32,203 research outputs found
Evelyn N. Duarte: Bougainvillea Duchess, 1954
No full textPhotgraph of Evelyn N. Duarte: TSC Bougainvillea Duchess.https://scholarworks.utrgv.edu/brownsvillelegacyroyals/1002/thumbnail.jp
Tupiperla guariru Duarte, Bispo & Calor, 2014, n. sp.
No full textTupiperla guariru n. sp. (Figs. 1–5) Type material. Holotype, male: BRAZIL: Bahia: Varzedo, Serra da Jibóia, Fazenda Baixa da Areia, Córrego Cai Camarão, 12 ° 57 ' 39.2 ''S, 39 ° 26 ' 53.7 ''W, 27.VIII. 2013, light trap, Calor A.R., Gomes V. and Zanata A.M. Paratypes: same data as holotype, except for: 3 males, 2 females; same data, except for: 12 ° 57 ' 35.9 "S, 39 ° 26 ' 54.9 "W, 28. VI. 2013, light trap, Calor A.R., Medeiros A. and Gomes V., 1 male; same data, except for: 12 ° 57 ' 39.2 "S, 39 ° 26 ' 53.7 "W, 11. VII. 2013, UV light pan trap, Calor A.R. and Duarte T., 2 males, 3 females; same data, except for: 12 ° 57 ' 45.5 "S, 39 ° 26 ' 55.3 "W, 27.III. 2012, UV light pan trap, Quinteiro F.B., Duarte T. and Garcia I., 1 male. Additional material: Brazil, Bahia, Amargosa, Fazenda Boqueirão Colonha, 13 °08' 11 "S, 39 ° 39 ' 46 "W, 544 m a.s.l., 18.VII. 2009, UV light pan trap, Calor A.R. and Lecci L.S., 1 male. Description. Tupiperla guariru n. sp. is a small to medium size species of the genus. Holotype, male: forewing length, 7.9 mm; antenna length, 6.0 mm; number of cercomeres, 12; paratypes, males (n= 7): forewing length, 6.2–8.1 mm; antenna length, 6.1–7.2 mm; number of cercomeres, 11–12; females (n= 5): forewing length, 8.0– 8.7 mm; antenna length, 7.8–9.2 mm; number of cercomeres, 11–13. General color dark brown. Head dark brown with lighter triangular area in front of the coronal bifurcation and lighter spots laterally to the paired ocelli; in some specimens, anterior part of frons lighter; clypeus and labrum light brown; three ocelli and compound eyes black; in lighter individuals, lateral part of the head, behind compound eyes, with a distinct dark brown band; maxillary palpi 5 -segmented, brown, with the last segment darker; labial palpi brown and 3 -segmented; antennae brown. Thorax dark brown; pronotum with rugosities and narrower than the head; legs brown, tibia and tarsi darker; in prothoracic legs, ventral femoral spine small (most females) or absent (most males), in meso- and metathoracic legs, femoral spine present; forewing light brown with many crossveins, pterostigmatic cell without crossvein. Male. Abdominal terga of the segments I–III mainly white, remaining segments mainly brown; tergum X with triangular white patch in the base and with small extension (figure 1); abdominal sterna brown with white patches, which vary in size with the segment; subgenital plate dark brown (Fig. 3); paraprocts dark brown, in lateral view, they expanded progressively towards the apex, which is rounded with a small pointed tooth on posterodorsal portion (Fig. 2). Female. Abdominal segments I–VII membranous; sternum VII with two strong spots; subgenital plate sclerotized and robust, surpassing segment IX apex and reaching segment X (Figs. 4–5); segments IX and X sclerotized and dark brown. Remarks. Tupiperla guariru has a tergum X extension similar to that of T. modesta; however, the paraprocts of both species are different. In T. guariru, the paraprocts expand progressively towards a rounded apex, with a small pointed tooth on the posterodorsal portion, whereas in T. modesta, the paraprocts are similar width throughout their length, ending in a rounded apex. Additionally, males of T. guariru have a rounded posterior subgenital plate margin, but in T. modesta this structure is pointed. Females of T. guariru lack lateral extensions of the subgenital plate, which are present in T. modesta. Etymology. “Serra do Guariru ”, an indigenous name for the mountain range “Serra da Jibóia”, Bahia State, the region where the specimens were collected. The word “ Guariru ” means water reservoir in the Tupi language. The name is used as a noun in apposition.Published as part of Duarte, Tácio, Bispo, Pitágoras C. & Calor, Adolfo R., 2014, A new species of Tupiperla Froehlich, 1969 (Plecoptera: Gripopterygidae) from Serra da Jibóia, Bahia, Brazil, pp. 140-144 in Zootaxa 3835 (1) on page 141, DOI: 10.11646/zootaxa.3835.1.9, http://zenodo.org/record/23037
Anacroneuria patioba Almeida & Duarte, 2017, n. sp.
