1,354,249 research outputs found
Modelling the effect of sand extraction on the Kwinte Bank
No full textIn recent years, the exploitation of marine aggregates is increasing. In Belgium coastal waters, especially the Kwinte Bank is under severe pressure. During the last decade, a “depression” of 5 m developed, due to extraction of sand. Norro et al. (2003; 2006; 2009) and Norro and Ozer (2006) showed that during the period 1991-1998 the volume of the sand bank decreased significantly. In the present paper, the influence of these bathymetric changes on the sedimentation and deposition patterns are studied by numerical modelling, to obtain a first impression of the ability of the sand bank to recuperate from this sand extraction.A three-dimensional hydrodynamic model, a wave model and a local total load sediment transport model are presented, which are used to investigate the sedimentation and deposition patterns. The hydrodynamic model results are validated using ADCP current data, showing that the model gives satisfactory results, while the wave model is used for operational forecasts of the waves at the Belgian coast, thus being validated continuously. The sediment transport model results are much more subject to uncertainties but the results are in general agreement with observations.The numerical model results show that apart from the extraction of marine aggregates, the Kwinte Bank also is subject to a natural erosion of the top of the sand bank. The predicted erosion of the sand bank is of the same order of magnitude as the difference between the calculated volumetric decrease of the top of the sand bank and the estimated amount of extracted aggregates. This natural erosion of the Flemish sand banks was also found by De Moor (2002). The study therefore seems to confirm that the sand bank is not recuperating from the extraction of sand, but that by natural processes, the sand bank is further being eroded. This clearly raises the question of the sustainability with regard to the extraction of marine aggregates and suggests that the authority should define maximum exploitable quota preventing any irreversible damage
España, una temporada en el infierno
No full textEl rótulo, «una temporada en el infierno», del poema de Rimbaud da nombre al blog, literario-fotográfico, que mantiene Juan Pedro Quiñonero. El mismo verso, en aposición con la palabra España, se convierte ahora en el título de una obra suya, de la que han aparecido de momento, dos volúmenes. La referencia a un tiempo limitado, algo así como una estancia vacacional o de estudios, una cura en un balneario incómodo, rebaja bastante lo tremendo del infierno.Reseña de los dos volúmenes de "España, una temporada en el infierno", de Juan Pedro Quiñonero. España, una temporada en el infierno. Vol. 1 ¿De qué mal morirá?, Editorial Confluencias, Almería, 2013. spaña, una temporada en el infierno. Vol. 2 Tú que no puedes, Editorial Confluencias, Almería, 2013, por Juan José García Norro
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Integrated Modelling in Coastal Lagoons: Sacca di Goro Case Study
No full textA coupled 3D hydrodynamic-biogeochemical model was developed and implemented for the Sacca di Goro coastal lagoon. The model considers nutrient and oxygen dynamics in water column and sediments. Amongst the biological elements, phytoplankton, zooplankton, bacteria, Ulva sp. and commercial shellfish (Tapes philippinarum) were taken into consideration. Nutrients fluxes from the watershed and open sea, as well as atmospheric inputs, heat flux, light intensity and wind shear stress at the water surface constituted the model forcing functions. The comparison of numerical results with available measurement data indicated that the model was able to capture the essential dynamics of the lagoon. This model has been also used to estimate clam productivity and its impacts on water quality and lagoon properties.JRC.H.5 - Rural, water and ecosystem resource
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
The Thursday Murder Club: Launching a megabrand author - a publishing case study
No full textIn 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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