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غالؔب اور اقباؔل کا سائنسی شعور : تقابلی مطالعہ
No full textIn the context of comparative criticism, the poetry of Ghalib and Iqbal has been a constant and trendy subject. Because both of them have specific intellectual harmony and mental relations. On the basis of this resemblance, many critics have considered Ghalib as the spiritual predecessor of Iqbal. In terms of themes, there are many common subjects in the poetry of Ghalib and Iqbal. In the light of the covenant, intellectual sources and the scientific consciousness of their Urdu poetry, efforts have been made to compare and interpret it in a comparative manner. The purpose of this article is not to prove Ghalib and Iqbal as scientists. Rather, it aims to highlight their elevated imagination and modern consciousness, which reflect scientific awareness.There is no scientific criticism of this kind of criticism, but it can be a tendency and a generous trend. By the way, modern and modern ideas have provided several tools to look at the poem with a diverse point of view rather than a glance
مفصل و کثیر جِلدی تواریخِ ادبِ اردو :تشریحی کتابیات
No full textUrdu literature has a remarkable tradition stretching back over five centuries. On the other hand, the historiography of Urdu literature also has an almost century-old history. A History of Urdu Literature by Ram Babu Saxena (1927) is the first comprehensive and complete account of Urdu literature. Since then, numerous histories have been written about this literary tradition. Many historians have made successful contributions in this field. There is considerable diversity in this tradition of historiography. Some works address the entire literary tradition, while others focus on a specific genre, area, or region. This article discusses the annotated bibliography of detailed literary histories, which often span multiple volumes and are compiled either individually or collectively. It also highlights the tradition of compiling bibliographies, their benefits, and their different forms
دیو ناگری رسم الخط:تعارف اور ابتدائی درس وتدریس
No full textThis article reviews the introduction to the Hindi script and its historical evolution. The importance of the Devanagari script can be gauged from the fact that knowing the Devanagari script is very important for understanding Hindu civilization and culture. If we examine the beginning and development of the Hindi language from a linguistic perspective, then the Hindi language is related to the ancient Sanskrit language of India. This is why the Devanagari script is called the modified form of the Sanskrit script. The structure of the Devanagari script, its alphabets and its features are presented in detail in the article. In addition, a brief review of Hindi grammar is also presented. In the context of Hindi teaching, this article has written the names of Hindi days, weeks, months, directions, as well as Hindi numerals. The main purpose of writing this article is to make the introduction and understanding of the Hindi script easy and useful for new learners.
ریت تے جدت دا سُمیل: ڈاکٹر نریش دی غزل
No full textDr. Naresh is a professors of native language, however, this is not his complete introduction; he is also a fiction writer, poet and critic. More than eighty books are on his credit. He tried his hands almost on all literary genres. The artical studies his journey of Punjabi ghazals spanned on books and literary journals. This artical analyzes the uniqueness of his lyrical artestry in ghazal. One can esasily grasps the traditional layers in the tapestry of modern theme, which makes the poet even more relevant to the compentary world, in this case to the modern readers as well
کلامِ نظیر اکبر آبادی میں صوتی اشاریے
No full textThis study explores the use of onomatopoeia in the poetry of Nazeer Akbarabadi, a renowned Urdu poet known for his vivid depictions of everyday life and nature. Onomatopoeia, the representation of natural sounds through language, plays a crucial role in enriching poetic expression by evoking sensory imagery and enhancing emotional impact. By analyzing Nazeer’s innovative use of sound symbolism, the paper highlights its historical and literary significance, comparing his techniques with those of classical poets such as Mir Taqi Mir and Wali Daccani. The findings underscore Nazeer’s originality and his ability to connect deeply with his audience, solidifying his distinctive place in Urdu literature.
