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غالب کی شاعری میں فلسفۂ و جودیت
No full textExistential thinking established as a result of the World War one and two. Kerkigarrd is consider to be the father an founder of Existencial theory. Jean Paul Sartre extended his teachings to a larger extent. Hindi Indian subcontinent Ghalib is the product of Colonial Era which resulted in a huge human tragedy. Life was circled down for the natives.There identity, culture, religion, language and civilization was deformed and deshaped. Ghalib directly and indirectly felt this cruelty from the core of his heart. Existentialism, though, was not the product of that era, It penetrated indirectly in Ghalib's poetry. it is because of the same motivs Which are present in Ghalib's era and Existencial age alike. Ghalib was upset by the hardships of his contemporary circumstances. This article deals with the same perspective of Ghalib's poetry with special context of existentialis
مولانا آزاد لائبریری (علی گڑھ) میں مثنوی نیرنگ عشق کے قلمی نسخوں کا تعارف
No full textThe Masnawi ‘Nairang e Ishq’ is a famous and unique love story of Persian literature which contains homosexuality. This story is related to a village of Punjab in which the love between the two people named Shahid (beloved) and Aziz (lover) is narrated. Shahid and Aziz are the two main characters of this story. Apart from this, another love story of Shahid and a girl named Wafa is narrated in this Masnawi .This masnawi was composed by a famous and renowned sufi poet of Punjab ,Muhammad Akram Ghanimat Kunjahi(17th c).Under this article ,the manuscripts of the aforementioned Masnawi that are available in the famous Library Maulana Azad, Aligarh, India ,have been introduced .Where a total of fifteen(15) manuscripts of this Masnawi are available ,which are in different collections such as University Collection, Sulaiman Collection, Habib Ganj, Abdul Salam, Jawahar and Subhan Allah Collection
مصنوعی ذہانت کیا نہیں ہے؟
No full textInstead of redefining and recomprehending the general opinion about Artificial Intelligence (AI), the author of this paper is taking an altogether different position to address the oft-repeated misunderstandings about this discipline. If we gather together our efforts to define ‘what in NOT AI?’, we can get to a clearer understanding of the problem. What most people endorse to AI is actually a wish list or the like. Following lines are an effort to understand this topic from a different standpoint, in simple and easy-to-understand way avoiding technical jargon or overly complex language. No AI tool is used in writing this pioneering paper.
Note: (1) Both conventional AI and generative AI are interchangeably addressed here under the generic name AI.
(2) ChatGPT is the brand name of generative AI chatbot from OpenAI. "Chat" refers to its conversational nature and "GPT" refers to Generative Pre-trained Transformer model.
DeepSeek is the brand name of Hangzhou DeepSeek Artificial Intelligence Basic Technology Research Co Ltd, an AI company developing large language models (LLMs).
مثنوی معنوی مولانا روم میں عربی اشعار
No full textThis research paper presents an analytical study and identification of Arabic verses in Maulana Rumi's unique Persian Masnavi "Masnavi Manawi". There is immense creativity in this Masnavi of Maulana Rumi, which was expressed in Persian language, but at some places there are Arabic verses. These Arabic verses contain Qur'anic verses, the blessed biography of Muhammad (PBUH) and his valuable companions, historical events as well as instructive sayings. These Arabic verses included in the Masnavi are a good example of the creative collaboration between Persian and Arabic. The wisdom and depth of thought in the historical events of Islam and different religions is also a feature of these Arabic poems
بررسی و تحلیل آرایه تشخیص در ابیات ظهوری ترشیزی
Full text linkNur ud-Din Muhammad Zuhuri is recognized as one of the prominent Iranian poets and and writers of the early 11th century AH (17th century CE). In his youth, after acquiring literary education, he migrated to India, where he became affiliated with royal courts and composed panegyrics for various rulers among his most renowned works are the Divan of Zuhuri, the prose preface to his writings, and his Saqi-nama. Zuhuri's poetry exemplifies the intellectual and aesthetic characteristics of the Indian style (Sabk-e-Hendi). One of the most salient rhetorical devices in this style is personification (tashkhis), which is frequently observed in the poetry of Zuhuri Torshizi. In this literary device, the poet, using the power of imagination, attributes human traits and emotions to inanimate objects, natural elements, creatures, or abstract concepts. This paper examines the function and significance of personification in the poetry of Zuhuri Torshizi. The use of personification enhances imagination and imagery in his poetry. Through a close reading of selected verses, it explores how Zuhuri employs personification to intensify imaginative expression, enrich visual imagery, and convey mystical, emotional, and philosophical concepts in a concrete and accessible form
