1,721,134 research outputs found
Book review: 'Designerly ways of knowing', by Nigel Cross
No full textReview of the book 'Designerly ways of knowing', by Nigel Cross, published by Springer Verlag, 2006
Design Thinking
No full textDesign thinking is the core creative process for any designer; this book explores and explains this apparently mysterious “design ability.”
Focusing on what designers do when they design, Design Thinking is structured around a series of in-depth case studies of outstanding and expert designers, interwoven with overviews and analyses. The range covered reflects the breadth of design, from hardware and software design to architecture and Formula One. The book offers new insights into and understanding of design thinking, based on evidence from observation and investigation of design practice.
Design Thinking is the distillation of the work of one of design’s most influential scholars. Nigel Cross goes to the heart of what it means to think and work as a designer. The book is an ideal guide for anyone who wants to be a designer or to know how good designers work in the field of contemporary design.</JATS1:p
Design researches in the context of concept by Nigel Cross («Designerly Ways of Knowing») / Frolova N.Yu.
No full textРаздел 9. Дизайн и дизайн-образование в современном поликультурном мире = Section 9. Design and design education in modern multicultural worldСтатья посвящена проблеме исследования дизайна и растущего интереса к «проектности» как новой культурной парадигме. В статье приводится книга «Дизайнерские способы познания» («Designerly Ways of Knowing») известного ученого и методолога Найджела Кросса (Nigel Cross) и анализируется глава, связанная с дизайн-исследованиями.The article defines the problems of design research and the growing interest in «project paradigm» as a new cultural paradigm. The article is based on the book "Designed Ways of Knowing" by well-known scientist Nigel Cross. and analysed the chapter connected with the «Design research»
Perancangan dan Pengembangan Produk Alat Bantu Jalan Kruk Tambahan Kursi (Foldable Walking Stick) dengan Metode Nigel Cross
No full textDalam merancang produk tentunya ada sebuah proses yang terjalin dengan kebutuhan pengguna untuk mensukseskan
produkyang akan dibuat. Produk yang dibuat harus sesuai dengan keinginan konsumen dan agar tercipta rasa puasdari konsumen. Oleh karena itu, rancangan produk yang dibuat harus sesuai dengan keinginan dan kebutuhan dari konsumen. Metode yang digunakan dalam penelitian ini ada Metode Nigel Cross. Metode Nigel Cross ini terdiri dari 7 langkah dalam perancangan produk yang fungsinya membantu sang perancang dalam merancang produknya. Produk yang akan dibuat berupa kruk yang memiliki atribut berupa bahan utama berbahan stainless, produk berwarna silver, tinggi produk setinggi 150 cm, berat produk sebesar 0,5 kg, produk berbentuk huruf Y, bahan untuk lapisan produk terbuat dari busa, fungsi utama produk yaitu untukmembantu orang berjalan, fungsi tambahan yaitu tersedia tempat duduk, warna untuk tempat duduk berwarna hitam, bahan dari tempat duduk terbuat dari busa, dan tempat dudukberbentuk persegi
PERANCANGAN PROTOTIPE KURSI RODA UNTUK MEMBANTU FLEKSIBILITAS PENGGUNA DENGAN PENDEKATAN 7 LANGKAH NIGEL CROSS
Get PDFThis study discusses the design of a wheelchair prototype to help the flexibility of sufferers. The design of the prototype was carried out with a 7-step nigel cross. The process begins with the classification of design objectives and establishing the design function. Then determine the characteristics to relate the wishes of the sufferer with the technical characteristics offered. Then alternative generation which provides 3 alternatives to flexy wheelchair design. Furthermore, evaluate alternatives, namely choosing one of the best alternatives. After weighting, the best alternative 1 is obtained. Alternative 1 has specifications, namely using aluminum material, dimensions of 1000mm (L), 620mm (W) and 910mm (H), transport wheelchair design, foldable wheelchair, semi-manual manufacturing method, wheelchair weight 12 kg and material strength 80 Kg. The results of testing the prototype using a roll machine and static load showed that the flexy wheelchair was able to withstand a load of 80 Kg and the components of the wheelchair were in good condition.
Keywords : Flexy Wheelchair ; Nigel Cross ; Prototype Desig
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Perancangan Alat Pelindung Diri Operator Mesin Rumput Dengan Menggunakan Metode Nigel Cross
Get PDFThis study discusses the design of personal protective equipment products, namely Apekateka for lawn machine operators. Product design is done by the nigel cross method. The product design process begins with classifying the design objectives and assigning functions. After compiling consumer needs to determine the specifications of the new Apekateka, then determine the characteristics that aim to determine what targets will be achieved according to consumer needs. Furthermore, alternative generation that proposes 3 alternatives from Apekateka, then evaluates alternatives to choose one of the best alternatives, where the number of the best results, namely alternative 1 is an option. In alternative 1, Apekateka has specifications, namely steel plate material, rectangular design, locking system with a prong lock hook, method of making the tool semi, standard for sorting raw materials SNI 07-0722-1989, and length and width of 25 x 11 cm. Based on the tests that have been carried out, this tool can increase the comfort of the lawn machine operator by 77.8%. This is in accordance with the purpose of designing Apekateka products with 4 points of need, namely safe, comfortable, inexpensive, and operational.
Keywords : Design, Product Design, Nigel Cross, Apekatek
TINJAUAN ARSITEKTUR: BAGAIMANA MERANCANG ARSITEKTUR DAN MENKAJI METODE RANCANG ARSITEK NIGEL CROSS
Get PDFTulisan ini mencoba menginterpretasi dan menjelaskan tentang perancangan dalam ilmu arsitekturdan proses olah rancangnya. Tulisan ini menggambarkan pemahaman perancangan , bagaimana memulaisuatu proses perancangan dan apa produk akhir sebuah hasil karya arsitektur. Dasar pemikiran yangmatang sebelum memulai suatu perancangan sangat penting, untuk kemudian dilanjutkan dengan proses olahrancang. Beberapa aspek penting yang akan mempengaruhi dasar pemikiran dan pekerjaan perancanganadalah ide, tema, konsep, permasalahan dan preseden. Paper ini juga mengkaji metoda perancanganmenurut Nigel Cross yang dapat dipakai dalam mengeksplorasi proses perancangan.Kata Kunci: Kegiatan perancangan, teoritis, Mutu / kualitas ≠Kuantitas, Nigel Cros
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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