غلام الثقلین نقوی کے افسانوی مجموعہ ”نغمہ اور آگ“ میں 1965ء کی جنگی صورت حال کامطالعہ
No full textGhulam-ul-Saqlain Naqvi is a well-known writer of Urdu. The 1965 war took place before the eyes of Ghulam-ul- Saqlain Naqvi, so those impressions could never be erased from his mind and he had a desire in his heart to write something about this war. The collection of short stories “Naghma Aur Aag” published in 1972, which consists of seven stories, all of which are about the 1965 war. The special thing about these stories is that instead of generals and colonels, ordinary soldiers are presented as “Heroes’’. His stories exude love and loyalty to the homeland, but at the same time, the smell of hatred for war is also seen
اشتراکات فرهنگی پاکستان و ایران و اهمیت نو روز در منطقه
No full textPakistan and Iran are the two neighboring countries with deep-rooted religious, historical, and cultural ties. Both of the countries are strategically located in South Asia. They share a border through Iran’s Sistan- Baluchistan province, the only Iranian Province adjacent to Pakistan. Historically, the relationship between the two nations has always been enriched by shared traditions, language and cultural exchange. During the 11th century, under Ghaznavid rule, Lahore emerged as a significant center for Persian scholars and Sufis. It attracted scholars and mystics from Khorasan, India, and Central Asia, and also became a major Persian religious hub. Notably, “Kashf al-Mahjoob”, was the first religious book written in Persian prose in the subcontinent by “Hazrat Data Ganj Bakhsh Ali Hajveri”, and in the contemporary world, “Masood Saad Salman” became the first Persian-language poet of the subcontinent (now Pakistan). Pakistan and Iran share a remarkable affinity in various domains including history, literature, attire, arts, culinary traditions and cultural festivals. One of the most significant of these shared traditions is the celebration of Nowruz, which holds exceptional cultural and symbolic importance across the region. This study aims to explore the historical and cultural commonalities between Pakistan and Iran, with a particular focus on celebration of Nowruz offering an in-depth analysis of its regional significance and enduring legacy
الجاحظ كما يراه الدكتور أبو النصر محمد الخالدي
Full text linkThis article examines the vision of Dr. Abu al-Nasr Muhammad al-Khalidi regarding the celebrated Arab intellectual ʿAmr ibn Baḥr al-Jāḥiẓ, based on his essay featured in Maḍāmīn Khālidiyya. The study begins with an overview of al-Jāḥiẓ’s life, literary contributions, and his pivotal role in the development of Arabic prose and rational thought. It then introduces Dr. Abu al-Nasr as a modern scholar of Arabic language, literature and culture, whose works blend literary analysis with cultural and historical insights. The central focus of the article is Dr. al-Khalidi’s portrayal of al-Jāḥiẓ as a polymath whose writings reflect a deep curiosity about foreign cultures, especially India. Through linguistic traces, references to Indian plants, perfumes, customs, and philosophical ideas, the essay underscores al-Jāḥiẓ’s global vision. This reveals his open-minded approach to knowledge and his appreciation for the diversity of civilizations. The article critically analyzes the methodology employed by Dr. al-Khalidi in his study and evaluates the strength of his arguments. It concludes by affirming that reading al-Jāḥiẓ through such intercultural lenses offers a richer understanding of his legacy and confirms his enduring relevance in Arab and global intellectual history
ڈاکٹر خواجہ محمد زکریا کی کالم نگاری کا تحقیقی و تنقیدی مطالعہ
No full textDr. Khwaja Muhammad Zakaria is an all-round literary personality. He is an authoritative researcher, critic, and stylistic poet of Urdu language and literature. While he made inroads into other genres of literature, he also continued to write columns for the daily Nawa-e-Waqt under the title "Zouq- o Shoq". The life of a column, which is now considered an important part of Urdu journalism, is usually of one day's duration, but a large part of the topics that Khwaja Zakaria raised with this pen are of permanent importance. He has gone beyond temporary fame and personal interests and has presented the essence of his life experiences in these columns with all sincerity. He has also written a few columns on political topics, but the subject of most of the columns has been literature, literary figures, books and literary events. These are the topics that he has written and read and taught throughout his life, therefore these writings are completely free from superficiality. The style of his columns has taken on a literary elegance that has saved them from being cumbersome and dry. Khwaja Zakaria is also a master of language and an educationist, and his opinions in this regard are very authoritative. An important topic of Khwaja Zakaria's columns is Pakistan. He has adorned the story of the rise and fall of Pakistan in the way he has adorned his columns. This is his specialty. He has a deep awareness of his surroundings and society, and through these columns he has emerged as a social critic in the truest sense
جدید اور ما بعد جدید اردو شاعری کا تقابلی مطالعہ
No full textThis paper, derived from my doctoral research submitted to the Department of Urdu, Aligarh Muslim University, presents a critical and comparative study of Modern and Post Modern currents in Urdu poetry, particularly from 1960 onwards. The study examines how the intellectual and aesthetic frameworks of modernism and postmodernism—originally rooted in Western literary thought—were adopted, adapted, and reimagined within the cultural, linguistic, and poetic traditions of Urdu.Modernism in Urdu poetry ushered in themes of existential angst, individual alienation, and stylistic innovation, while postmodernism disrupted notions of unity, meaning, and authorship through fragmentation, irony, and intertextuality. By analyzing the works of selected poets, this paper highlights how these global literary movements reshaped Urdu poetic expression and enriched its thematic and structural possibilities.The paper situates this transformation within a broader socio-cultural context and offers insights into the evolving relationship between global literary paradigms and indigenous creative sensibilities. It contributes to ongoing scholarly conversations on literary modernity, identity, and the negotiation of meaning in postcolonial and multilingual literary tradition