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مجید امجد شناسی سوویں سالگرہ پر شائع شدہ کتب کی روشنی میں
This article is based upon the analytical study of the books, published on the occasion of hundredth birth anniversary (2014) of one of the most important and great Urdu poets of twentieth century, Majeed Amjad. In past he was paid less heed by most of the Urdu critics but gradually he got his due literary status and recognition. The researchers and critics tried to rediscover and reestablish his creative personality, literary works and poetic worth. Therefore, a large number of authored, compiled and translated books came into being. In this regard some valuable efforts have been made on the occasion of hundredth birht anniversary of Majeed Amjad. Such books have been discussed in the article one by one and this article will be milestone in the history and tradition of research and criticism regarding Majeed Amjad.
ہائیكو كے صنفی خصائص
Haiku is one of the old kinds of Japanese poetry. It comprises countless topics and expressions related to nature and its phenomena and specific cultural elements of Japan. This kind of poetry is also very unique in terms of form. It consists of three unrhymed lines based on five, seven and five syllables respectively. In Urdu, technical requirements and characteristics of this kind of poetry have not been understood properly. This article is an effort for understanding of this form of poetry.
پاکستانی ادب کے مباحث اور محمد حسن عسکری
Muhammad Hasan Askari initiated discussions on Pakistani Literature in 1949. He presented his theory of “Pakistani Adab”. By presenting this theory, Askari intended to form such a common and harmonized national literature which has all the historical, cultural and social features and characteristics of our golden Islamic values. Samad Shaheen, Mumtaz Sheerin, Saleem Ahmad, Sajjad Baqir Rizvi, Muzaffar Ali Sayed, Jamil Jalbi and many other literary figures warmly welcomed and supported Askari’s theory of “Pakistani Adab”. The reflection of these discussions can be seen in the literary journals like “Saqi”, “Naqoosh”, “Mah e Nau”, Humayon”, “Adab e Latif”, “Fanoon”, “Nizam”, “Urdu Adab” and “Naya Doar” of 50’s, 60’s and 70’s
نوآبادیاتی عہد كی اردو شاعری میں مغرب مخالف فكر اور اودھ پنج
At the start of British Rule in the Sub-continent, there arose a trend in Urdu language to oppose the new masters and to challenge the introduction of western culture and norms. The weekly Oudh Punch was the vanguard of this approach. It provided with a platform to such poets and writers, both Muslims and non Muslims, to warn the danger of alien culture through their renditions. Though seemingly they are satirical but in deep they wanted reformation. This article is a study of such Urdu poetry with regard to role of Outh Punch
ترقی پسندی اور جدیدیت: بیسویں صدی کی اردو نظم میں دو متوازی دھارے
In this article, the two literary movements - "Progressive Movement" and the "Movement of Modernism" which started in the fourth decade of the twentieth century, have been analyzed which influenced Urdu literature, especially Urdu poetry. These two movements progressed in parallel to each other and this process carried on after the Independence (1947) as well. The representatives of both the movements had their own artistic orbit that makes both the movements to stand confronting one another, however there were many similar aspects. Anyhow, both the movements enriched Urdu poetry with contemporary insight, modern sensibility and newness of form and style
اُردو شاعری کےانگریزی تراجم کی روایت(اجمالی جائزہ)
This article is about the tradition of English translation of Urdu poetry. It has been traced that it was Mr. Henery Court who translated "Kuliyaat-e-Soda" is to English and published it from Shimla, India in 1872. It is the first known translation of classical Urdu Poetry. Then it was Iqbal who was translated in English. Then much of the progressive writers associated with modernism movement were translated into English. The scholar has mentioned 30 anthologies of the translations
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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