1,720,963 research outputs found
Konstruksi Sosial-Teologis Ritual Ijazah Asma' Artho (Uang Azimat) di Pondok Pesantren Fathul Ulum Kwagean Pare Kediri
No full textThis article scrutinizes social and theological constructions of the practice of ijazah Asma Artho or Uang Azimat (money blessing tradition) in Fathul Ulum Islamic Boarding School. Asma Artho is not a practice of doubling money. It is only money blessed by kiai. There is a symbol contained in the post-blessing money, the kiai, through his team, writes the word Bāsiṭ, one of Asmā’ al-Ḥusnā, on the blessed money. Socially, the practice, which is routinely implemented every year, is not only sought by the santri, but also the general public and businessmen. If santri and the general public wishes the blessing of their rejection from this ritual process, then it is different from the perspective of the business community, where they believe this money (Asma Artho) has enough impact on the increase in the business’s current good. For them, the more blessed the money is, the more fortune it earns. In understanding the theological construct of this blessed money, the author examines the meaning of the Bāsiṭ, one of Asmā’ al-Ḥusnā, and the interpretation of this word in the Qur’an which is contained in the money and how to read the rajah. This bleesed money is based on the thought of Abū Ḥāmid al-Ghazālī, Abū Bakr Muḥammad Shatā al-Dimyātī, and Ma‘rūf al-Karkhī. Al-Karkhī said has even said that anyone who reads the mawlid upon the Prophet Muhammad on some silver or gold-plated dirhams and then mix the dirhams with other dirhams, these dirhams will then get a blessing
Nilai sufistik pembudayaan musik shalawat emprak pesantren kaliopak ,Yogyakarta
No full textThis article explores the culture of music in the tradition oaf shalawat emprak in pesantren kaliopak,Yogyakarta from the perspective of sufism. Essentially, shalawat emprak is similiar to the sufi tradition of listening to music as one of the media to draw closer to god
Metodologi Studi Hadis Jamâl al-Bannâ
No full textText will always interacting with the context. He always dialectic with the conditions in which the text was born. Therefore, to understand a text, an understanding about the context becomes a necessity that must be done, not least the understanding of hadith texts. Without understanding a variety of variables and circumstances behind the text that includes historical aspects, sociological, psychological, and so on, then this will potentially misinterpretation. This article explores the ideas of Jamal al-Banna on the methodology of contemporary traditions. He offers concepts and methodologies so resolutive and intelligent in understanding the Sunnah of the Prophet. He also shows how Muslims should ideally interact with the Sunnah. Departing from the description, it will be explored in this article about Jamal al-Banna Sunnah thinking which will then be analyzed in this hermeneutic perspective. According to him, Muslims today should make the Sunnah as a model of ijtihad, which also means keeping the existence of Sunnah. That is, people now have to follow the path and methodology, not the spoken word; follow the Sunnah of the Prophet, do not follow the text of the hadith
Islam sebagai Agama dan Umat: Analisa Pemikiran Kenegaraan Jamâl al-Bannâ
No full textThis article explores Jamâl al-Bannâ’s view on the relation between religion and state, particularly his views on the relation system between Islam and state, and the related issues such as democracy, pluralism, and secularism. The article, therefore, describes issues on the concept of ummah in Islam, democracy within Islamic governmental system, and Islam’s view on secularism and pluralism. The article uses textual interpretation method. The article finds that the most ideal example of Islamic government was the period of Madînah al-Munawwarah, which only lasted for 25 years.</p
Teologi Humanis Jamâl al-Bannâ: Sebuah Rekonstruksi Epistemologis Studi Keislaman
No full textThis article mainly discusses Jamâl al-Bannâ’s thought, an Egyptian-born Muslim contemporary thinker, who offers the idea of humanist theology. As Jamâl observed that the Islamic theology ignores the aspect of humanity, he then tried to fix it with an attempt to, firstly, reconstruct the sources and system of Islamic thought into three things, namely the Qur’ân, the Sunnah, and the Hikmah (Wisdom). Each aspect is read through “new method of reading” aiming that the stream of Islamic theology will flow more humanist and will be able to synergize with its time. Jamâl’s stream of thought is centered on the aspect of humanity emphasizing that every product of Islamic thoughts should have a hook with the principles of justice and welfare, because that is the main principle of Islamic teachings.</p
Kritik terhadap Relasi Antagonistis Timur-Barat
No full textThe seeds of the clash of thought between the East and the West have become a pin point on the valuable literature of the classical west to take a part on such issues. In short, Hegel’s claim on the philosophical history, Darwinism on the evolutional theory and Marxism on the capitalism join in this complex debate. Those three figures play a role in formulating the existence of west civilization with its hegemonic characteristic. The prosperous study on looking another civilization in black-white discourse takes part in growing animosity among civilization. Civilization is a total number of material achievements and thoughts from many generations. Civilization cannot appear from few people for it is a spontaneous design of human being. This article attempts to explore two leading civilizations in the world, Islam and the West. When Islam, which is identical with the East, has tried to observe the West by using Occidentalism as its epistemological approach, polemic and debate become apparent. The tension between the West and the East takes another new volume. This article attempts to elucidate the antagonistic-relationship between the East and the West, the Occidentalism, and epistemological efforts to build the dialogue of civilization.</p
Rekonstruksi Pemikiran dan Posisi Sufi-Antisufi Ibn Taymīyah
No full textThis article reanalyzes Ibn Taymīyah’s position and his thought in Sufism and anti-Sufism. The article is also expected to find the precise typology to describe the qualification of Ibn Taymīyah’s Sufism other than the Sunnī and Falsafī typologies. As a formalist and literalist thinker, Ibn Taymīyah has been famously known as an anti-Sufi Muslim scholar. There have been a number of modern Salafis who refute any relationship of Ibn Taymīyah and Sufism. Ibn Taymīyah has criticized such philosophical doctrines of Sufism as waḥdat al-wujūd, ḥulūl, and ittiḥād, which are considered to have deviated from the foundations of Islam. Along with his criticism, Ibn Taymīyah offers solution by recovering the earliest and authentic traditions of Sufism when it is viewed as to have obscured the authenticity of knowledge based on the al-Qur’ān and Sunnah. The product of his Sufism can be, therefore, categorized in Salafi-Sufism typology in addition to other such pIbn Taymīyahopular typologies as Sunnī and Falsafī. The pattern of the Taṣawwuf Salafī—which is deemed as being appropriate to describe the existence of Ibn Taymīyah’s Sufism—does not, basically, accept takwil upon the religious texts. The aim of his Sufism is to strengthen one’s faith and help him/her to purify their soul and moralit
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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