1,721,179 research outputs found
Tableau mensuel des nouveautés propres aux cabinets de lecture.
No full text[Catalogue de libraire. Paris. Pigoreau, Nicolas-Alexandre. 1830]Avec mode text
Supplément au catalogue des romans et autres livres, qui se trouvent chez Pigoreau, libraire, place St.-Germain-l'Auxerrois
No full text[Catalogue de libraire. Paris. Pigoreau, Nicolas-Alexandre. 1810]Avec mode text
Table ronde
No full textIntervenants :
Maria Cristina Fumagalli - Professeur de Littérature et d\u27Histoire culturelle, University of Essex, UK.
Karine Galy - Maître de conférence en Droit Public, CRPLC, UA.
Yolande-Salomé Toumson - Doctorante en Arts et Cinéma, CRILLASH, UA.
Nicolas-Alexandre Tremblay - Co-réalisateur du documentaire « Citoyens de nulle part ».
Bridget Wooding - Directrice de l\u27Observatoire des migrants de la Caraïbe, Rép. Dominicaine.
Modération : Myriam Moïse - MCF Études anglophones, CRPLC, UA
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Musique de création et spiritualité : forum à sept voix
No full textThis investigation of the relationship between the music of creation and spirituality is primarily a reflection set as a forum in seven voices, including remarks by the author. In the fall of 2010, seven musicians from different generations, practices and aesthetics agreed to answer by email the questions drawn up by Circuit’s editorial board. The musicians were Sandeep Bhagwati, Frans Ben Callado, Julie-Anne Derome, Wolf Edwards, André Hamel, Nicolas-Alexandre Marcotte and Rodney Sharman. The questionnaire’s lexical field, particularly polysemic (“spirituality”, “sacred”, “transcendence”, “absolute”), elicited a striking range of viewpoints. But certain constants stand out, notably the almost total absence of faith in the views held. Apparently, the practitioners of the music of creation, in tune with their times, defer to a “spirituality without God” as set forth in the philosophy of André Comte-Sponville.Cette enquête sur les rapports entre musique de création et spiritualité, qui se veut avant tout un espace de réflexion, prend la forme d’un forum à sept voix, présenté et commenté par l’auteur. Sept musiciens de générations, pratiques et esthétiques variées ont accepté de répondre, par courriel, à l’automne 2010, aux questions mises au point par la rédaction de Circuit. Il s’agit de Sandeep Bhagwati, Frans Ben Callado, Julie-Anne Derome, Wolf Edwards, André Hamel, Nicolas-Alexandre Marcotte et Rodney Sharman. Le champ lexical du questionnaire, particulièrement polysémique (« spiritualité », « sacré », « transcendance », « absolu »), a stimulé des réponses d’une frappante variété de points de vue. Toutefois, des constantes se détachent, notamment l’absence presque complète de la foi dans les propos tenus. On peut ainsi penser que les acteurs de la musique de création, en phase avec leur époque, tendent vers une « spiritualité sans Dieu », telle que décrite par le philosophe André Comte-Sponville
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