No full textAnacroneuria patioba n. sp. (Figs. 4A–F) Type material. Holotype, male: BR, BA: EEEWG, Riacho Patioba, S13°34'50'', W39°42'17'', 09.x.2010, light pan trap, AC et al. col. Paratypes: same data as holotype, 4 males. Description. A small sized species. Holotype, male: forewing length, 11,5 mm. Paratypes, males (n= 4): forewing length, 11–11.5 mm (s= 0.27). General color pale yellowish. Head and pronotum yellowish; head with inconspicuous M-line, central frons area yellowish, clypeus and occiput pale yellowish (Fig. 4A), darker in teneral specimens (Fig. 4B). Antennae ochraceous, scape with dark spot laterally. Palpi pale yellowish. Pronotum with two dark strips laterally, anterior corners rounded, posterior corners rounded (Fig. 4A). Membrane and veins of wings conspicuous. Legs pale yellowish with dark strip in distal part of the femur. Cerci ochraceous. Sternum IX with small bristles on posterior area. Hammer simple, truncate cone (Fig. 4C). Penial armature (Figs. 4D, E, F) with pair of large distal vesicles. In lateral view, terminal tube slightly raised, distal region curved, a pair of latero-inferior lobes (Fig. 4D). In dorsal view, terminal tube short, with narrow base (Fig. 4F). Hooks regularly curved and acute apically. Female and nymph. Unknown. Remarks. The penial armature of A. patioba resembles that of A. cathia Froehlich, 2002, however the new species has a shorter aedeagal apex and obliquely shaped shoulders (Fig. 4 D-F). The aedeagus of A. cathia has the apex longer and the shoulders are not obliquely shaped. Additionally, the color patterns are different, pale yellowish in A. patioba, and light-medium brown in A. cathia (Froehlich, 2002). We collected a teneral specimen with remants of gills in thoracic segments, milky wings, and a dark head. Etymology. The name Patioba refers to the stream where the specimens were collected. The name is used as a noun in apposition.Published as part of Almeida, Lucas Henrique De & Duarte, Tácio, 2017, A new species and records of Anacroneuria (Plecoptera: Perlidae) from the Ecological Station, Wenceslau Guimarães, State of Bahia, Brazil, pp. 480-486 in Zootaxa 4247 (4) on pages 483-484, DOI: 10.11646/zootaxa.4247.4.9, http://zenodo.org/record/43890
Anacroneuria calori Duarte & Lecci 2016, n. sp.
