81 research outputs found
Academic Achievement in Conjunction with Defense Mechanisms and the Level of Intellectual Development in High School Students
No full textAbstractThis article investigates the problem of interrelationship between schoolchildren's academic performance and their defense mechanisms. The article describes the author's diagnostic method of defense mechanisms and shows the sphere of its application, which is the diagnostics of high school students’ defense mechanisms. The author analyzes the relationship between schoolchildren's academic performance, their defense mechanisms and intellectual development, which may cause learning resistance. Defense mechanisms originate and develop in early childhood; therefore the problem requires further investigation
Varvara Stepanova: Incomplete Design History Podcast
No full textVarvara Stepanova was a leader of the constructivist movement and co-author of the constructivist manifesto. Described as “a frenzied artist,” she designed books, magazines, posters, advertisements, as well as textiles, clothing, and costumes. On top of that, she was an author and poet. Her design style and aesthetic was avant garde, modern, and often characterized by simplicity and geometric forms and patterns, but Varvara was never content with stasis. She constantly evolved her style and worked to develop new concepts and ideas. As a co-founder of the Constructivist movement, her work typifies the aesthetic and philosophies of Constructivism. While Varavara worked on many of her own projects, she also did many together with her husband, Alexander Rodchenko, another well-known Constructivist designer. Her work often gets linked to Rodchenko’s, and it’s Rodchenko who gets mentioned in histories of graphic design and credit for designs that should be attributed to Stepanova as well. At a time when women were largely still expected to be no more than wives and mothers, Stepanova was a woman who made an unmistakable mark on art and design.NoUniversity of Central Oklahoma. School of Design
“Urban text” in Lyrics of Varvara Danilova through Pprism of Silver Age Poetry
No full textThe results of the analysis of “urban text” phenomenon in the lyrics of the modern Evenk poetess Varvara Danilova are presented. The relevance of the study is due to the interest of modern literary criticism in the heritage of the indigenous peoples of the North. The novelty of the work is seen in the consideration of the features of the “urban text” creation in the V. Danilova’s lyrics in the projection on the poetic experience of the Silver Age. The theoretical basis was the works of V. N. Toporov, Yu. M. Lotman, S. P. Gurin, N. V. Schmidt, and others. The material for the analysis was the most representative poems of Danilova’s collections: “Only you ...” (1992—1996), “Heavenly Hell” (2005), “Lunar Legend” (2010), containing direct or indirect indications of the presence of “urban” semantics in the title, at the level of motive-shaped structure or in subtext. It was found that the “urban text” in the lyrics of the Evenk poetess is represented both by concrete cultural and historical realities, and by a certain conventional topos, not tied either to time or space. The poets of the Silver Age, belonging to different literary trends, became the creative guidelines for the author. It is proved that V. Danilova created a unique author’s model of the “urban text”, in which symbolist, acmeistic and futuristic poetic experiences and national-cultural vision, conditioned by the ethnic authenticity of the author, were intertwined
Teatral'nost' v tvorčestve O. I. Senkovskogo
