61 research outputs found
RAD NA ULOGAMA STRIBOR I MALIK U PREDSTAVI ŠUMA STRIBOROVA
No full textŠuma Striborova je predstava nastala kao produkt diplomskog rada na kojem su sudjelovali: Laura Kolesarić, Mateja Tustanovski, Luka Selman i Matko Trnačić kao glumci, odnosno animatori. Predstava je nastala pod mentorstvom izv. prof. ArtD. Maje Lučić i sumentorstvom umjetničkog suradnika Gorana Guksića. Matko Trnačić kroz pisani dio diplomskog rada obrazlaže njegov proces unutar rada na predstavi kroz rad na ulozi, izbor pojedinih rješenja, scenografije i lutaka, kako je tekla komunikacija sa suradnicima te izbor glazbe i svjetla. Na kraju autor ovog diplomskog rada donosi zaključak o napisanom.Šuma Striborova (Stribors Forest) is a performance that originated co-mentoring of artistic associate Goran Guksić. Matko Trnačić through the written part of the thesis explains its process within the work on the play through role play. Also, he describes the choice of individual solutions, a description of scenography and puppets, communication, lights, and music. At the end of the thesis, the author concludes what was written
RAD NA ULOGAMA STRIBOR I MALIK U PREDSTAVI ŠUMA STRIBOROVA
No full textŠuma Striborova je predstava nastala kao produkt diplomskog rada na kojem su sudjelovali: Laura Kolesarić, Mateja Tustanovski, Luka Selman i Matko Trnačić kao glumci, odnosno animatori. Predstava je nastala pod mentorstvom izv. prof. ArtD. Maje Lučić i sumentorstvom umjetničkog suradnika Gorana Guksića. Matko Trnačić kroz pisani dio diplomskog rada obrazlaže njegov proces unutar rada na predstavi kroz rad na ulozi, izbor pojedinih rješenja, scenografije i lutaka, kako je tekla komunikacija sa suradnicima te izbor glazbe i svjetla. Na kraju autor ovog diplomskog rada donosi zaključak o napisanom.Šuma Striborova (Stribors Forest) is a performance that originated co-mentoring of artistic associate Goran Guksić. Matko Trnačić through the written part of the thesis explains its process within the work on the play through role play. Also, he describes the choice of individual solutions, a description of scenography and puppets, communication, lights, and music. At the end of the thesis, the author concludes what was written
Structure and regeneration of silver fir-common beech forest stand under permanent protection
No full textRad obuhvaća terenska mjerenja na tri pokusne
plohe unutar Nacionalnog parka Plitvička jezera,
nedaleko od poznate prašume Čorkova uvala.
Područje istraživanja čine zajednice Lamio orvale-
Fagetum sylvaticae Ht. 1938 (Ilirska brdska bukova
šuma s mrtvom koprivom) i Omphalodo-Fagetum
Marinček et al. 1992 (Dinarska bukovo-jelova
šuma). Budući se šumama ne gospodari
posljednjih 20 godina, cilj je bio utvrditi strukturu
sastojine te kvalitativne i kvantitativne značajke
pomlatka. Na prvoj plohi, tj. progali površine 0,079
ha snimane su pozicije stabala, te njihove visine i
promjeri. To je rađeno uređajem Field Map. Na
drugoj plohi (0,25 ha) izvršena je totalna klupaža i
izmjereno je 60 visina za konstrukciju lokalne
tarife. Na temelju toga izračunati su osnovni
strukturni elementi (N, G, V). Rad na primjernoj
pruzi unutar druge plohe (0,01 ha) obuhvaćao je
mjerenje visinskog prirasta i visine pomlatka, kao i
njihovo kvalitativno određivanje s obzirom na oblik
vrha, krošnje, stabla i žilišta. Rezultati su pokazali
kako veliku većinu pomlatka čini bukva, dok je u I
sloju dominantna jela. Pomladak je većinom loše
kvalitete, osim na progali gdje je situacija
zadovoljavajuća. Distribucija broja stabala po
prsnim promjerima ne sliči Liocourt-ovoj krivulji, a
raspored volumena po debljinskim stupnjevima
značajno odstupa od normale
PRIČE O NAMA