سفر شعری احمد فراز
Full text linkAhmad Faraz was a renowed Urdu poet from Pakistan, known for his romantic and passionate poetry. His work ofen expresses deep emotions and explores themes of love, loss, and longing.Faraz’s style is characterized by its lyrical beauty and emotional depth, making him one of the most celebrated poets in Urdu literature. Ahmad Faraz ofen incorporated Persian, words and pharase into his Urdu poetry, reflecting the rich cultural and linguistic heritage of the region. Ahmad Faraz’s poetry is distinguished by several key qualities: Lyrical Beauty, Emotional Depth, Imagery and symbolism, Modern influence, Romanticism, philosophical understones etc. Faraz’s status as one of the most beloved and influential poets in Urdu literature
اکبر الٰہ آبادی کی شاعری میں شیخ و شراب کے علامتی تصورات
No full textAkber Ilah Abadi's poetry is the best example of the unique experience and vision. He has great love for Islamic values, Tasawwuf and Persian literature. His approach is up to all those feelings and emotions of Indian Muslims, which irony and satire in his poetry as a weapon to discover the hidden continents of Indian Muslims and physical self. His mystic approach in his poetry makes him Sufi poet and lover of Islamic philosophy. He presents his views in poetry through different symbols. Especially the symbols of "Sheikh" and "Sharab" are very meaningful in his poetry. "Sheikh" is the symbol of Indian Muslim's hipocracy while "Sharab" means "Sharab-e-Toheed", Muslim faith, Islamic civilization and love of Allah Almighty. Western "Sharab" means Western Civilization, culture and materialism
افسانہ کے اردو تراجم کی روایت میں سہ ماہی "صحیفہ" کا کردار
No full textCreative works stand out within literature’s vast treasury, esteemed by figures like Wordsworth, who contended that such works should rise above critical dissection. Scholars like West have similarly asserted that original works hold primacy over translated ones. Nevertheless, translations play a vital role in connecting language barriers and revealing fresh literary landscapes, a truth that cannot be ignored. Urdu literary journals have been central to advocating this mission from the twentieth century onward. Among these, Sahifa emerges as a pioneering force. Since its debut edition, which included a French short story translation, to its modern issues, the journal has steadfastly elevated translations, solidifying them as foundational to its ethos. This article examines Sahifa’s significant impact on Urdu’s translation legacy, specifically within short-story narratives. By translating works from French, Russian, English, Irish, Norwegian, Turkish, Persian, Bengali, and Sindhi, the journal has brought Urdu audiences classic and contemporary authors alike—ranging from obscure talents to literary icons. Through projects such as Angarey, Sahifa has amplified Urdu’s literary richness while cultivating a worldwide exchange, demonstrating that translation, though secondary to creation, remains its essential counterpart
اقبال اور جدید نوجوان: سوشل میڈیا دور میں اقبال کے افکار کی معنویت
No full textIn the contemporary era, social media, when utilized with responsibility and a constructive outlook, possesses the potential to serve as a highly influential instrument for societal development. Within the framework of Allama Iqbal’s intellectual legacy, the positive role of social media can be understood across multiple dimensions. Iqbal consistently emphasized the recognition of selfhood, the elevation of thought and action, and the promotion of collective welfare. His vision was deeply rooted in the advancement of knowledge, the strengthening of national unity, the preservation of moral values, and the cultivation of creative capacities in diverse domains such as literature, poetry, fine arts, and technology. If social media is engaged in accordance with these guiding principles, it may emerge as a constructive and transformative force for social progress
جنھیں صدیوں نہ بھولے گا زمانہ (ناصر کاظمی : انتظار حسین کی تحریروں اور مکالموں کی روشنی میں)
No full textIntizar Hussain is known in the world of Urdu literature as a prominent short story writer, novelist, columnist, translator and critic.Like so many other literary figures he also came from India after Partition, here in Lahore he was introduced to Nasir kazmi. A bond of friendship flourished between the two great literary figures. Intizar Hussain was very impressed by Nasir kazmi's enchanting personality as well as his adorable poetry; this is why in his memoir, autobiography and columns, he openly expresses multi-dimensional personalityof Nasir Kazmi. He also wrote several essays on Nasir's art. Furthermore both of them were engaged in mind blowing conversation on different subjects. In this article great attention is focused only on those aspects of Nasir kazmi's personality and art that are reflected in intizar Hussain's writing and conversations