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    "Låt oss vandra i det landskap vi har" : Förlust, hopp och platsbundenhet i Kerstin Ekmans och Terry Tempest Williams naturessäer

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    The aim of this study is to study how the themes of loss, hope and place attachment is presented in relation to the concept of ecoglobalist affects in the contemporary nature writing of Swedish author Kerstin Ekman and American author Terry Tempest Williams. I have performed a comparative close reading of three works per author and discussed them in relation to the definitions of nature writing and ecoglobalist affects by Lawrence Buell and the definition of place attachment as a psychological process by Leila Scannell and Robert Gifford. I have found that all of the texts are clear cases of environmentally oriented literature, that the depictions of loss, hope and place attachment are very similar and that while Ekman focuses on the lack of general public knowledge and mostly refrains from dissolving boundaries between the self and the environment, Williams focuses more on the latter. I also found that while examples of ecoglobalist affects could be read in works by both authors in different ways, they were not present in all of the texts.Syftet med denna studie är att studera hur förlust, hopp och platsbundenhet presenteras som teman i relation till begreppet ecoglobalist affects i Kerstin Ekmans och Terry Tempest Williams naturessäer. Jag har genomfört en komparativ närläsning av tre verk per författare och diskuterat dem i relation till Lawrence Buells definition av nature writing och ecoglobalist affects, samt Leila Scannells och Robert Giffords definition av platsbundenhet som psykologisk process. Studien fann att samtliga av texterna är klara exempel på miljöorienterad litteratur, att skildringarna av förlust, hopp och platsbundenhet har många likheter samt att Ekmans essäer fokuserar på allmän kunskapsbrist och mestadels avstår från att upplösa gränser mellan jaget och den icke-mänskliga naturen, medan Williams fokuserar mer på det sistnämnda. Jag fann även att ecoglobalist affects kunde läsas i verk av båda författarna, men inte i samtliga av de undersökta texterna. 

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Källvatten och kartläggningar : om materialinsamling, urval och teoretiska översvämningar

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    I denna artikel reflekterar jag över materialinsamlingen i mitt avhandlingsarbete som en process avletande och samlande med utgångspunkt i Gilles Deleuzes och Félix Guattaris definition av rhizomatiskttänkande. I texten diskuterar jag några av de utmaningar som det innebär att utgå ifrån ett litterärt motivsom gemensam nämnare i mitt material, till skillnad från urvalskriterier som är lättare att identifiera ochkatalogisera, exempelvis genre, tidsepok, författarskap och så vidare. Jag lyfter även de utmaningar ochmöjligheter som det innebär att arbeta med såväl skönlitterära genrer och forskningsfält som för tillfälletfortfarande är i blivande och som expanderar och utvecklas i hög hastighet, exempelvis klimatfiktion ochforskningen om klimatfiktion. Avslutningsvis diskuterar jag även avgränsningar av materialet och dess orsakeroch konsekvenser för projektet.In this article I reflect on the data collection in my dissertation project, as a process of searching and gathering,using Gilles Deleuze’s and Félix Guattari’s definition of rhizomatic thinking. In the article, I discuss some of thechallenges of working with a literary motif as a common denominator in my material, as opposed to selectioncriteria that are easier to identify and catalogue, for example genre, time period, authorship and so on. Ialso examine the challenges and opportunities it entails to be working with literary genres as well as fieldsof research which are still emerging and which are expanding and developing at great speed, for exampleclimate fiction and research about climate fiction. Finally, I also discuss the delimitations of the material, themotives behind them and their consequences for the project
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