No full textPišući ovaj diplomski rad kao student lutkarstva propitujem prirodni materijal i prirodnu pojavu na sceni te metaforu koju ono može uvesti u čin kazališne predstave. Također iznosim svoja iskustva u radu s vodom na predstavu Priče o nama mlade autorice Jelene Kastaneti te simboliku koju ona kao dio prirode predstavlja na sceni. Autorski tim predstave činimo redateljica Maja Lučić, profesorica i mentorica Tamara Kučinović, kolegica glumica Lucija Subotić i ja, Matko Duvnjak Jović.Writing this master exam as a student of puppetry I try to get to the bottom of natural material on the stage and the metaphor it can introduce to the theatre performance. I also present my expirience working with water and syimbolism of it on a performace called Stories About Us by young author Jelena Kastaneti. Performace is directed by Maja Lučić, mentored by Tamara Kučinović, and performed by Lucija Subotić, and Matko Duvnjak Jović
From the Heritage of Matko Peić: The Boy’s Picture Book
No full textOve godine obilježava se stota obljetnica rođenja Požežanina Matka Peića, povjesničara umjetnosti, slikara i književnika. U radu ću se baviti Peićem pjesnikom, djelom njegovog stvaralaštva koje je pomalo zanemareno i nedostupno širem čitateljstvu. Predmetom interpretacije bit će pjesme iz neobjavljene zbirke poezije Dječakova slikovnica nastale u razdoblju od 1942. do 1945. Pjesme su pisane u Požegi i Zagrebu. Zbirka u rukopisu dio je Peićeve ostavštine koja se čuva u Gradskom muzeju u Požegi. Zanimljivo je kako je Julije Benešić bio prva osoba kojoj je Peić dao na čitanje neobjavljenu zbirku lirike Dječakova slikovnica, o tome svjedoči prepiska koja je također u ostavštini Matka Peića.This year celebrates hundredth anniversary of birth of Požega’s Matko Peić, art historian, painter and author. This paper will deal with Peić’s work as an author, the piece of work that has been a little neglected and unavailable to broader audience. The subject of interpretation will be poems from unpublished collection of poetry The Boy’s Picture Book written in the time period from 1942. to 1945. Poems were written in Požega and Zagreb. The handwritten collection is a part of Peić’s heritage that is kept in the City Museum of Požega. It’s interesting how Julije Benešić was the first person to whom Peić gave the unpublished collection of poetry The Boy’s Picture Book to read, this is attested by the correspondence also found in Matko Peić’s legacy
How I Helped Matko
No full textRačunanje potencije težišta trokuta u odnosu na njegovu opisanu kružnicu.In this article the author explores a way to
calculate the power of a point for the centroid of the triangle
regarding its circumscribed circle
BAN MATKO LAGINJA'S REPORT ABOUT PEASANT UPRISING IN NORTHWSTERN CROATIAIN SEPTEMBER 1920
No full textUz uvodnu analizu društveno-političke situacije i položaja te ponašanja seljaštva kao dvotrećinskog dijela stanovništva u tijeku razdoblja1918. –1920. god., u radu se objavljuje integralni tekst izvještaja hrvatskog bana dr. Matka Laginje upućen vladi u Beogradu, datiran 24. rujnom1920. god. Popraćenje, kao i uvodni tekst, bilješkama o literaturi i izvorima, važnim događajima i ljudima. Spomenuti se izvještaj prvi put objavljuje u cijelosti, a najvažniji je i najobuhvatniji izvor o velikoj seljačkoj pobuni u rujnu 1920. u tadašnjoj bjelovarsko-križevačkoj, zagrebačkoj i varaždinskoj županiji. Buna je izbila zbog nasilnih mjera vojnih vlasti za popunu komore (žigosanje stoke-osobito konja-popis kola), ali je imala uzroke u općem nezadovoljstvu seljaštva u Hrvatskoj centralističko-unitarističkim režimom i karađorđevićevskom monarhijom uspostavljenima odmah nakon osnivanja Kraljevstva SHS. Pobuna nekoliko tisuća seljaka ugušena je u krvi. Ubijeno je petnaest seljaka, na desetke ih je teže i lakše ranjeno, nekoliko stotina izvedeno ih je pred sud i osuđeno na duge kazne tamnice.With an introductory analysis of sociopolitical situation and the position of peasantry during the period 1918-1920, the