6 research outputs found
Performance Advantages, Work Motivation, Work Discipline, and Their Effect on Employee Performance during the Covid-19 Pandemic (Case Study in the Environment of the Assistant Bureau I Setda of North Sulawesi Province)
No full textIn an effort to improve the performance of its employees, an organization takes several ways: the application of remuneration or performance allowances, work discipline, and work motivation. Human resources have an important role to achieve organizational goals in an effort to improve and develop an organization or company. The success of an organization is strongly influenced by the performance of individuals or groups of employees. Therefore, through the provision of motivation, compensation and the application of work discipline greatly affect the performance of the human resources in it. This study aims to determine the effect of partial performance allowances on employee performance, the effect of work motivation partially on employee performance, the effect of work discipline partially on employee performance and the effect of performance allowances, work motivation and work discipline simultaneously on employee performance. This research technique uses Multiple Linear Regression Analysis. The population in this study used a saturated sample, namely all civil servants in the Assistant Bureau I of the Regional Secretariat of North Sulawesi Province, amounting to 93 people. The results of hypothesis testing indicate that performance allowances partially have no significant effect on employee performance, work motivation partially has a positive effect on employee performance, work discipline partially has a positive effect on employee performance, performance allowances, work motivation and work discipline simultaneously have a positive effect on performance. employee. The population in this study used a saturated sample, namely all civil servants in the Assistant Bureau I of the Regional Secretariat of North Sulawesi Province, amounting to 93 people
Reinterpretasi : Motif Pucuak Rabuang pada Media Teko
No full textAbstractThe creation of ceramic craft motifs of pucuak rabuang motif is a reinterpretation of the philosophy of the Minangkabau tradition "nan bak pucuak rabuang, ketek baguno gadang tapakai†(like a small, useful little bamboo shoot). Through this tradition, it became a source of inspiration for the creators in the creation of ceramic craft art. The motive of pucuak rabuang is a motive with aesthetic and philosophical values, so it needs to be presented again in the art of ceramic craft. The author revealed the philosophical form and meaning of the pucuak rabuang motive through teapot media. The motif of pucuak rabuang is also found in the gadang house and the sarong head, the bottom of the sarong at the end of the scarf or clothing. The motif of pucuak rabuang is useful for the lives of Minangkabau people. With the motive of pucuak rabuang through sociological analysis and an aesthetic approach, it can be said that the presence of the Minangkabau motif of pucuak rabuang has aesthetic value and also expresses various meanings and customs functions as one of the identities of the Minangkabau people.Keyword : Reinterpretation, Motive Pucuak Rabuang,Teapot Abstrak Penciptaan seni kriya keramik motif pucuakrabuang ialah reinterpretasi kembali filosofi adat istiadat Minangkabau “nanbak pucuak rabuang, ketek baguno gadang tapakai (bagaikan pucuk rebung, kecil berguna besar terpakai). Melalui adat istiadat ini menjadi sumber inspirasi pengkarya dalam penciptaan seni kriya keramik.Motif pucuak rabuang merupakan motif dengan nilai estetis dan filosofis, sehingga perlu dihadirkan kembali dalam karya seni kriya keramik.Pengkarya mengungkap kembali bentuk dan makna filosofi pada motif pucuakrabuangmelalui media teko.Motif pucuak rabuang juga terdapat di rumah gadang dan kepala kain sarung, bagian bawah sarung pada ujung selendang atau sandang.Motif pucuak rabuangberguna bagi kehidupan masyarakat Minangkabau.Dengan adanya motif pucuakrabuangmelalui analisis sosiologis dan pendekatan estestis dapat dikatakan bahwa kehadiran motif pucuak rabuang Minangkabau memiliki nilai estetis juga mengisyarakan berbagai makna dan fungsi-fungsi adat istiadat sebagai salah satu identitas masyarakat Minangkabau.Kata kunci: Reinterpretasi, Motif Pucuak Rabuang, Tek
THE DIFFERENCE BETWEEN THE TEXT OF RAMAYANA JAWA KUNO AND THE RENDERING OF RAMAYANA STORY-RELIEF IN PRAMBANAN TEMPLE
No full textOther than as decor, Ramayana story-relief of Prambanan temple functions as teachings in visual form.
