death-ray‖ or ―death beam‖) and his inventions in that field. This technology has its root back at the beginning of the 1930s. The press called it a "peace ray" or ―death ray‖. For the purposes of this research, the method of content analysis will be used as the main method. Through Tesla's numerous statements on this topic, the authors of this paper will try to explain the seriousness of this technology. Key words: Nikola Tesla; teleforce; death-ray; defensive weapon; directed energy weapons

    IMPLEMENTATION OF 3D PRINTER IN MARITIME INDUSTRY

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    Ovaj rad se bavi implementacijom 3D printera u području pomorstva te su spomenute njegove prednosti, ali i nedostaci. U početnim poglavljima su objašnjene dvije najčešće vrste 3D printera kao osnovne tehnologije 3D printanja i njihova kronologija razvijanja. Osim primjene u području pomorstva, područja poput medicine i automobilske industrije su obrađene gdje su također bile navedeni razlozi korištenja ove tehnologije. Kao praktični dio smo odabrali plovilo, odnosno maketu RRS Nikola Tesla gdje je objašnjen postupak izrade ove makete. Kao rekapitulacija ovog rada u zaključku je dano mišljenje po pitanju daljnjeg potencijala i razvoja ove tehnologije u području pomorstva kao i u ostalim područjima.This graduate thesis deals with the implementation of 3D printers in the maritime sector, and its advantages and disadvantages are mentioned. In the initial chapters, two most common types of 3D printers are explained as well as the basics 3D printing technologies with their development chronology. Apart from marine applications, application in areas such as medicine and automotive industry have also been explained, as well as their reasons for using such technology. As a practical part we chose the boat or model of RRS Nikola Tesla where the process of making this model was explained. As a recapitulation of this paper, conclusions are given regarding the further potential and development of this technology in maritime affairs as well as in other areas

    Nell’anno di Nikola Tesla

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    The 150th Anniversary Celebration of Nikola Tesla The paper deals with the 150th anniversary celebration of Nikola Tesla, the greatest ever Yugoslav scientist. Due to his origins, Tesla is contended between Serbia and Croatia, but he is also considered to be an American scientist since he registered most of his patents in the USA. Although there is some dissension between Serbia and Croatia regarding the historical facts about Tesla’s life, it can be asserted that Tesla appears to be an example of collaboration among the former Yugoslav countries. Tesla, however, deserves to be remembered as well as the author of autobiographical prose (My Inventions; Some Personal Recollections; A Strange Experience by Nikola Tesla) and as the protagonist of many works published in Serbo-Croatian and in English, such as Miloš Crnjanski’s drama Tesla (1969) or The Hunger and Ecstasy of Vampires (1996) by Brian M. Stableford, for example. This fact should not be neglected and actually should be researched more fully
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