author presents the integral text of the Croat ban Matko Laginja's raport, which he sent on 24 September 1920 to the government in Belgrade. It is supplied with notes about the literature and the sources as well as significant events and people. This is the first time that this report is being published in its entirety, and it represents the most important source about the great peasant uprising in 1920 in Bjelovar-Križevci , Zagreb , and Varaždin provinces. The insurrection was caused by a forced supplementation of military reserves ( bran ding of animals, especially horses, and registration of carts), but its roots were in a general discontent of Crpat peasants with the centralized and unitarian regime and the Karađorđević' s monarchy. The revolt of several thousands of peasants sawits bloody end. Fifteen peasants were killed, dozens were wounded, and a few hundred were sentenced to long prison sentences
The Theology of the Marian Prayers by Pope Francis
No full textAutor artykułu prezentuje treści dwudziestu kilku modlitw papieża Franciszka zanoszonych do Matki Bożej w różnych miejscach jej kultu. Ojciec Święty oddaje w nich cześć Maryi, używając przy tym Jej różnych, ściśle teologicznych tytułów: Matko Niepokalana, Święta Dziewico, Matko Boża, Matko Jezusa, bądź też takich, które sam utworzył: Matko ciszy, piękna, czułości, Niewiasto decydująca, działania – działająca, Matko nasza, a które ukazują, kim dla niego, jak i wiernych jest w istocie Maryja. Szczególnie uderzająca wydaje się żarliwość, z jaką Franciszek błaga „Matkę strapionych”, aby wstawiała się u miłosiernego Boga i u swego Syna Odkupiciela za poszczególne stany Ludu Bożego, zwłaszcza za cierpiących na duchu z powodu grzechu oraz na ciele, tj. za ofiary niesprawiedliwości, za ubogich, chorych, prześladowanych. Oznacza to, że Franciszek zdołał w swych w modlitwach zakodować głęboką mariologię ujawniającą się w żywej pobożności maryjnej.The author of the article presents the content of more than twenty prayers of Pope Francis addressed to Our Lady in various Shrines dedicated to Her. The Holy Father honors Mary in them, using her various, strictly theological titles: (Immaculate Mother, Holy Virgin, Mother of God, Mother of Jesus), or those that he himself has formed: (Mother of silence, beauty, tenderness, Woman of decisions, actions, our Mother). At the same time, he shows who in fact Mary is for him as well as for the faithful. Pope Francis’ zealwith which he pleads with the “Mother of the Afflicted” seems particularly striking. He begs Our Lady so that She would intercede with the merciful God and with her Son, the Redeemer on behalf of individual statuses of the People of God, especially for those suffering in spirit because of sin and in the body, i.e. for the victims of injustice, for the poor, the sick and the persecuted. This means that Pope Francis managed to code in his prayers a profound Mariology that manifests itself in a living Marian devotion
Osijek drawing school – representatives in the works of Matko Peić
No full textU djelima Matka Peića (1923. – 1999.) posebno mjesto zauzimaju umjetnici koji su svojim stvaralaštvom vezani uz Požeštinu, njegov zavičaj, ali i širi prostor istočne Hrvatske. U nizu njegovih radova, koje je posvetio ovim umjetnicima, zasebno mjesto zauzima publikacija "Hrvatski slikari i kipari: Slavonija – Srijem", koju je kao izvanredno izdanje objavila osječka Matica hrvatska 1969. godine, a urednik je bio Ivo Mažuran. Sam autor odriče ovome djelu namjeru antologijskog sagledavanja slikara i kipara na području Slavonije i Srijema, odnosno sustavnog povijesnog pregleda njihovih dosega, no ukazuje na niz istaknutih osobnosti koje su u cjelini hrvatske likovne umjetnosti na ovim prostorima ostavile neizbrisiv trag. Među tim se osobnostima nalaze i dva najistaknutija imena "Osječke crtačke