The teachings source, a heroism narration of Rama (also called Ramayana epic), is a holy book originally written by
Valmiki an Indian nationality, which later spread to various areas including Java island. Javanese society
was known as open to external cultures. Conversely, they did not forthwith use it as their teachings. The epic
later encountered a change in the form of story-part addition, written as Ramayana Jawa Kuno (RJK). Several
researchers believe that RJK was employed as the guidance in the making of Ramayana story-relief, as there is a
conformity between the written text and the rendering sculptures. Thus, the RJK text was likewise employed by the
author to analyze the depictions of each scene in the relief panels. Nevertheless, the analyses conversely found some
differences in some scenes and objects which show the presence of text interpretation and the discretion of the
sculptures at the time
Penerapan Asas Praduga Tak Bersalah dalam Proses Penyidikan Tindak Pidana (Studi Kasus di Polresta Klaten)
No full textThe application of the presumption of innocence principle has been regulated in law but in practice in the field there are still police officers who lack respect for the implementation of the principle of presumption of innocence, so the author conducts research in the Klaten District Police to find out whether the Klaten Police investigator has applied the presumption of innocence to the suspect and the defendant. This study aims to find out and analyze whether the Police Investigator has obeyed in the application of the principle of presumption of innocence in the criminal investigation process at Klaten Regional Police, To find out the constraints in the application of the presumption of innocence in the investigation of criminal acts in Klaten Regional Police, To find out the nature of the principle presumption of innocence in criminal law enforcement. The research method uses the method of empirical juridical approach, type of descriptive research, location of research in Surakarta City Police, Primary and Secondary data sources, data collection methods used through literature and field studies, using qualitative data analysis. The results of the study show that the Klaten Police Investigator has applied the principle of presumption of innocence to the Reported Party / Suspect in respecting Human Rights because someone as a suspect cannot be found guilty before obtaining a Decision from the Court, anyone who has been suspected of committing a crime must be placed in a position which has the essence of human dignity so that he cannot be found guilty before getting a verdict from the court
Nilai Estetika Busana Adat Pengantin Minangkabau (tingkuluak Balapak) Di Nurbaya Wedding Kota Pekanbaru Provinsi Riau
No full textThe theory used by the author is the theory of aesthetic value of Dharsono Sony Kartika. This research uses a descriptive method of analysis with a qualitative approach. The data collection techniques used in this study are data collection techniques by means of observation, interviews, and documentation. The conclusion of the results of this study shows that the Minangkabau Bridal Traditional Clothing (Tingkulauk Balapak) at Nurbaya Wedding, Pekanbaru City, Riau Province is a fashion that is still maintained to this day. Clothing that can be classified from clothing, accessories, and accessories which include: Unity seen from the procedure for use, shape, material, motif, color, and part. Harmony is seen from colors, motifs, materials, patterns, shapes, additional decorations, and parts. Balance is seen from the pattern of the stitches, the decoration of motifs and colors, shapes, additional decorations, size, number, and height of the heel. Symmetry is seen from the shape and decoration of the motif equally, the shape of the symmetrical stitch pattern cut, color, shape, additional decoration, size, number, height of the right, and the equal part and Contrast seen from the contrast of colors, the contradiction of the texture of the material, the contradiction of the shape, the procedure for the use of tingkuluak balapak, salendang balapak, batik sandang tanah liek and sesampiang so that the whole on the clothes, accessories, and accessories of the Minangkabau Bridal Traditional Clothing (Tingkuluak Balapak) at Nurbaya Wedding, Pekanbaru City, Riau Province has a beautiful beauty for those who see i
Nilai-nilai Estetika Kostum Dalam Kesenian Reog Ponorogo Di Sanggar Asem Rowo Bantaragin Jalan Parit Sadak Kelurahan Bagan Keladi Kecamatan Dumai Barat Kota Dumai
No full textThis study aims to find out how the aesthetic values of costumes are reog ponorogo in reog ponorogo art at Sanggar Asem Rowo Bantarangin Parit Village Sadak Kelurahan Bagan Keladi, Dumai Barat Subdistrict, Dumai City with using descriptive analysis method based on interactive qualitative data. Technique data collection in this study using observation techniques, techniques interviews, and documentation techniques. Observation techniques carried out in research this is a technique of participant observation that observes directly and is involved directly in taking data about the aesthetic values of costumes in the arts reog ponorogo. The interview technique is done by making a list of questions about the aesthetic values of reog ponorogo costumes. To strengthen this research the author doing documentation techniques that contain photographs of Reog Ponorogo art costumes and video of the reog ponorogo show in the studio asem rowo bantarangin. Results research shows that very many aesthetic values can be seen from reog ponorogo art costumes. this can be seen from each character dancers showed, there were 5 characters in Reog Ponorogo arts but only 4 characters in the studio asem rowo bantarangin namely warok, pujanggo anom, pembarong and jathil. each character has a different costume, and each costume has meaning both in terms of color, shape, and also motives, and theory the beauty of Dharsono sony kartika which has five qualities namely unity, harmony, equality, balance and contrast. The results of the above research can be drawn the conclusion that Dharsono's theory of Sony Kartika has five qualities, namely unity, harmony, equality, balance and contrast, can show values the beauty stored in every outfit with different characters which is seen in terms of color, shape, motif and also meaning
