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عبدالقادر سروری کی ادبی جہات
No full textAbdul Qadir Sarwari is famous for Deccan school of literature. Abdul Qadir Sarwari, Saleem Panipati's disciple, Mohi -ud -Din Qadri Zor's colleague and Maulvi Abdul Haq Sahib's subordinate. He served for the Osmania University, Hyderabad. Besides, Mysore University and Kashmir also remained the chairman of Urdu department. Abdul Qadir Sarwari was basically a researcher. There are his writings regarding both prose and poems. Among them are, the evolution of Urdu poem (Urdu Mathnavi Ka Irtaqa), modern Urdu poetry (Jadeed Urdu Shayery), world of fiction (Dunya-e- Afsana) and character of fiction (Kirdar aur Afasana), especially notable. The literary history of Urdu (Urdu ki Adabi Tareekh) is his famous book. In which he has analyzed literature with many dimensions. Apart from his writings, he compiled many books. There are compilations of the words (Kulliyat) of Siraj, Sanaسti, Ibn Nashati, Ghalib and Zafar.Abdul Qadir Sarwari has also worked on linguistics, and wrote a very first book about linguistics ‘Language and Knowledge of Language’ (Zaban aur Ilm-e-zaban). Especially for students’ knowledge. In addition, many books are also written as an educationist. His books are also part of the curriculum. Abdul Qadir Sarwari has the multi dimension personality. Unfortunately, there is no significant work of research quality in Urdu literature about him. So this article is a small confession of their services
میر محمود صابرؔ: سندھ میں اردو کی شعری روایت کا اوّلین چراغ
No full textoai:imtezaaj.uok.edu.pk:article/686211f0ea0c6Mir Mahmood Sabir, a contemporary of Wali Dakani, was Sindh’s first Urdu poet with a complete diwan, contributing significantly to early Urdu poetry. While Wali’s poetry is known for its simplicity and fluency, Sabir’s verses exhibit philosophical depth, mysticism, and intricate imagery. His themes include love, divine knowledge, existential reflection, and Sufi metaphysics, distinguishing him in the classical tradition. Sabir’s poetry reflects a rich linguistic blend, influenced by Persian, Arabic, Hindi, Braj, Punjabi, and Sindhi. Raised in Delhi, he mastered Dihlavi Urdu and Persian literary traditions, incorporating Quranic references, classical metaphors, and regional dialects. He was deeply aware of his poetic craft, often taking pride in his unique thematic and stylistic choices. Although Sabir did not attain the same widespread recognition as some of his contemporaries, his poetry remains a crucial link in Urdu’s literary evolution, highlighting Sindh’s role in shaping the language’s early tradition. His distinctive voice, depth of thought, and mastery of language establish him as a significant yet often overlooked figure in classical Urdu poetry
ریڈیائی تقریباتِ اقبال کا تعارفی جائزہ (ابتدا تا ۱۹۷۷ء)
No full textOn the occasion of the centenary celebration of the birth of the great thinker, poet and writer Allama Dr. Muhammad Iqbal (1877 to 1938), celebrations were held at all stations of Radio Pakistan. In these programs, well-known personalities of the country presented their views on Iqbal's personality, thought and art. The singers presented Kalam-e-Iqbal in their melodious voices. From Lahore station, Sheikh Abdul Qadir, Dr. MD Taseer, Dr. Saeedullah, Maulana Ghulam Rasool Mehr, Sufi Tabasim, Khalifa Abdul Hakeem and Nazir Niazi highlighted the thought and philosophy of Iqbal. Atiya Faizi's English speech IQBAL AS I KNOW HIM was broadcast from Karachi station in 1948. From Radio Lahore on April 21, 1948, the feature "Alam-e- Soz-o-Saz" written by Faiz Ahmed Faiz was effective. A series of programs were presented by Radio Pakistan Karachi, Rawalpindi, Lahore and other stations under the title Mard Momin K. Ishaq Amar Tasri from Karachi Station, later Hameed Naseem, Maulana Salahuddin Ahmed and Sufi Tabasim from Lahore continued to transmit and promote the Kalam and Payam-e-Iqbal. "Iqbal's influence on different minds" Radio Pakistan Peshawar Dr. Raziuddin's thought-provoking speech with this title is also a part of Iqbaliyat. Hameed Naseem's program from Radio Pakistan Karachi, "Masjid e Qurtuba" was always memorable, and a series of speeches was broadcast from Radio Pakistan Rawalpindi under the title "Chiragh-i-Rah". Radio Pakistan broadcasted the poem "Shikwah o Jawab-i-Shikwah" in the voices of Umm e Kulsoom and Malkah Tarnam Noor Jahan. Centenary celebrations were organized on the birth anniversary of Allama Iqbal in 1977. The programs of the first part consisted of January to April 21, 1977. The second part consisted of programs from April 22, 1977 to the end of the year. In addition to special national programs, regional and all radio stations special programs were also included
شکیبؔ جلالی کی شاعری کا نفسیاتی تجزیہ
No full textThis study examines the psychoanalytic dimensions present in literature, with a particular focus on how an artist internalises and then externalises an entire universe shaped by personal experiences and emotions. As the creator of such a world, the artist’s works inevitably mirror their inner turmoil and complexities. Shakeb Jalali, a modern Urdu poet whose life was marked by profound tragedies, exemplifies this phenomenon. Despite his short lifespan, Jalali emerged as a prominent voice among contemporary poets. His poetry is deeply influenced by personal losses, societal injustices, betrayal by friends, and a pervasive sense of neglect, culminating ultimately in his tragic suicide. This paper aims to critically examine the psychological factors that left lasting imprints on Shakeb Jalali’s creative consciousness and are vividly reflected in his poetry
بیسویں صدی کے فکری رجحانات کے تناظر میں جوشؔ ملیح آبادی کے افکار کا تنقیدی مطالعہ
No full textWhile the twentieth century is a century of great importance in the global context, it is also very important from the point of view of the political, economic, literary and intellectual situation of the Indian subcontinent. Where the political and intellectual situation of this century affected other areas of life, it also completely changed the literary landscape of that period. And in this century, including Allama Iqbal, Faiz Ahmed Faiz and many other great poets of Urdu, intellectual poets like Josh Malihabadi could not live without being affected by this situation. Through his sublime poetry and his universal thoughts, he played an important role in defining the intellectual and political destiny of the revolutionary and enlightened minds of the twentieth century and the new generations of twentieth century India. And Josh Malihabadi has not only influenced the people of the twentieth century through his high harmonious poetry and diverse thoughts, but even today in the twenty 1st century, rationalist and enlightened people are guided by his poetry and thoughts
