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KONFLIK BATIN TOKOH DALAM FILM ONCE UPON A TIME 《三生三世十里挑花》KARYA ZHAO XIAODING 赵小丁 KAJIAN PSIKOANALISIS
Get PDFABSTRAKKONFLIK BATIN TOKOH DALAM FILM ONCE UPON A TIME 《三生三世十里挑花》KARYA ZHAO XIAODING赵小丁 KAJIAN PSIKOANALISIS Nama : Tamara Nazilah Ramadhani Putri NIM : 13020774051 Jurusan : Bahasa dan Sastra Mandarin Fakultas : Bahasa dan Seni Nama Lembaga : Universitas Negeri Surabaya Pembimbing 1 : Dr. Tengsoe Tjahjono, M.Pd Pembimbing 2 : Galih Wibisono, B. A.,M. Ed. Tahun : 2018 Kata Kunci : Karya Sastra, Konflik Batin, Cara Menyelesaikan Konflik. Karya sastra merupakan karya yang menggunakan bahasa sebagai alatnya untuk menyampaikan pesan. Film merupakan salah satu karya sastra yang tidak hanya menggunakan bahasa sebagai alat untuk menyampaikan pesan, tapi juga karya sastra berbentuk media yang menggunakan audio visual sehingga karya sastra dapat dinikmati secara lebih hidup. Dalam sebuah cerita, terdapat konflik atau masalah yang membuat cerita itu lebih menarik, konflik tersebut dialami oleh tokoh dalam film. Tokoh bertugas untuk menyampaikan pesan yang ada dalam sebuah film. Konflik atau masalah yang dialami oleh tokoh dalam sebuah film, dapat mempengaruhi psikologi para tokoh yang berupa konflik batin, karena jika membahas sebuah karya sastra, tidak lepas dari masalah psikologi. Tidak ada masalah yang tidak dapat diselesaikan, setiap manusia mempunyai cara masing – masing untuk menyelesaikan masalah, para tokoh dalam film juga mempunyai cara untuk menyelesaikan masalahnya. Tujuan penelitian ini adalah untuk mengetahui konflik batin yang dialami oleh tokoh dalam film Once Upon A Time《三生三世十里挑花》 dengan menggunakan teori konflik batin dari Kurt Lewin, dan mengetahui bagaimana para tokoh dalam film tersebut menyelesaikan masalahnya dengan menggunakan teori lima gaya menyelesaikan konflik dari Johnson. Penelitian ini merupakan penelitian psikoanalisis kajian teori Kurt Lewin, dengan menggunakan jenis penelitian deskriptif kualitatif. Bentuk dari penelitian ini berupa kata-kata yang mendeskripsikan bentuk konflik batin dan cara menyelesaikan konflik dari tokoh dalam film Once Upon A Time《三生三世十里挑花》. Hasil penelitian ini ditemukan tiga belas data bentuk konflik batin dari tiga jenis bentuk konflik batin, yaitu: mendekat – mendekat, menjauh – menjauh, dan mendekat menjauh, dan cara menyelsaikan konflik ditemukan sebelas data cara menyelesaikan konflik dari lima gaya, yaitu : gaya kura – kura, gaya ikan hiu, gaya kancil, gaya rubah, dan gaya burung hantu. Kesimpulan penelitian ini adalah bentuk konflik batin yang dialami tokoh film Once Upon A Time《三生三世十里挑花》yang sesuai dengan teori Kurt Lewin dan cara mengatasi konflik yang dilakukan tokoh film Once Upon A Time《三生三世十里挑花》yang sesuai dengan teori lima gaya menyelesaikan konflik dari Johnson.ABSTRACT INTERNAL CONFLICT OF FIGURE IN FILM ONCE UPON A TIME《三生三世十里挑花》ZHAO XIAODING WORKS 赵小丁PSYCHOANALISIS STUDIES Name : Tamara Nazilah Ramadhani Putri NIM : 13020774051 Jurusan : Chinese Language and Literature Faculty : Language and Art Institution : Surabaya State University Counselor 1 : Dr. Tengsoe Tjahjono, M.Pd Counselor 2 : Galih Wibisono, B. A., M. Ed. Year : 2018 Keywords : Literary work, inner conflict, how to resolve conflict. Literary work is a work that uses language as a tool to convey messages. Film is a literary work that not only uses language as a tool to convey messages, but also literary works in the form of media that uses audio visuals so that literary works can be enjoyed more alive. In a story, there are conflicts or problems that make the story more interesting, the conflict is experienced by characters in the film. The person in charge is to deliver the message in a film. Conflict or problems experienced by the characters in a film, can affect the psychology of the characters in the form of inner conflict, because when discussing a work of literature, can not be separated from psychological problems. There are no problems that cannot be resolved, every human being has their own way to solve the problem, the characters in the film also have a way to solve the problem. The purpose of this study is to find out the inner conflicts experienced by characters in the film Once Upon A Time《三生三世十里挑花》using the inner conflict theory of Kurt Lewin, and to know how the characters in the film solve the problem by using the five-style theory resolve the conflict from Johnson. This research is a psychoanalytic research, using qualitative descriptive research. The form of this research is the words that will describe the form of inner conflict and how to resolve the conflict of the characters in the movie Once Upon A Time《三生三世十里挑花》. The results of this study found thirteen forms of inner conflict of three types of forms of inner conflict, namely: approaching - approaching, away - away, and approaching away. While how to solve conflicts found eleven data how to resolve conflicts of the five styles, namely: turtle style, shark style, kancil style, fox style, and owl style. The conclusion of this research is to know the form of inner conflict experienced by Once Upon A Time《三生三世十里挑花》 film character who is in accordance with Kurt Lewins theory and how to solve conflicts by Once Upon A Time《三生三世十里挑花》 which corresponds to Johnsons theory of five styles of resolving conflicts
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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