1,720,972 research outputs found
Iskandar zulkarnain, dewa mendu, muhammad bakir dan kawan - kawan : lima belas karangan tentang sastra indonesia lama tahun 2014
No full textIskandar Zulkarnain adalah tokoh sejarah Barat yang menjadi mitos di Timur. Dewa Mendu manusia fiktif yang berpetualang di alam dewa, indra dan cendra. Muhammad Bakir pengarang yang menulis cerita untuk sesamanya rakyat Betawi. Banyak tokoh lain menghuni halaman-halaman buku ini.v, 395 hlm, 24 x 16 c
Iskandar zulkarnain, dewa mendu, muhammad bakir dan kawan - kawan : lima belas karangan tentang sastra indonesia lama tahun 2014
No full textIskandar Zulkarnain adalah tokoh sejarah Barat yang menjadi mitos di Timur. Dewa Mendu manusia fiktif yang berpetualang di alam dewa, indra dan cendra. Muhammad Bakir pengarang yang menulis cerita untuk sesamanya rakyat Betawi. Banyak tokoh lain menghuni halaman-halaman buku ini.v, 395 hlm, 24 x 16 c
Iskandar zulkarnain, dewa mendu, muhammad bakir dan kawan - kawan : lima belas karangan tentang sastra indonesia lama tahun 2014
No full textIskandar Zulkarnain adalah tokoh sejarah Barat yang menjadi mitos di Timur. Dewa Mendu manusia fiktif yang berpetualang di alam dewa, indra dan cendra. Muhammad Bakir pengarang yang menulis cerita untuk sesamanya rakyat Betawi. Banyak tokoh lain menghuni halaman-halaman buku ini.v, 395 hlm, 24 x 16 c
Iskandar Zulkarnain, Dewa Mendu, Muhammad Bakir dan kawan-kawan : lima belas karangan tentang sastra Indonesia lama
No full textBuku ini berisi beberapa karya sastra lama. Iskandar Zulkarnain adalah tokoh sejarah barat yang menjadi mitos di timur. Dewa Mendu manusia fiktif yang berpetualangan di alam dewa, indra dan cendra. Muhammad Bakir pengarang yang menulis cerita untuk sesamanya rakyat Betawi. Banyak tokoh lain menghuni halaman-halaman buku ini. Sultan Malaka Mahmud, yang tidak mau bertanggung jawab atas kekalahannya melawan Portugis. Daendels, sang Marsekal galak yang memerintah pulau jawa atas nama Napoleon. Abdullah al-misri, Peranakan Arab yang menulis teori politik yang berani. Khatib Lukman, yang melukiskan letusan Gunung Tambora di Pulau Sumbawa. Tuan Gentis, orang Belanda yang merampok Java Bank tapi ditangkap polisi. Itulah sastra Indonesia lama, yang beradab-adab sebelum Sumpah Pemuda mempersatukan berbagai suku bangsa di kepulauan Indonesia
ANALISIS PARATEKSTUAL TERHADAP HIKAYAT WAYANG ARJUNA KARYA MUHAMMAD BAKIR
No full textThe aim of this study is to know how the paratext elements in Hikayat Wayang
Arjuna manuscript written by Muhammad Bakir take a part to show preview about the
content of the text. Paratext elements in this manuscript also take a part in relation to the
HWA manuscript rental. Paratextuality in this manuscript are important to be research
because can give preview about the text content toward manuscript renter candidates.
The object of this study is the paratext elements of Hikayat Wayang Arjuna
which code is Ml.244. Paratext elements in this manuscript, which will be talk in this
tesis, include formats, signs and notes, name of the author, illustration, date, epigraph,
please insert, cover, preface, and private epitext.
Hikayat Wayang Arjuna tells about Rajuna who despised by kings and male
deities because of his behavior and his statement that he was �lanang sejagat sejagat
tiyang lanang�. In this story, Arjuna has fantastic story, for examples are that he is alive
after his head had cut, Arjuna become four and be the trouble makers in the earth and
�kayangan�. Because of Semar and Punakawan, the trouble can be captured and
finished.
When doing this research, which refers to Genette, three adaptations are doing
related to paratext elements: Rubrication, date, and illustration. Rubricate is a paratext
element which not mention by Genette in his book. But here, in this thesis, rubricate is
include because of its function which is to sharp the text. Ilustration and date are
paratext elements which are mention by Genette but they are not being talk more by
Genette in his book.
Philology and Literary approach are used for achieved the aim of this research.
Philology approach is used for solving the problems which are related to the manuscript
and text transliteration. Literary approach, especially Gerard Genette theory of Paratext,
is used for analyze paratext elements in the Hikayat Wayang Arjuna manuscript whose
code is Ml.244.
Related to the paratext elements of manuscript, from the study which has been
done, we know that paratext elements are made after the text had been written. The
senders of paratext elements are Muhammad Bakir�as the author and as the
publisher�and Genootschap employees who also give notes and stamp on the
manuscript. The addressees of paratext�s elements are the holders of the manuscrip
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
ILUMINASI NASKAH MELAYU KARYA M. BAKIR KOLEKSI PNRI: TINJAUAN SEMIOTIKA UMBERTO ECO
No full textThe objective of this research is to point out types of illumination in Malay
manuscripts stored in PNRI, to point out the connection between manuscript
illumination and its author or scribe, and to point out the motifs on manuscript
illumination using codicology. Furthermore, this research is conducted to identify the
significance of motifs in Malay manuscripts illumination written by Muhammad
Bakir with regard to the texts and society at the time of making. This significance is
analysed using Umberto Eco�s semiotics. This research also has the objective of
pointing out the tradition of manuscript visualisation in the form of types of
illumination in Malay manuscript as society�s creativity in the past.
This research applies the theories of philology and semiotics. The theory of
philology is used to identify narrative aspects and its illumination. Meanwhile, the
theory of semiotics is used to reveal the significance of motifs in Malay manuscript
illumination written by Muhammad Bakir with regard to the texts and other
contextual things.
The result of the analysis shows that there are various styles and motifs in
Malay manuscript illumination stored in PNRI. The diversity of motifs in Malay
manuscript illumination indicates that Malay society in the past had self-effort
approach to the Creator and the universe. The research also shows that most of the
illuminated Malay manuscripts stored in PNRI are anonymous. Based on the
domination of manuscripts which have complete information about manuscript, the
manuscripts illumination written by Muhammad Bakir is used to identify the
existence of significance of motifs in the illumination.
Based on semiotical analysis, it can be inferred that the motifs in manuscript
illumination written by Muhammad Bakir originate from the developing values inside
Malay-Betawi society and Muhammad Bakir�s experience as a writer and a person
who rented manuscripts. Some of the motifs seen in manuscript illumination written
by Muhammad Bakir become the local wisdom for Betawi society until now. In other
words, there is continuity between the manuscript in one period and the life of society
afterward
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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