No full textAnacroneuria calori n. sp. (Figs. 2A–D and Figs. 3A–F) Type Material. Holotype, male: BR, CE: Ubajara, Serra da Ibiapaba, Parque Nacional de Ubajara, Cachoeira Cafundó, 03°50'10.9''S, 40°54'39.2''W, 826m, light trap, 22.x.2011, VG & TD. Paratypes: same data as holotype, except for: 4 males, 7 females; same data, except for: light pan trap, 22.x.2011, VG & TD, 4 males, 3 females; same data, except for: 28.x.2011, VG & TD, 5 males, 4 females; same data, except for: Córrego Gavião, 03°49'50.6''S, 40°54'36.8''W, 833m, light pan trap, 26.x.2011, VG & TD, 2 males; CE, Crato, Nascente do Engenho da Serra, 07°08'5.9''S, 39°34'32.1''W, 726m, light trap, 05.ii.2011, FQ & AC, 4 males; same data, except for: Sítio Fundão, Rio Batateiras, 07°13'47.7''S, 39°26'8.4''W, 436m, light trap, 07.ii.2011, FQ & AC, 1 male; CE, Barbalha, Município de Arajara, Arajara Park, Gruta do Farias, 07°19'58.3''S, 39°24'46.6''S, 745m, 24.vii.2009, ARC & LL, 2 females. Description. A small sized species. Holotype, male: forewing length, 11 mm. Paratypes, males (n= 19): forewing length, 10–11 mm; females (n= 16): forewing length, 15–17 mm. General color light brown. Head and pronotum light brown (specimens from Ubajara) to yellowish (specimens from Crato); central frons area brown in males (specimens from Ubajara), yellowish in females; clypeus and occiput ochraceous to yellowish (Figs. 2A, B, C). Antennae with scape brownish, lighter basally; pedicel and flagellum brownish. Palpi light brown. Pronotum light brown, two strips darker laterally and lighter median strip; anterior corners rounded, posterior corners rounded. Membrane and veins of wings brownish (Fig. 2D). Legs ochraceous with dark strip in distal part of the femur. Cerci light brown. Male. Sternum IX with dark posterior strip; row of thick bristles in lateral corners (Fig. 3A). Hammer simple truncate cone. Penial armature (Figs. 3B, C, D) with pair of large distal vesicles. In dorsal view, terminal tube opens into a long gonopore, conical at base (Fig. 3C). Gonopore robust in lateral view, distal region curved, median region sinuous with a small elevation (Fig. 3D). Hooks regularly curved and acute apically. Female. Subgenital plate ochraceous, 4-lobed; lateral lobes larger than median lobes, sinuous (Fig. 3E). Sternum VIII with thick bristles laterally; median lobes with small sclerotized band. Sternum IX with field of long bristles. Egg conical, simple (Fig. 3F). Remarks. All specimens from Serra da Ibiapaba, Ubajara have the head and pronotum light brown, whereas specimens from Crato are more yellowish. However, specimens from both localities have identical penial armature. The penial armature resembles to that of A. terere, however the median region of the terminal tube in A. calori is sinuous with a small point whereas in A. terere it is concave. In addition, the distal vesicles are present in A. calori and absent in A. terere. The female lateral lobes resemble A. cathia Froehlich, 2002, A. rondoniae Froehlich, 2002, and A. subcostalis Klapálek, 1921. However, in A. calori the median notch is not as wide and not as deep. Etymology. The specific name calori is in honor to Dr. Adolfo R. Calor for his contributions to the knowledge of aquatic insects of Brazil. The name is a noun in apposition.Published as part of Duarte, Tácio & Lecci, Lucas Silveira, 2016, New species and records of Anacroneuria (Plecoptera: Perlidae) from the northeastern semi-arid region of Brazil in Zootaxa 4079 (2) on pages 294-297, DOI: 10.11646/zootaxa.4079.2.10, http://zenodo.org/record/105059
Marcos Duarte : carpintero [Manuscrito]
No full textDatos sobre el carpintero Marcos Duarte en 1724. Referencia: A. H. N. Catedral, leg. 277
