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یونس جاوید کے افسانوی کردار: داخلی کرب، نفسیاتی کشمکش اور سماجی تلخیوں کا امتزاج
No full textYunus Javed is a very influential figure in Urdu drama, novel, and short story writing. His four collections of short stories were published in Urdu at different times. Although he started writing fiction at a time when symbolism and abstract fiction were famous in Urdu, but he chose the path of narrative fiction and presented social realism and psychological conflict in his short stories. This article presents an analytical study of his fictional characters. Yunus Javed's fictional characters are bitter narratives of internal anguish, psychological conflict, and social resentment, but one of their characteristics is that they are all humanists and believe in the philosophy of respect for humanity. His characters also have the quality of breaking the status quo and they are also seen trying to open the layers of social, political, and historical consciousness
اُردو افسانے میں گھریلو ملازمہ کا کردار: سماجی مطالعہ
No full textDomestic employee (maid) is a tragedy of the crushed, lower and trapped class, which is suffering from deprivation and disgusts who don't know the pleasures and blessings of life, who is suffering from the confusion and sarcasm of the society and is profligate by it. This article highlights various aspects of domestic employee's lives, hatred aggressive behaviour and sexual exploitation of society
کشور ناہید: توانانسائی آواز
No full textKishwar Naheed is a prominent name in Urdu feminist poetry. She has also reflected social issues in her poems; however, her representative poems are those in which she has raised her voice for women's rights. Her pen is very sharp against the oppression and injustice faced by women. She raises her voice against the physical and mental violence faced by women through her poetry. She has a powerful voice for the psychological, political and social problems of women. She has described the lust, violence and exploitation of men in her poems. In this article, Kishwar Naheed's feminist poetry has been made a special topic and Kishwar Naheed's point of view has been explained by giving examples of poems in this regard
فرانز کافکا کے فکشن میں وجودیت
No full textPhilosophy of existentialism is related to individual life, which is lived independently with all consciousness, awareness, internal states, personal emotions, and feelings. Due to the French Revolution, the First and Second World Wars, industrial development, cultural changes, and religious and spiritual decline, existential elements found their way into poetry and fiction. Franz Kafka's fictional literature describes the internal and external problems and confusions of an individual,which are caused by the chaos, disarray, atheism, decline of tradition and values, weak social, political, and economic structures. His stories contain existential elements such as dreamlike and nightmare atmosphere, absurdity, fear, terror, anxiety, anguish, death, meaninglessness, loneliness, alienation, skepticism, identity crisis, crime, inadequacy, strength, and hope. An atmosphere of unknown fear and anxiety pervades Franz Kafka's creative world. His characters are forever lost in endless mazes, driven by a rival force
خندہ اور فراموشی کی کتاب :تخلیقی اصطلاح سازی اور بیانیے کا تغیر
No full textThe name of Milan Kundera needs no introduction. The experiences he has had in the narrative of the novel are unique to him.He avoids the traditional notion that a novel must have a specific theme. A single novel can cover a wide variety of topics.His novel "The Book of Laughter and Forgetting" consists of seven parts. Each part is a complete story in its own right and is closely related to the overall narrative of the novel.In this article, we have attempted to explore the narrative waves in Kundera's novel. In addition, we have examined the creativity of terminology and then its application to the lives of the characters.I have tried to explore the state of Czechoslovakia after the Russian occupation, as a novelist saw and felt it.In this article, I have not only analyzed each section but have also tried to discover all the meaningful gaps that exist in each section and highlight the meaning of the others.And I have tried to reach the conclusion that Kundera finds a way to happiness and smile even in the worst of situations. The characters repeatedly return to life in the worst of situations and try to live.To reach logical conclusions, I have also drawn on the writings of some well-known Western critics
پتھر نہیں ہوں میں “: ایک عہد کی داستان”
No full text“Pathar Nahin Hoon Main” is the autobiographical narrative of Dr. Khwaja Muhammad Zakaria, presenting the coherent, engaging, and intellectually rich account of a principled, accomplished, and widely-read scholar’s life. In this volume, the author documents all the spoken and unspoken events of his life—from his birth to the tumultuous period of the creation of Pakistan and up to the present age—with remarkable simplicity, honesty, and intellectual grace. The cultural atmosphere, social landscape, and personal experiences associated with cities such as Amritsar, Jhang, and Lahore are portrayed with such vivid clarity that the reader feels as if the author’s entire life journey unfolds before their eyes. The tragic incidents of 1947, the bitter experience of migration, the anguish of Partition, the psychological impact of violence, and the hardship of continuous displacement from city to city are narrated not merely from a literary standpoint but through the sensitive lens of a deeply perceptive human being leaving a profound imprint on both heart and mind. This autobiography, while recounting the life of a writer, teacher, and researcher, simultaneously addresses numerous historical, social, political, and scholarly questions with authenticity
پریم چند کے ناولوں میں سیاسی مباحث
No full textLiterature is a black and white documentry of human life with all its attractions and repulsions. Politics has always been a prominent aspect and an inseparable part of human history. The impact of politics can be explored both explicitly and implicitly from the literary sphere. A literary figure cannot keep him self alienated and aloof from the politics of his age. Thus, literature mirrors the political concerns of its age. The article aims at tracing the relationship between literature and politics.