No full textThe present study is dedicated to O. I. Senkovsky, (1800-1858) who was a professor of St. Petersburg University, an outstanding scientist, editor-in-chief of a popular magazine “Reading Library”, an influential literary critic, and a writer. This study provides a novel perspective on Senkovsky’s legacy, an attempt to comprehend his works through theatrical methods.Senkovsky’s literary masks express theatricality in his works. The name of his most famous pseudonym Baron Brambeus borrows deliberately from the Russian “lubok” literature in order to attract the attention of a general reader. It is Senkovsky’s bent for exotics, parody and paradox as the methods for his work that has defined the appearance of such pen-names as Baron Brambeus and others. The study analyses Senkovsky’s outlook on dramatic art and the theatre conception developed by him along with the requirements of theatre staging. The first volume of the “Reading Library” published an article by Senkovsky where he gives an overwhelmingly positive review of Griboedov’s comedy “Woe from Wit”. Also Senkovsky’s critical works were affected by his theatrical methods. In Senkovsky's view, the Russian historical novel needed by no means to bean imitation of Western authors’ style. This concept of the Russian historical romance discovered by Zagoskin appeared to be in opposition to the concept of original Russian fiction. Baron Brambeus himself was a typical representative of the latter. The fabulous revelations of Baron Brambeus are very diverse and refined. Also his approach to Christian and Slavic demonology is completely different from that of his contemporaries’. “Satan’s Great Appearance” is composed totally on theatrical traditions where the author is to be found both as a spectator and as a participant in this “show”. In his later novel “Notes of the House-spirit” Senkovsky returned to this method again. Analysing Senkovsky’s theatre of love and death, the author investigates both his early works such as “A Woman’s Whole Life in a Few Hours” and his later works such as “The Turkish Gipsy”, and “Dreams of Love and Death”, in which the concept of theatre is expressed not as devilish pranks but as a special literary game of mystery that is defined by the novel’s genre and subject-matter.Neuvostoaikana vanhaa venäläistä kirjallisuutta julkaistiin ja luettiin vain soveltuvin osin. Laajalevikkinen yleisöön menevä teksti unohdettiin helposti. Näin kävi myös kirjailija ja lehtimies Osip Senkovskille (1800-1858), joka julistettiin taantumukselliseksi ja unohdettiin. Varvara Fomitsheva tarkastelee väitöskirjassaan Osip Senkovskin tuotantoa ja pyrkii ymmärtämään hänen teoksiaan niissä käytettyjen teatraalisten keinojen näkökulmasta. Uusi venäläinen kirjallisuuden tutkimus pyrkii paitsi kirjailijoiden maineen palauttamiseen myös kirjallisen elämän todenmukaiseen hahmottamiseen.unknown accessibilityei tietoa saavutettavuudest
Medetera varvara Grichanov & Vikhrev, sp. nov.
No full textMedetera varvara Grichanov & Vikhrev sp. nov. (Figs. 1–6) Type material. Holotype 3: Morocco, near Essaouira, 31.563 ºN 9.714 ºW, sand dune, 29 March 2009, N.Vikhrev (ZMU). Paratypes. 2 ƤƤ with same data as holotype, 28 and 29 March (ZMU). Diagnosis. Medetera varvara is related to Egyptian M. albescens (Parent) which differs from the former by silvery-white frons and face, hind coxa bearing three outer setae and fore tarsus unmodified. Ornamentation of fore legs is unknown for other species of Palearctic Medetera including M. albescens which was published with a rather detailed description. In the Afrotropics, only M. luteoscutata Parent, 1936, has a small apicoventral process on tarsomere 1 and 3 of fore leg. Mainly Pantropical Saccopheronta Becker, 1914, a sister genus (Grichanov 1997 b) or “ aberrans ’ group of Medetera species (Bickel 1985, 1987) includes species with thickened or widened tarsomeres 2 and 3 of male fore leg. The absolute majority of medeterine species of the world fauna have no remarkable fore leg decoration. Description. Male (Fig. 1): Length (mm): body 2.0, wing 2.0/ 0.7, antenna 0.7, hypopygium 0.8. Head: Frons, face, clypeus, palpus and postcranium greenish, evenly and densely dusted greyish-white, so frontoclypeal suture between face and clypeus not distinct. Postocular setae white, somewhat thickened, strongly increasing in length downward. Ventral postcranium shining greenish, with row of long white thickened setae. Frons with pair of strong vertical setae and pair of ocellar setae slightly stronger than verticals. Postverticals absent. Face relatively wide; ratio of height of face to its maximal width to height of clypeus to height of palpus, 15 / 8 / 5 / 5. Antennal segments short, with short