Paulo Duarte contra a correnteza: da pedra fundamental à origem vazia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.Esta Tese de Doutorado versa sobre os contatos intelectuais estabelecidos por Paulo Duarte durante o período de seus dois exílios, que lhe foram impostos por Getúlio Vargas em 1934 e, depois de um período de retorno ao Brasil, entre 1938 e 1945, durante a vigência do Estado Novo. O texto se serve da imagem do rio, fundamental que foi ao longo dos escritos de Duarte, para realizar um movimento a contrapelo, ou seja, na contramão da correnteza, no sentido de encontrar as relações e contatos que não foram explorados na criação da imagem ?institucional? do escritor. Após um excurso em que se apresenta a imagem do rio e questões relativas à redação da autobiografia e às teorias da memória e da história que guiam as reflexões da Tese, debatem-se três problemas-chave em que a posição de Duarte permite ler diferentes teorias da modernidade na América Latina. Primeiramente, a ideia de patrimônio e o debate travado na passagem pela Argentina, em sua proximidade com as reflexões contemporâneas de Benjamin e com o pensamento dos Annales a respeito da História. Em seguida, a procura pelo fundamento da História e da cultura leva, pois, a pensar o problema da origem do humano, radicada em sua reflexão, na linguagem. Por fim, chega-se à emergência da problemática da imagem, a qual, em convergência com a origem e a linguagem, leva, na leitura e no contato de Duarte com Luis Buñuel, Anton Giulio Bragaglia e Samuel Beckett, ao torvelinho de radicar a origem no vazio. Abstract : This dissertation is about the intellectual contacts made by Paulo Duarte during his two exiles. The Brazilian president, Getúlio Vargas, exhiled Duarte for two times: in 1934 and, after a period back in Brazil, again, between 1938 and 1945, during the dictatorial government called Estado Novo. The text uses the image of the river, essential in Duarte's writings, to make a movement brushing the history against the grain, that is, against the stream, searching for the relations and contacts which have not been explored in the creation of the writer's "institutional" image. After an excursus in which the river's image is presented, as well as questions about autobiography and the theories about memory and history that guides the doctoral dissertation, we discuss three problems in which Duarte's position allows reading different modernity theories in Latin America. First come the idea of heritage and the debate in which he takes part during his passage through Argentina, in its proximity with Walter Benjamin and the Annales' reflections about History. Second, the search for History and culture's foundings takes Duarte's reflections to the problem of the mankind's origin, that is rooted in the language, according to Duarte. At last, the dissertation approaches the emergency of the problem of image, which, converging with the discussion about origin and language, takes, in the reading of and the contact between Duarte and Luis Buñuel, Anton Giulio Bragaglia and Samuel Beckett, to the swirl of rooting the origin in the void
CDMF Pesquisa - Isabelle Maria Duarte Gonzaga
No full text<p>Isabelle Maria Duarte Gonzaga, pesquisadora no Centro de Desenvolvimento de Materiais Funcionais (CDMF), fala de sua pesquisa sobre a síntese de fotoânados com heterojunções de nitreto de carbono e vanadato de bismuto ou óxido de cobre, para aplicação dos eletrodos de melhor desempenho na degradação fotoeletroquímica de afluente da indústria têxtil.</p>
<p>CDMF Pesquisa - Isabelle Maria Duarte Gonzaga de <a href="https://youtu.be/22KS4Oh8qPk">https://youtu.be/22KS4Oh8qPk</a> está licenciado com uma Licença <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons - Atribuição-NãoComercial-SemDerivações 4.0 Internacional</a>. Podem estar disponíveis autorizações adicionais às concedidas no âmbito desta licença em <a href="https://www.labi.ufscar.br/">https://www.labi.ufscar.br/</a>.</p>
Ruy Duarte de Carvalho : caminhos de um poeta antropólogo
No full textA relação interdisciplinar entre a literatura e a antropologia tem florescido na escrita contemporânea. Alguns autores constroem suas personagens com base em longas pesquisas etnográficas. As vozes anônimas ganham vida ao serem traduzidas pelas vozes autorizadas dos escritores modernos. Desse modo, a ficção se transforma em uma maneira de dizer o que se vê nas diferentes culturas. Ver, interpretar, traduzir o mundo: a experiência passou a ser a inspiração literária de muitos autores modernos, e, consequentemente, a discussão envolvendo literatura e antropologia tem crescido de maneira produtiva e está abrindo caminho para novos estudos envolvendo os dois campos. Um bom exemplo disso é a escrita do angolano Ruy Duarte de Carvalho, que mistura elementos