1,721,594 research outputs found
FLORIE NAMIR Composer MASTER'S RECITAL Tuesday, November 28, 2006 5:30 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Siblings / Florie Namir -- String Quartet / Florie Namir -- And I Had No Time / Florie Namir -- ISAM Variations / Florie Namir -- R II. / Florie Namir.This recital is given in partial fulfillment of the requirements for Master of Music degree
20/21 NEW MUSIC GROUP featuring students of The Shepherd School of Music Saturday, February 25, 2006 6:00 p.m. Hirsch Orchestra Rehearsal Hall
No full textProgram: R.II / Florie Namir (b.1979) -- Fratres / Arva Part (b.1935) -- De Staat / Louis Andriessen (b. 1939)
Valuación del capital accionario de Cisco Systems Inc.
Get PDFFil: Samra Bianchet, Namir Emiliano. Universidad de San Andrés. Escuela de Negocios; Argentina
Młodość wobec starości: szacunek czy deprecjacja? „Namir!” Lubka Deresza
No full text Youth to old age: respect or depreciation? Namir! by Lubko DereshThis article deals the problem of old age in the novel Namir! by Ukrainian writer Lubko Deresh. To accomplish this research task, at the beginning of the presentation problem of how the elderly was presented in culture and literature over the centuries was analyzed, and then was analyzed the novel itself. Studies have shown that in his book the author raised the question of a confrontation of youth with an old age. Our analyzes of Namir! by Deresh turned out that it repeats the patterns of mass culture, showing atendency to devaluation the elderly. During the study revealed, however, achange in approach to the problems of old age, which is visible attitude of respect for the elderly linked to equality in the face of inevitable death.Молодість перед старістю: пошана чи зневага? Намір! Любка ДерешаМетою цієї статті є спроба показати проблему старості в романі українського пись­менника Любка Дереша Намір! Щоб успішно висвітлити так окреслене завдання, на по­чатку було звернено особливу вагу на те, як питання старості представлялося культурою та літературою протягом століть, і тільки тоді було звернено увагу на саму повість. Дослі­дження показали, що в своїй книзі автор використав питання конфронтації молодого віку із старістю. Під час аналізу нами було встановлено, що Намір! повторює схеми масової куль­тури та показує виразну схильність автора до девальвації літніх людей. Наше дослідження показало, однак, певну зміну в підході до проблеми старості, а саме, що зміна зневаги на ставлення з повагою до літніх людей пов’язана із рівністю всіх людей перед обличчям не­минучої смерті. Youth to old age: respect or depreciation? Namir! by Lubko DereshThis article deals the problem of old age in the novel Namir! by Ukrainian writer Lubko Deresh. To accomplish this research task, at the beginning of the presentation problem of how the elderly was presented in culture and literature over the centuries was analyzed, and then was analyzed the novel itself. Studies have shown that in his book the author raised the question of a confrontation of youth with an old age. Our analyzes of Namir! by Deresh turned out that it repeats the patterns of mass culture, showing atendency to devaluation the elderly. During the study revealed, however, achange in approach to the problems of old age, which is visible attitude of respect for the elderly linked to equality in the face of inevitable death.Молодість перед старістю: пошана чи зневага? Намір! Любка ДерешаМетою цієї статті є спроба показати проблему старості в романі українського пись­менника Любка Дереша Намір! Щоб успішно висвітлити так окреслене завдання, на по­чатку було звернено особливу вагу на те, як питання старості представлялося культурою та літературою протягом століть, і тільки тоді було звернено увагу на саму повість. Дослі­дження показали, що в своїй книзі автор використав питання конфронтації молодого віку із старістю. Під час аналізу нами було встановлено, що Намір! повторює схеми масової куль­тури та показує виразну схильність автора до девальвації літніх людей. Наше дослідження показало, однак, певну зміну в підході до проблеми старості, а саме, що зміна зневаги на ставлення з повагою до літніх людей пов’язана із рівністю всіх людей перед обличчям не­минучої смерті
Nanotecnologie Mineralogiche - NAMIR
No full textTramite la ricerca del progetto NAMIR si è conseguita una migliore comprensione delle interazioni che si manifestano alla superficie di alcuni minerali, in particolare dei fillosilicati. Queste conoscenze sono necessarie per stabilire nuovi parametri di supporto per la realizzazione di componenti per la nano-biotecnologia mineralogica e a teorie petrogenetiche.
Sono state studiate diverse superfici fillosilicatiche tra cui cloriti con differenze cristallochimiche (sostituzioni cationiche, etc.), ed anche di altri fillosilicati di uso applicativo-industriale, tipo smectiti, caoliniti e talco. Lo studio è stato condotto principalmente mediante diffrazione a raggi X, analisi termica (TG, DTG e DTA), microscopia elettronica a scansione SEM e microscopia a sonda in scansione (SPM), in particolare microscopia a forza elettrica (EFM) e a sonda Kelvin (KPM). In concomitanza sono state anche condotte analisi delle distribuzioni spaziali dei potenziali e dei gradienti di campo sulle superfici di tali minerali mediante programmi di simulazione agli elementi finiti
COMPOSERS' FORUM Thursday, October 13, 2005 8:00 p.m. Lillian H. Duncan Recital Ball
No full textPresented by students of the Shepherd School of MusicPlaylist: For Enso / Francisco Castillo Trigueros -- The Demented Dances No. I: Waltz for Contrabassoon and Celesta / Karl Blench -- Songs of Snow / Jordan Kuspa -- Rolling - Fantasia for Cello Solo / Florie Namir -- Fantasy on Bach's Invention in F / Asaf Peres
PERCUSSION CHAMBER MUSIC CONCERT featuring students of the Shepherd School Percussion Studio and friends Thursday, November 30, 2006 8:00 p.m. Lillian H. Duncan Recital Hall
No full textProgram: R II. / Florie Namir -- Peruvian Dances / Alice Gomez -- Marimolin / Thomas Oboe Lee -- Corker / Libby Larsen -- Ay! Ay! Ay! Ay! / Jacob Barton -- Trio for Violin, Viola, and Cello in E-flat Major, Op. 3 / Ludwig van Beethoven -- Dragons in the Sky / Mark Schultz
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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