white hairs; scape and pedicel orange-brownish, grey dusted at apex; postpedicel black, rounded. Stylus subapical, bare, about 2 times as long as ocellar seta. Proboscis short, black, shining, with white hairs. Thorax: Dark, densely grey dusted; mesonotum with 3 narrow bronze stripes distinct in anterior view. Three pairs of strong black dorsocentral setae, slightly decreasing in size anteriorly. Notopleural setae 2, sutural 1, supraalar 1, all black; 1 white humeral seta. Acrostichals very short, biseriate, white, extending to mesonotal flattening. Several white setulae in front of first dorsocentral and sutural setae. Propleuron with 5 white thickened setae, lower one almost 2 times longer than others. Scutellum with pair of strong black median setae, lateral setae absent. Legs: Yellow, except fore legs whitish-yellow, hind tibia darkened at apex, tarsomeres 4 and 5 and apical part of 2 and 3 of mid and hind legs brownish; mid and hind coxae mostly dark, grey dusted, yellow at apex. Fore coxa with dense brush of long white flattened setae on anterior surface. Fore femur and tibia without setae. Fore tarsomeres 1 to 5 each with pair of small brown apical postero- and anteroventral setulae; tarsomeres 2 to 5 each with pair of very small brown ventral setulae; tarsomeres 2 to 4 slightly flattened laterally; apical 1 / 3 of tarsomere 1 and tarsomeres 2 to 4 with comb of white thickened cilia on dorsal surface (Fig. 3). Mid coxa with dense brush of long thickened white setae on anterior surface; mid trochanter with single white seta on anterior position; mid femur without setae. Mid tibia with pair of antero- and posterodorsals at 1 / 4 and long apicoventral seta, all white. Mid tarsus with four brown apical setae on each segment; basitarsus in apical half with 4–5 short brown setulae, somewhat irregularly placed, but in either antero- or posteroventral positions, tarsomere 2 with 3 such setulae, 3 rd with 2 –3, 4th and 5 th with 2 ones each; all these setulae gradually decreasing in size apically. Hind coxa with single white seta on outer surface; hind femur with row of white dorsal setulae in basal half; hind tibia slightly thickened at apex, with posterodorsal setula at 1 / 4 and ventral apical one, both white; with very short black posterodorsal apical spur; hind tibia on apical 2 / 3, basitarsus and tarsomere 2 on basal 2 / 3 with row of short dense white posteroventral cilia; hind basitarsus short, with 2 apicals: brown anteroventral and white ventral, with small white posteroventral basal tooth and shallow basal excavation; tarsomeres 2 to 5 each with 1–3 brown anteroventral and 2–3 brown apical setulae, these setulae gradually decreasing in size apically. Fore leg length ratio (from coxa to tarsomere 5): 24 / 40 / 35 / 20 / 10 / 8 / 5 / 5, mid leg: 16 / 42 / 45 / 22 / 10 / 8 / 6 / 5, hind leg: 14 / 45 / 51 / 12 / 24 / 14 / 8 / 6. Wings: Hyaline, veins yellow in anterobasal quarter of wing, brown in other parts (Fig. 4). Costa without long hairs. R 1 short, extending to basal third of wing, R 4 + 5 and M 1 + 2 distinctly convergent at apex. Ratio of part of costa between R 2 + 3 and R 4 + 5 to this between R 4 + 5 and M 1 +2, 25/ 5. Ratio of apical to basal part of M 1 +2, 17/ 18. Ratio of cross-vein m-cu to maximal distance between R 4 + 5 and M 1 + 2 to distal part of CuA1, 10/ 11 / 12. Calypter yellow, with white cilia. Halter yellow. Abdomen: Covered with short white setulae, olive-grey dusted, with fore margin of tergites 3 to 5 bronze dorsally; posterior margin of tergite 1 with 5–6 white flattened setae on each side. Tergite 6 slightly longer than tergite 5; segment 7 longer than preceding, with short hairs; segment 8 large, left basolateral, shorthaired. Epandrium (Fig. 5) black, elongate-triangular; hypandrium basoventral, slightly swollen at base, then thinned, pointed at apex; phallus simple, pointed; epandrial lobe small, hardly divided, bearing pair of long simple setae; surstylus and cercus (Fig. 6) dark-brown; cercus fused almost to apex, covered with short white hairs. Female (Fig. 2): Length (mm): body 2.2, wing 2.2; similar to male except lacking male secondary sexual characters. Each hemitergite