حنیف نقوی کی تحقیق: اُصول و اسلوب
No full textProfessor Syed Hanif Ahmed Naqvi was a distinguished scholar, critic, and authority on Ghalib studies, contributing significantly to the field of Urdu literature and research. This study explores his scholarly contributions, highlighting his expertise in biographical writing, research principles, and Ghalib studies. Naqvi emphasized integrity, meticulous fact-finding, and objective analysis in research, setting new benchmarks for Urdu literary scholarship. His works include groundbreaking articles, research papers, and edited volumes, which enriched the academic repository of Urdu literature. Naqvi’s principles of research, focusing on credibility, comprehensive study, and methodical analysis, remain instrumental for future researchers. His publications not only elevated the standards of research but also provided a structured approach to understanding literary texts. By bridging classical traditions with modern methodologies, Naqvi has left a lasting legacy that continues to guide scholars in the field of Urdu research. This paper examines his major works and the enduring impact of his academic practices, portraying him as a beacon of excellence in Urdu literary studies
دبستانِ کراچی کی نسائی منظومات میں تمثیلی عناصر
No full textIn our society, women are kept one step behind in every field of life. The exploitation of women is not a matter of age but a centuries-old ritual that is performed as a duty. When they wrote history, literary historians either ignored women writers or mentioned them very briefly. In this way, even the critic did not consider women's creations worthy to take a look at their mysteries. I have written this article inspired by Fatima Hasan's idea that it is now time for women to research women writers themselves.
The main reason for limiting my article to Karachi was that the topic should be written concisely and the second important reason was to bring forward women writers of Karachi, especially poets, and to see that there are some big names of literature in Karachi at that time. To what extent and in what manner are allegorical elements present in his speech? Thus, Karachi is a very fertile city in terms of women poets, but keeping in mind the brevity, I have selected only a few women poets. Especially those poets who are skilled in writing poetry and whose name is a poem
اردو داستانوں میں نفسیاتی محرکات
No full textDaastan is the oldest genre of our literature; such long amp; novel tales are a part of every language's history and cultural symbol. It started in the 17th century with Mullah Wajhi's Sabras and then continued till the 20th century with the Arabic Persian and Indian rhythmic tales being translated into Urdu. The purpose of such tales was to provide entertainment, the magical storytellers would create an imaginary world with their oratory and let the listener roam in it, and the Daastan writers later did the same work. These Daastan were not only a cultural and intellectual asset but you can also witness a few Psychological elements. One can understand the psychological changes in older times with the help of ancient literature. The relation between Psychology and literature is not new, the thorough research of human Psychology by Freud, Zong amp; Edler brought about many truths about literature and Psychology being interrelated. Emotion and many other aspects of human Psychology can be seen as the subject of these Daastan. Daastan based on play in different human situations can be easily understood through a long amp; interesting tale rather than by the boring details of Psychology. The trend of Daastan writing peaked in the 19th century because of psychology. The structure of Daastan and the way it was presented suited the easy-going nature of the subjugated people and daydreaming. These Daastans were the reflections of their dreams and aspirations
“سدھارتھ‘‘: انسانیت کا استعارہ
No full textSiddhartha(1922), well-known work by German author Hermann Hesse,(1877-1962) is a story about one man’s search for self –realization. In this novel The Siddhartha searches for truth and enlightenment, difference between knowledge and understanding, the nature of truth, and the unity of all things. Siddhartha first begins his journey by following those who are also seeking Enlightenment. Themes in Siddhartha by Hermann Hesse include: Alienation of man from man, Alienation of man from environment, Desire for self-knowledge, People can teach religious doctrine, but it may not lead one to find one’s true inner self-Knowledge can be taught, but wisdom comes from experience, Self-discovery, Individuality, Timelessness, Search for self-realization, Dilemma of spiritualism and enlightenment, human nature quest for knowledge and wisdom. In this article effort is made to analyze the central character of given novel.
پاکستانیت کے تناظر میں ناول ’’خدا کی بستی‘‘ کا تنقیدی تجزیہ
No full textTerm Pakistani literature refers to a literature that is compatible with Pakistan's traditions, values, national sentiments and its background.From this term, the movement of Pakistani literature was originated, which was also well represented by Urdu novelists. Shaukat Siddiqui(1923-2006) is an important reference in the literary perspective after the establishment of Pakistan. His novel Khudaki Basti(1958) not only brings out the important intellectual aspects of Pakistanism, but through it, he laments the people who are being exploited in every field of life. So, this novel is not only the expression of its time and era but also a representative of Pakistanism.In this research paper, an attempt has been made to bring out the political and social problems and ideological references of Pakistan in the context of the novel Khudaki Basti, which were faced by the masses immediately after the creation of Pakistan