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    CMFRI presents Nandakumar Rao Memorial Awards for best technical staff Agriculture Post dated 19th April 2024

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    The ICAR-Central Marine Fisheries Research Institute (CMFRI) presented the inaugural Nandakumar Rao Memorial Awards established to recognise the best technical staff of the institute. Dr Suresh Kumar Mojjada, Assistant Chief Technical Officer at the Veraval Regional Station and HM Bhint, Technical Assistant at the same station were the recipients of the awards this year

    Effective Continued Fraction Dimension Versus Effective Hausdorff Dimension of Reals

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    We establish that constructive continued fraction dimension originally defined using s-gales [Nandakumar and Vishnoi, 2022] is robust, but surprisingly, that the effective continued fraction dimension and effective (base-b) Hausdorff dimension of the same real can be unequal in general. We initially provide an equivalent characterization of continued fraction dimension using Kolmogorov complexity. In the process, we construct an optimal lower semi-computable s-gale for continued fractions. We also prove new bounds on the Lebesgue measure of continued fraction cylinders, which may be of independent interest. We apply these bounds to reveal an unexpected behavior of continued fraction dimension. It is known that feasible dimension is invariant with respect to base conversion [Hitchcock and Mayordomo, 2013]. We also know that Martin-Löf randomness and computable randomness are invariant not only with respect to base conversion, but also with respect to the continued fraction representation [Nandakumar and Vishnoi, 2022]. In contrast, for any 0 < ε < 0.5, we prove the existence of a real whose effective Hausdorff dimension is less than ε, but whose effective continued fraction dimension is greater than or equal to 0.5. This phenomenon is related to the "non-faithfulness" of certain families of covers, investigated by Peres and Torbin [Peres and Torbin] and by Albeverio, Ivanenko, Lebid and Torbin [Albeverio et al., 2020]. We also establish that for any real, the constructive Hausdorff dimension is at most its effective continued fraction dimension

    Nandakumar, R.

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    CMFRI presents Nandakumar Rao Memorial Awards The Hindu dated 19th April 2024

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    The ICAR-Central Marine Fisheries Research Institute (CMFRI) presented the inaugural Nandakumar Rao Memorial Awards established to recognise the best technical staff of the institute. Dr Suresh Kumar Mojjada, Assistant Chief Technical Officer at the Veraval Regional Station and HM Bhint, Technical Assistant at the same station were the recipients of the awards this year

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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