Munshi Prem Chand was well acquanted with the politics of sub-continent. Indians had started the movement to liberate their colonised country at the end of 18th century. The literary pieces of Munshi Prem Chand expose the deprivations of politically oppressed segments of society. The novels portary the conflict between the landowners and the serfs, the industrialists and the workers. The article attempts to explore the political discussions prevalent in his novels like Gosha-e-Aafiat, Nirmila, Ghaban, Gowdan and Maydan-e-Amal
حمود گامی اور مثنوی شیریں خُسرو مع ا ُردو ترجمہ نسخۂ باڈلین لائبریری، اوکسفرڈ کی روشنی میں
No full textoai:tahqeeqnama.gcu.edu.pk:article/6943766f17214Mahmood Gami (d. 1855) was a renowned Kashmiri poet of the 19th century who served his mother tongue through his magnificent poetry. He initiated the tradition of writing mathnawi in Kashmiri literature, which he translated and adapted from the Persian. He made a start with his first mathnawiShirin Khusrooriginally written by well-known persian poet Nizami Ganjawi. This article first time introduces a manuscript of above-mentioned mathnawi which is preserved in Bodliean Library, University of Oxford, UK. It also presents a concise introduction of the writer and the mathnawi as well along with the comparison of manuscript and edited text of Shirin Khusro
ماحولیاتی علامتیت اور ثقافتی اظہاریہ: اردو افسانوں میں دیہی سماجی بیانیہ
No full textThis interdisciplinary study investigates how ecosemiotics and cultural expressivity shape rural social narratives in Urdu short stories. By employing a semiotic framework, the research analyzes key signifiers—natural landscapes, agricultural practices, folk rituals, and vernacular symbolism—to reveal how ecological signs articulate communal values, social structures, and environmental awareness. Drawing on ecocriticism, cultural theory, and narrative analysis, the study conducts close readings of selected texts by prominent Urdu writers, including Prem Chand, Ahmed Nadeem Qasmi, and Mansha Yaad. The methodology combines semiotic analysis with theoretical synthesis to contextualize rural narratives within broader socio-environmental frameworks. Examination of their depiction of village life showcases a dynamic interplay between human communities and natural environments, where symbolic representations foster cultural resilience and sustainable paradigms. The findings demonstrate that rural social narratives in Urdu fiction not only preserve traditional ecological knowledge but also engage contemporary environmental concerns, constructing narratives of resistance, adaptation, and stewardship. Ultimately, this research underscores the capacity of literary ecologies to inform interdisciplinary dialogues on sustainability and cultural identity, highlighting imaginative ecological praxis approaches
فانی بدایونی کے استفہامیہ انداز میں حزنیہ عناصر
No full textFani Badayuni bestowed Gloom Poetry with depth and vastness in the disguise of his interrogative style. He elaborated his inward and outward sorrows and established traditions of “Reflections and Work” in a communicative manner. In the Affirmative interrogation, Negative interrogation and imperative interrogation Badayuni elaborated in his “Ghazal”the melancholic elements with the narration of the philosophies of Nothingness, Gloom, Life and Death, Predestination and Freewill, Downfall, Youthfulness, Fragility of Vitality and Existence, Pains of love, Worries of subsistence, Separation and Yearning, Acceptance of sorrows and Bow down before the Fate. Moreover, Badayuni uses the terms like the final resting abode, cemetery and the grave, coffin, the burial rituals the Day of the Judgment, very frequently in his poetry and he attains the recognition as a “Poet of Gloom and Melancholy”