etnográficos em sua obra literária. Sendo assim, o objetivo deste trabalho é mostrar como se configura essa relação nas obras Os papéis do inglês (2007) e Vou lá visitar pastores (2000). Em ambas o narrador-autor desde o início apresenta traços bio(biblio)gráficos inusitados. Cito como exemplo a constante retomada referencial de personagens que o acompanharam em suas “deambulações etnográficas” em Vou lá visitar pastores. Nessa obra o narrador/autor conta sua própria experiência antropológica e observa as experiências dos outros para contá-las à sua maneira. Observamos que o olhar de Ruy Duarte de Carvalho está voltado para os povos e as culturas africanas, tanto que, mesmo em Os papéis do inglês, a história desse ilustre representante do Ocidente adquire valor secundário no decorrer da obra. Duarte produz narrativas permeadas por questões de identidade, memória e autoria em que se alternam papéis assumidos ora por ele “mesmo”, ora pelo “outro”. Para tanto, além da leitura das obras citadas, consideraremos conceitos como tradição e modernidade e póscolonialismo a partir dos estudos de Laura Padilha, e discutiremos os pressupostos de James Clifford (2011) e Cliford Geertz (2009) sobre as aproximações entre antropologia e literatura.The interdisciplinary relationship between literature and anthropology has flourished in contemporary writing. Some authors build their characters based on long ethnographic research. The anonymous voices come alive when they are translated by the authoritative voices of the modern writers. Thus, the fiction becomes a way of saying what we see in different cultures. Seeing, interpreting, translating the world: the experience became the literary inspiration for many modern authors, and consequently, the discussion involving literature and anthropology has grown productively and is opening ways for new studies involving the two camps. A good example is the writing of an Angolan Ruy Duarte de Carvalho, mixing elements ethnographic in his literary work. Thus, the aim of this work is to show how to set up this relationship in the works of English papers (2007) and I'm going to visit pastors (2000). In both the narrator-author from the beginning shows unusual bibliographic traces. I cite as an example the constant referencial resumption of those characters that accompanied him on his "ethnographic wanderings "Vou lá visitar pastores". In this book the narrator /author tells his own anthropological experience and observe the experiences of the others to explain it with his own manners. We note that Ruy Duarte de Carvalho's look is turned to the peoples and cultures of Africa, so that even in "Os papéis do inglês", the history of this distinguished representative of the western civilization acquires secondary value throughout the work. Duarte produces narratives permeated by issues of identity, memory and authority in alternating roles assumed sometimes by "himself", other times by the "other". Therefore, in addition to reading the works cited, we will consider concepts like tradition and modernity and post-colonialism from the studies of Laura Padilla, and discuss the assumptions of James Clifford (2011) and Clifford Geertz (2009) on the proximities of anthropology and literature
Vou lá visitar pastores : space and narrative in Ruy Duarte de Carvalho
No full textNo presente trabalho analisamos a obra Vou lá visitar pastores (2000), de Ruy Duarte de Carvalho, pois nessa narrativa o autor revela o universo particular do povo Kuvale, um subgrupo da etnia Herero. Para adentrar nesse mundo de identificações étnicas Ruy Duarte propôs-se a ir viver junto deles no deserto do Namibe, por aproximadamente seis meses por ano. O resultado desse trabalho nos é apresentado nessa interessante obra que envolve antropologia, literatura e história, o qual poderemos conferir neste artigo.In this paper we analyze the work Vou Lá Visitar Pastores (2000), by Ruy Duarte de Carvalho, necause in this narrative the author reveals the particular universe of Kuvale folk, a subgroup of the Herero ethnic group. To enter this world of ethnic identifications Ruy Duarte went to live with them himself in the Namib Desert, for about six months a year. The result of this work is presented to us in this interesting work involving anthropology, literature and history, as we can check this article
