1,720,964 research outputs found
INTRODUZIONE
A che punto è il settore non profit nel nostro paese? A fronte della crisi economica che ha colpito l'Italia negli ultimi dieci anni il settore mostra una crescita nel numero delle organizzazioni e nel livello di occupazione. Il volume illustra la dimensione sociale ed economica del nonprofit, e ne identifica sfide ed opportunità. Gli autori si confrontano inoltre con tematiche emergenti come lo sviluppo dell'impresa sociale, e provano per la prima volta a misurare le dimensioni dell'intero settore dell'economia sociale che, oltre al nonprofit, include anche le organizzazioni cooperative e mutualistiche
Le istituzioni non profit in Italia
A che punto è il settore non profit nel nostro paese? A fronte della crisi economica che ha colpito l'Italia negli ultimi dieci anni il settore mostra una crescita nel numero delle organizzazioni e nel livello di occupazione. Il volume illustra la dimensione sociale ed economica del nonprofit, e ne identifica sfide ed opportunità. Gli autori si confrontano inoltre con tematiche emergenti come lo sviluppo dell'impresa sociale, e provano per la prima volta a misurare le dimensioni dell'intero settore dell'economia sociale che, oltre al nonprofit, include anche le organizzazioni cooperative e mutualistiche
Il settore nonprofit italiano in prospettiva comparata
The paper compares the Italian nonprofit sector with the same sector in other developed countrie
Le dimensioni economiche
The paper illustrates the economic impact of the Italian nonprofit secto
Comunità cooperative. Terzo rapporto sulla cooperazione sociale in Italia
Il terzo rapporto sulla cooperazione sociale fornisce vari elementi conoscitivi che consentono di definire meglio i modelli interpretativi a spiegazione del successo e della grande crescita della cooperazione sociale. Il focus del presente rapporto è pertanto rivolto sia a spiegare lo sviluppo della cooperazione sociale che il differenziarsi dei modelli organizzativi presenti al suo interno.- Indice #4- Prefazione #10- Cap.I I contenuti del terzo rapporto sulla cooperazione sociale, Carlo Borzaga e Flaviano Zandonai #18- Cap.II I dati ministeriali: una fotografia della cooperazione sociale, Gianfranco Marocchi #46- Cap.III Le cooperative sociali nel nonprofit italiano: convergenze e divergenze strutturali, Nereo Zamaro #74- Cap.IV L’inserimento lavorativo nelle cooperative sociali, Gianfranco Marocchi #98- Cap.V La cooperazione sociale a livello locale: il caso della Lombardia, Alessandro Ronchi #120- Cap.VI Peculiarità e modelli delle cooperative sociali, Carlo Borzaga e Sara Depedri #144- Cap.VII Le reti tra cooperative sociali: il fenomeno consortile, Emmanuele Pavolini #188- Cap.VIII Alcune riflessioni sulla natura imprenditoriale della cooperazione sociale, Michele Andreaus #222- Appendice #258- Dentro le regioni #260- Bibliografia #33
Local development of Italian voluntary organizations
The aim of the paper is to present some of the results from Istat second survey on voluntary organizations, focusing on the analysis of the heterogeneity among and within them. Data shows that in 1997, in Italy, there were almost 12 thousand voluntary organizations. The majority of them (59.9%) work in the North of the country and there are only four regions collecting more than 50% of the whole universe. Besides territorial differences there are also structural differences among organizations: about 50 percent are members of larger groups, a third are old organizations and most (49.7%) work with a very little number of volunteers (less than twenty).Regarding their economic size, about 50 percent have an income of less than 20 million lire (10,329 euro). Volunteers operating within these organizations are almost 6 hundred thousand and the majority are men (57.4%). Involvment of volunteers is concentrated in their middle ages (45.1% of the volunteers are between 30 and 54), most are employed people (48.2%) and their level of education is not very high (only 11% of the volunteers have a university degree). Most of the Italian voluntary organizations operate in Health (37.6%) and Social Protection (28.7%), while the others work in sectors like Recreation Activities, Emergency and Relief, Environment, Education, Advocacy, Sport Activities and Culture. Within this framework some statistical methods are applied to illustrate organizational diversity within the population of italian voluntary organizations. Even in this homogeneous subset of nonprofit institutions the relationships and processes out of which facilities and networks are produced vary, being influenced by organizational charateristics instead of territorial differences.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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