bearing 1 acanthophorite and 1 simple seta; acanthophorites thin, much longer than cercus; cercus small, with short hairs. Dense brush of thickened white setae on anterior surface of fore and hind coxae, but setae about two times shorter and more equal in length than those of male. Fore tarsi unmodified; tarsomeres 4 and 5 and apical part of 2 and 3 of fore legs brownish, as on mid and hind tarsi. Hind tibia without apical spur; hind basitarsus simple, without basal tooth. Distribution: Morocco. Etymology. The species is named for Varvara Vikhreva who kindly helped to collect flies in Morocco. Habitat: All three specimens of the type series were collected from sandy substrates. This habitat is rather unusual for mainly dendrophilous, sometimes petrophilous species of Medetera, although many species of the Nearctic M. petulca group occur in such habitats (Bickel pers. comm. 2009). Trees on sand dunes were also examined, but all specimens of tree trunk Medetera (M. flavipes Meigen, 1824, and M. pallipes (Zetterstedt, 1843)) collected on the Essaouira dunes (between 24 and 29 March) belong to other species groups of the genus. The senior author observed M. pallidior imagos in Southern Tajikistan (the Tigrovaya Balka Nature Reserve) in July 1978, where they populated rodent holes (to 5 cm in diameter) on a rather dry and flat semidesert plot not far from the border with a large area of riparian marshes. Males and females of the species concentrated around holes, and frightened or disturbed flies dropped immediately into the holes.Published as part of Ya, Igor & Vikhrev, Nikita E., 2009, Mediterranean species of the Medetera plumbella species group with description of a new peculiar species from Morocco (Diptera: Dolichopodidae), pp. 46-52 in Zootaxa 2170 on pages 48-51, DOI: 10.5281/zenodo.18920
Minimally Invasive Tryroidectomy: Alternative Surgical Techniques
No full text<p><strong>Abstract:</strong> Traditional thyroid and parathyroid surgeries have conventionally been conducted through a cervical incision, exposing the thyroid gland. Despite the safety and low complication rates associated with experienced surgeons, some patients are left with noticeable neck scars. Recent technological advancements have enabled surgeons to perform thyroid removal from distant locations, thus avoiding visible neck scars. </p><p>Τhe minimally invasive video-assisted technique introduced by Miccoli et al. is the most commonly employed. However, advancements have led to the emergence of innovative approaches that eliminate the need for neck scars. These include the endoscopic and robotic transaxillary retroauricular and transoral approaches, which have demonstrated safety and effectiveness across diverse international populations.</p><p>This article provides an overview of these surgical techniques to help inform surgeons about the surgical procedures of these new minimally invasive thyroid approaches.</p><p><strong>Keywords:</strong> thyroidectomy, minimally invasive surgery, video-assisted surgery, endoscopic surgery, robotic surgery.</p><p><strong>Title:</strong> Minimally Invasive Tryroidectomy: Alternative Surgical Techniques</p><p><strong>Author:</strong> Varvara Kotsi</p><p><strong>International Journal of Novel Research in Healthcare and Nursing</strong></p><p><strong>ISSN 2394-7330</strong></p><p><strong>Vol. 10, Issue 3, September 2023 - December 2023</strong></p><p><strong>Page No: 278-281</strong></p><p><strong>Novelty Journals</strong></p><p><strong>Website: www.noveltyjournals.com</strong></p><p><strong>Published Date: 14-November-2023</strong></p><p><strong>DOI: </strong><a href="https://doi.org/10.5281/zenodo.10124837"><strong>https://doi.org/10.5281/zenodo.10124837</strong></a></p><p><strong>Paper Download Link (Source)</strong></p><p><a href="https://www.noveltyjournals.com/upload/paper/Minimally%20Invasive%20Tryroidectomy-14112023-5.pdf"><strong>https://www.noveltyjournals.com/upload/paper/Minimally%20Invasive%20Tryroidectomy-14112023-5.pdf</strong></a></p>
Ruska emigrantka Varvara Višnjevska/ Višnevskaja v Mariboru leta 1932: nemška vohunka, sovjetska provokatorka, komunistična aktivistka ali mladostna avanturistka?