Memórias em disputa e jogos de genêro: o Movimento Feminino pela Anistia no Ceará (1976-1979)
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em História.Estudo das memórias do Movimento Feminino pela Anistia (MFPA), no Ceará, com ênfase em narrativas de ex-integrantes, entre os anos de 1976 e 1979. O trabalho procura compreender as questões de gênero na forma como as mulheres recuperam suas ações políticas e trajetórias de vida, com foco na elaboração de subjetividades a partir de experiência coletiva. O Movimento Feminino pela Anistia foi criado em 1975, em âmbito nacional, com o objetivo de lutar pela anistia dos perseguidos pela ditadura militar em 1964. Seus quadros reuniam, de acordo com as normas estatutárias, somente mulheres, com núcleos pelo País e milhares de participantes. Apesar de formado, em grande parte, por familiares de presos e exilados políticos, o MFPA agrega mulheres ansiosas por retomarem militâncias políticas interrompidas ou realizadas somente de forma clandestina, além de ter reunido pessoas movidas pela solidariedade. A convivência entre militantes com diferentes motivações gera uma ação política sui generis, em constante instrumentalização do gênero, com disputa entre as memórias reconstruídas no presente e tornando mais complexa a atividade do Movimento que, apesar de fundado sobre valores tradicionais ligados à figura da mulher como defensora da família e pacificadora da sociedade, extrapola tais vivências. Há polarização, especialmente concentrada, entre as que se identificam como familiares de presos políticos e as que se reivindicam como #mais politizadas#. As razões da disputa são analisadas ao longo do trabalho. Tampouco as memórias do MFPA são produzidas somente pelo grupo de mulheres formado para esta pesquisa. Está presente em discursos nas solenidades e manifestações do movimento de anistiados no Estado, na mídia e na documentação dos órgãos de segurança do regime ditatorial. Os discursos são permanentemente comparados e confrontados com documentos de história oral desta pesquisa, em análise que amplia as formas de compreender a luta pela anistia no Brasil, recuperando a ação das mulheres como personagens fundamentais. Study of Women's memories of the Movement for Amnesty (MFPA) in Ceará, with emphasis on narratives of ex-members, between the years 1976 and 1979. The work seeks to understand the issues of gender in how women recover their political actions and paths of life, focusing on development of subjectivity from collective experience. The Women's Movement was established by Amnesty in 1975, at the national level, with the objective of fighting for amnesty for persecuted by the military dictatorship in 1964. Its board meeting, according to the statutory rules, only women with nuclei the country and thousands of participants. Though formed in large part by relatives of political prisoners and exiles, the MFPA adds women eager to resume political militancy discontinued or performed only in a clandestine, in addition to meeting people moved by the solidarity. The coexistence between different motivations militants with political action generates a sui generis, in constant exploitation of the genre, with the dispute between reconstructed memories of this and making more complex the activity of the Movement that, although based on traditional values linked to the figure of the woman as defender of family and peaceful society, beyond such experiences. There polarization, especially concentrated among those who identify themselves as relatives of political prisoners and those that are claimed as "more politicized." The reasons for the dispute are analyzed over the work. Neither the memories of MFPA are produced only by women's group formed for this research. Is present in speeches in ceremonies and events of the movement of pardon in the state, the media and the documentation of the safety of the dictatorial regime. The speeches are constantly compared and confronted with documents of this oral history research in analysis that expands the ways to understand the fight for amnesty in Brazil, recovering the action of women as key characters
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