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تلوک چند محرومؔ۔۔۔۔۔۔ایک تعارف
No full textTilok Chand Mehroom is a big name in the history of Urdu literature. He belonged to a remote and small city of Mianwali. This article not only introduces mahroom as a Person but also unfolds different aspects of his poetry
اثباتِ وجودِ باری پر یورپی متکلمانہ دلائل اور اقبال کے اعتراضات
No full textThe research article "Asbat-e-Wajood-e-Bari Per Eurpi Mutaqalemana Dalayel Aur Iqbal Ke Aetrazat" describes that the European scholastic philosophy presents three arguments named as the cosmological, the teleological and the Ontological. Iqbal has analyzed and criticized these arguments. He is of the opinion that these arguments do not prove the existence of such a perfect being who is creator of this universe and superior of all
اردو زبان کا فروغ: ماضی، حال اور مستقبل
No full textIn this article, it is discussed that urdu as a language has a continuous progress process in past and present. It is very obvious that Urdu langauge will grow in future as one of main global language
انسانی خودی، اُس کی آزادی اور بقا
No full textIqbal's fourth english lecture "Human Ego His Freedom and Immortality" discusses in detail Iqbal's main stream of thought and eleborates its main aspect. The following article comprises urdu translation of fourth lecture of Iqbal and adds references and annotations to it
علم اور مذہبی تجربہ (علامہ اقبال کا پہلا خطبہ
No full textIqbal's English lectures are a great intellectual work. "Knowledge and Religious Experience" is among them the first lecture delivered at Madrass. The main theme of this lecture is to ensure that the knowledge which is the outcome of religious experience i.e., inner self is as much reliable and trustworthy as is the knowledge of external world. This lecture is of great intellectual value, therefore, it has been translated into Urdu so that to facilitate the Urdu readers to understand its content. The Urdu title of this lecture is as given below:"Ilm Aur Mazhabi Tajraba
نظامِ اسلامی میں اصولِ حرکت (اقبال کا خطبۂ ششم)
No full textDr. Allama Muhammad Iqbal has put forwarded his legendry work for the renaissance of Muslims in the form of seven lectures, titled "Reconstruction of Religious Thought in Islam". The sixth lecture "The Principle of Movement in the Structure of Islam" deals with "Ijtihad" its importance and need of the hour. This lecture also provides psychological motivation to the Muslims to think and reshape their thought regarding contemporary affairs of Islam. Moreover, detailed history of reluctance for Ijtehad in Islam is also discussed in it. Keeping in view the importance of this lecture, it has been translated into Urdu to facilitate the Urdu readers to understand its content
’’ مسلم ثقافت کی روح‘‘ (اقبال کاپانچواں خطبہ
No full textIqbal's seven English lectures ــ "The Reconstruction of Religious Thought in Islam" are a great intellectual work. "The Spirit of Muslim Culture" is fifth lecture in which he describes in details the essence, quintessence and living spirit of Muslim Culture. This lecture is of great intellectual value, therefore, it has been translated into Urdu so that to facilitate the Urdu readers to understand its content
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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