1,721,020 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Becoming a creative destination : Theories for promoting and make use of innovation

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    This paper is both a presentation and an invitation, to a conversation regarding the pros and cons of my theoretical work in the area of Trollhättan/Vänersborg, to promote the becoming of a creative tourism destination that is both prosperous and sustainable. My research is abstract and theoretical but the purpose is to give people tools to think with that can be used in society to build a collective and better understanding of culture, which in turn can be used to promote creativity, innovation and sustainability. In this paper I am investigating new ways to think about economic growth in the tourism industry that is both innovative and sustainable, and at the same time engage a wide spectrum of local residents and different kinds of actors and stakeholders in the process of becoming an interesting and attractive destination. The purpose is therefore not to say anything about the present situation or to discuss best practices, but to value different paths towards an open ended future and to emphasize the concepts becoming and collective engagement.To meet the challenges I am arguing that a new understanding of knowledge is needed. If we want to promote both creativity and sustainable economic growth in the tourism industry we need tools to handle complexity and also new ways to understand and work with culture, which is emphasizing change and motion more. Both support for this and tools to think with I find in the work of the French philosopher Gilles Deleuze and his concept of conversation. I also use Bruno Latour and the Actor Network Theory (ANT) as a reference point and as inspiration, as well as insights from the pedagogic field of Work Integrated Learning (WIL). Deleuze has resembled thinking with throwing of a dice and this means that thinking must be understood as something that occurs in between actors, within context. He also argues that chance is a factor that must be taken in to consideration everywhere because the future is an open ended, collective process. This is why I am critical about the concept of best practice and argue that we need new ways to think about destination development. The outcome of a cultural process can never be regulated beforehand or in detail. It is in the middle, in between actors, that knowledge and also economic growth emerges. When this understanding, this focus on the future, is implemented in a context it opens up for new and innovative ways to develop the local economy and the destination. Innovations and innovative solutions cannot per se be described in advance, only discovered in retrospect. To make use of the result of my research the skill to detect and catch the opportunities that arise in between has to be both developed and spread widely among people that live and work in the area and as many different kinds of actors as possible has to be engaged.My contribution is mainly theoretical, but because theory is often forgotten or taken light hearted, the result is important. When we understand that a place or a destination is never finished; that it is in a constant state of becoming, and when this ontology is widely accepted among people connected to the destination and the epistemology is implemented in the work, the chances to find new and creative ways to develop the economy and the destination increases. Theory is never just theory!</p

    How to grasp learning, in between

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    Work-Integrated Learning (WIL), in a broad understanding of the concept, is here regarded as a process that takes place in between work, academia and society. This paper deals with this in between because it is an important yet often neglected area that can and should be taken in to consideration much more when one talks about WIL. Proposals for an epistemology (a theory of how knowledge is produced) that can be used to gain a better understanding of how to make use of this in between can be found in the writings of the French philosophers Gilles Deleuze and Felix Guattari, where they argue for the importance of making a distinction between a discussion and a conversation. With inspiration from Deleuze and Guattari this paper puts forward understandings of what it means to think in terms of in between. Another important theme is the question of how to think of the world as an open ended process of becoming. The paper is also putting forward examples on how to create and mainta in in between spaces for learning, and how to organise and make visible the learning outcomes that are generated there. To make use of the concept of WIL I argue that it is important to regard it as a constant process of interaction and becoming. Equally important is it to understand that the actual outcome of this process, by definition, can’t be determined in advance! What this paper tries to do is to develop the theoretical foundation of WIL, and also disseminate the insight that WIL is, and must be regarded as an open ended process, based and dependent on the collaboration between different actors. In other words, for learning to occur in between, we need an epistemology that everyone understands and adheres.</p

    Sammanhangens betydelse : Tanketrådar utan början eller slut

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