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    Big Ideas and Big Money: Think Tank Funding in America

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    This brief provides a detailed analysis of a first-of-its-kind, publicly available repository of U.S. think tank funding — www.thinktankfundingtracker.org. The repository tracks funding from foreign governments, the U.S. government, and Pentagon contractors to the top 50 think tanks in the United States over the past five years. It serves as a vital research guide for anyone wishing to learn more about the funding sources of prominent U.S. think tanks.  The repository gives a five-point transparency score to each of the top 50 think tanks in the U.S., a scale created by the authors based on five binary questions. Based on this criteria, nine of the top 50 think tanks (18 percent) are fully transparent, while 23 think tanks (46 percent) are partially transparent. Most concerning, the remaining 18 think tanks (36 percent) are "dark money" think tanks, entirely opaque in their funding without revealing donors.In the past five years, foreign governments and foreign government-owned entities donated more than 110milliontothetop50thinktanksintheUnitedStates.ThemostgenerousdonorcountriesweretheUnitedArabEmirates,theUnitedKingdom,andQatar,whichcontributed110 million to the top 50 think tanks in the United States. The most generous donor countries were the United Arab Emirates, the United Kingdom, and Qatar, which contributed 16.7 million, 15.5million,and15.5 million, and 9.1 million to U.S. think tanks, respectively. The Atlantic Council, Brookings Institution, and German Marshall Fund received the most money from foreign governments since 2019: 20.8million,20.8 million, 17.1 million, and 16.1million,respectively.A^ Inthatsameperiod,thetop100defensecompanieshavecontributedmorethan16.1 million, respectively. In that same period, the top 100 defense companies have contributed more than 34.7 million to the top 50 think tanks. The top donors include Northrop Grumman, Lockheed Martin, and Mitsubishi, which provided 5.6million,5.6 million, 2.6 million, and 2.1million,respectively,tothetrackedthinktanksbetween2019and2023.TheAtlanticCouncil,CenterforaNewAmericanSecurity,andtheCenterforStrategicandInternationalStudieswerethetoprecipientsofPentagoncontractormoney:2.1 million, respectively, to the tracked think tanks between 2019 and 2023. The Atlantic Council, Center for a New American Security, and the Center for Strategic and International Studies were the top recipients of Pentagon contractor money: 10.2 million, 6.6million,and6.6 million, and 4.1 million, respectively.The U.S. government has directly given at least 1.49billiontoAmericanthinktankssince2019.However,thevastmajorityofthisfunding1.49 billion to American think tanks since 2019. However, the vast majority of this funding — 1.4 billion — goes to the Rand Corporation, which works directly for the U.S. government.While think tanks exist to produce independent analysis, the prevalence of special interest funding raises questions of intellectual freedom, self-censorship, and perspective filtering. This is compounded by instances in which individual researchers simultaneously hold positions at a think tank and a given foreign government or corporation, a clear potential conflict of interest.  Moving forward, this brief contains a set of recommendations for various actors:For media: Adopt a professional standard to report any conflicts of interest with sources discussing U.S. foreign policy. For Congress: Pass legislation requiring all nonprofit organizations that seek to influence public policy to publicly disclose all of their corporate, U.S. government, and foreign government donors above $10,000, and improve the conflict of interest disclosure requirements for congressional witnesses.For the Department of Justice: Provide clearer guidelines surrounding what think tanks not registered under the Foreign Agents Registration Act can do on behalf of their foreign donors.For think tanks: End pay-to-play research and proactively move toward identifying conflicts of interest

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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