1,720,958 research outputs found
رفیع ازہر کی ادب دوستی
"Muhammad Rafi Azhar, Subedar in EME core, is a multitalented personality having literary taste which is reflected in his writings. He has mature writing style whether it's prose or poetry which is highly appreciated by prominent Urdu writers. He has many published research articles on his credit. He is one of those army person who are contributing in Urdu literature. This article is an ensemble illuminating his efforts and covering every genre of his writings. It is an endeavor to pay tribute to those writers belonging to armed forces
ضیاء النبی" میں اسمائے معرفہ"
Proper Noun is a part of speech that has an important role in syntax in any morphology. "Zia-un-Nabi" is a seven-volume book on the life and personality of Prophet Muhammad P.B.U.H, written by Pir Karam Shah Al-Azhari. It has a large number of proper nouns and unless they are explained in proper context, understanding the text becomes a bit difficult. This paper enlists and explains some important proper nouns used in "Zia-un-Nabi".
The Synthetic Style of Jameel Jalibi and the Context of Research and Criticism
Dr. Jamil Jalbi (1929-2019), in his criticisms, has not only madetheoretical arguments on the subject of "Amalgam of Research and Criticism" but in practice laid the foundation for his critical theory "Amalgamative Style". The artistic style of his History of Urdu Literature (TARIKH-E-ADAB-E-URDU) can be described as the masterpiece of the creative amalgam of research, criticism, culture and linguistics. From this point of view, Jalbi's Criticisms is the most balanced form of two extremes of traditional research and criticism. Although he calls his style a "New Cri t icism" , i t would not be strange to cal l his style "a modern amalgamation". He has devised a new way of transcending the traditional style of Criticism in Urdu literature. Studying his criticisms, it turns out that his theoretical and applied criticism are incompatible. He considers research and criticism to be interdependent. Not only he promotes an amalgam of research and criticism, he also emphasizes the integration of non-literary sciences. He believes that a critic should benefit from pure scientific and social studies. The more a critic studies, the more his critical insight will grow. In his view, the research process would be weak without critical awareness, and so would the criticism without meaningful research. He understands that it is important for a scholar to have a thorough knowledge of the Eastern and Western traditions. In fact, over time, even more artistic aspects of Jalbi's Criticism may be revealed
The Synthetic Style of Jameel Jalibi and the Context of Research and Criticism
Dr. Jamil Jalbi (1929-2019), in his criticisms, has not only madetheoretical arguments on the subject of "Amalgam of Research and Criticism" but in practice laid the foundation for his critical theory "Amalgamative Style". The artistic style of his History of Urdu Literature (TARIKH-E-ADAB-E-URDU) can be described as the masterpiece of the creative amalgam of research, criticism, culture and linguistics. From this point of view, Jalbi's Criticisms is the most balanced form of two extremes of traditional research and criticism. Although he calls his style a "New Cri t icism" , i t would not be strange to cal l his style "a modern amalgamation". He has devised a new way of transcending the traditional style of Criticism in Urdu literature. Studying his criticisms, it turns out that his theoretical and applied criticism are incompatible. He considers research and criticism to be interdependent. Not only he promotes an amalgam of research and criticism, he also emphasizes the integration of non-literary sciences. He believes that a critic should benefit from pure scientific and social studies. The more a critic studies, the more his critical insight will grow. In his view, the research process would be weak without critical awareness, and so would the criticism without meaningful research. He understands that it is important for a scholar to have a thorough knowledge of the Eastern and Western traditions. In fact, over time, even more artistic aspects of Jalbi's Criticism may be revealed
ضیاء النبی" کے تناظر میں محاورہ اور مرادی معنی
Literature of any language consists of many kinds of linguistic and cultural elements like idioms, metaphors, metonyms, similes and symbols. An idiom is a cultural element that has the language peculiar to people or to a district, community or class. Zia-un-Nabi is a seven-volume commentary on the life of Prophet Muhammad (PBUH). The paper discusses the use of literary devices in the Zia-un-Nabi.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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