No full textThe author outlines Varvara Vishnyevska’s mental and emotional state that can be deduced from the criminal fi le of the Maribor district court. Having arrived in Maribor in late 1932, this young Russian emigrant shook the provincial city when her actions aroused the suspicion that she was a communist and a spy. This belief stemmed from a tighter control of the communist activities in the Kingdom of Yugoslavia after the introduction of the 6 January Dictatorship. The author argues that the cultural and historical background of the dismissed criminal case that illustrates the Russian emigrants’ broken identity and demonstrates the mindset of the young European post-war generation, a part of whom lost their collective identity footholds after the disintegration of the (Austro-Hungarian and Russian) empires and, with the onset of the global economic crisis, clung to romantic adventurism. As a well-organized and, after the October Revolution, a notorious and persecuted political activity in European states, to the young generation communism appeared as a suitable phantasm, a refuge.Avtorica se v razpravi posveča obrisom miselnih in čustvenih stanj Varvare Višnjevske, kakor jih je bilo mogoče sestaviti iz kazenskega spisa okrožnega sodišča v Mariboru. Mlada ruska emigrantka je s prihodom v Maribor ob koncu leta 1932 zatresla ustaljeni ritem provincialnega mesta, ko je s svojim ravnanjem vzbudila sum, da je komunistka in vohunka. Takšno sklepanje je bilo posledica poostrenega nadzora nad komunistično dejavnostjo v Kraljevini Jugoslaviji po nastopu šestojanuarske diktature. Kot ugotavlja avtorica, pa kulturnozgodovinsko ozadje padlega kazenskega primera, ki prepričljivo ilustrira identitetni zlom ruskih emigrantov, obenem nakazuje tudi miselnost mlade evropske povojne generacije, katere del se je z izgubo kolektivnih identitetnih oprijemališč po razpadu imperijev (avstroogrskega in ruskega) ter z nastopom svetovne gospodarske krize oprijel romantičnega avanturizma. Komunizem kot odlično organizirana in po oktobrski revoluciji v evropskih državah razvpita in preganjana politična dejavnost se je zdel ustrezna fantazma – zatočišče generacije
Реклама как способ создания социокультурного мифа
No full textВ работе «Реклама как способ создания социокультурного мифа» студентки Карповой В.А. рассматривается проблема формирования современного социокультурного мифа посредством рекламы. Целью работы является рассмотрение потенциала рекламы как способа порождения мифа в информационной/постиндустриальной социокультурной ситуации. Основным положением работы можно обозначить мысль о том, что реклама в условиях постиндустриального общества не столько ориентирована на получение экономической выгоды, сколько становится инструментом воздействия на массовое сознание.
В работе анализируются основные механизмы рекламы как элемента маркетинга, а также ее социокультурные аспекты. На основе сравнительного анализа рекламы и мифа, делается вывод о том, что реклама становится новым механизмом, структурирующим общественное сознание и стимулирующим мифологическое мышление в обществе массового потребления. Кроме того, в работе производится анализ современной системы коммуникации и делается вывод об особом статусе рекламы в процессе социокоммуникатиdной организации.
Основными методами исследования стали структурный и культурологический анализ, а также был рассмотрен и использован новый метод мифодизайна, позволивший исследовать рекламу как смыслообразующий механизм в рамках экономики потребления.
В заключении представлены основные выводы, сделанные автором в ходы работы, а также намечаются перспективы дальнейшего исследования в рамках данной проблематики. Объем работы – 88 страниц, количество используемых источников – 40.In research "Advertising as a way to create a socio-cultural myth" student Karpova Varvara the problem of the formation of the contemporary socio-cultural myth through advertising. The purpose of work is to examine the potential of advertising as a way of generating myth in the information / post-industrial socio-cultural situation. The main point of the work can be described the idea that advertising in a post-industrial society is not so much focused on the economic benefits as it becomes an instrument of influence on mass consciousness.
The paper analyzes the basic mechanisms of advertising as a marketing element, as well as its socio-cultural aspects. On the basis of a comparative analysis of advertising and myth, it is concluded that the advertisement becomes the new mechanism, structuring social consciousness and stimulating mythological thinking in a society of mass consumption. In addition, the analysis is made of modern communication systems and the conclusion of a special status in the process of advertising social and communicative organization.
The main methods of the study were the structural and cultural analysis, and has been considered and used a new method mifodizayna, allowed to explore the semantic advertising as a mechanism within the consumer economy.
In conclusion, we present the main conclusions drawn by the author moves work and outlines the prospects for further studies within this perspective. Scope of work - the 88 pages, the number of sources used - 40
I nomi parlanti nel romanzo Il demone meschino di Fëdor Sologub
No full textThis study aims to demonstrate how the use of speaking names in F. Sologub’s
novel The Petty Demon (1907) enhances the text by establishing meaningful semantic connections. Through the strategic application of onomastics, the author introduces new layers of meaning that enrich the overall significance of the work. Several
notable examples will be presented to illustrate this point, including a speaking
name in the literal sense (Varvara), a name with predictive qualities (Volodin), and
a name linked to Russian folklore (the demon Nedotykomka)
SANITARY AND HYGIENIC ASSESSMENT OF FACTORS AND CONDITIONS THAT ACCOMPANY EDUCATIONAL PROCESS IN COMPUTER CLASSES OF SCHOOLS
No full textThe quality of the indoor environment in a school building influences the level of mental and physical development of a pupil. The author of the article studied the environmental conditions in the computer classes of Secondary School No. 590, Moscow, and gave some recommendations to improve them
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