škole" – Hugo Hötzendorf i Adolf Waldinger. Peić njihovim opusima pristupa na esejistički način te temu obrađuje bez kritičkog znanstvenog aparata uobičajenog za povijesno-umjetničke preglede. Unatoč toj činjenici tekstovi donose najvažnije biografske podatke o umjetnicima te navode nekih stručnjaka koji su istraživali njihove opuse (npr. Artur Schneider, Ljubo Babić, Ernest Dirnbach). Peić također kontekstualizira Hötzendorfovo i Waldingerovo stvaralaštvo na njemu svojstven način, kroz lapidarno navođenje mogućih likovnih i književnih utjecaja, od rukopisnog djela preporoditelja Luke Ilića Oriovčanina i njegovog suradnika, slikara Stjepana Marjanovića, preko nizozemskih majstora pejzaža do panteizma prirodoslovca Alexandera von Humboldta i književnih radova Walta Whitmana i Henryja Davida Thoreaua. Donoseći kratak pregled Hötzendorfovog i Waldingerovog stvaralaštva i njihove dodirne točke u smislu odnosa učitelja i učenika, Peić inzistira i na komparativnim razlikama u njihovom stvaralaštvu, ističući kako je Hötzendorf grafička sanjarija, a Waldinger grafička opservacija.Artists from Požega, his hometown and from the wider area of Eastern Croatia occupy a special place in Matko Peić’s (1923–1999) works, The publication Croatian Painters and Sculptors: Slavonia – Syrmia, published as a special edition by 'Matica Hrvatska' from Osijek in 1969 under the editorship of Ivo Mažuran is dedicated to these artists. The author himself denies this work the intention of anthological consideration of painters and sculptors from Slavonia and Syrmia, i.e., a systematic his torical review of their achievements, but points to several prominent figures who are to be considered when it comes to Croatian fine art on the whole. Among these personalities there are two of prominent names that belong to the Osijek Drawing School: Hugo Hötzendorf and Adolf Waldinger. Peić approaches their oeuvres in an essayistic way that deals with the topic without the critical scientific apparatus common for historical and artistic reviews. Despite this, the texts bring the most important biographical information about the artists and cite a number of researchers of their oeuvres (e.g. Artur Schneider, Ljubo Babić, Ernest Dirnbach). Peić contextualizes Hötzendorf and Waldinger’s work in his way, through lapidary citation of various artistic and literary influences, starting from the manuscript work of the revivalist Luka Ilić Oriovčanin and the works of the painter Stjepan Marjanović, his collborator and then continuing through Dutch masters of landscape to the pantheism of a naturalist Alexander von Humboldt all the way to the literary works of Walt Whitman and Henry David Thoreau. Bringing a brief overview of Hötzendorf and Waldinger’s work and their points of contact in teacher-student relations, Peić also insists on comparative differences in their creativity, pointing out that Hötzendorf’s works are like a graphic fantasy whereas Waldinger’s are a graphic observation
Why do you think you should be the author on this manuscript? Analysis of open-ended responses of authors in a general medical journal
No full textAbstract Background To assess how authors would describe their contribution to the submitted manuscript without reference to or requirement to satisfy authorship criteria of the International Committee of Medical Journal Editors (ICMJE), we analyzed responses of authors to an open-ended question “Why do you think you should be the author on this manuscript?”. Methods Responses of authors (n=1425) who submitted their manuscripts (n=345) to the Croatian Medical Journal, an international general medical journal, from March 2009 until July 2010 were transcribed and matched to ICMJE criteria. Statements that could not be matched were separately categorized. Responses according to the number of authors or their byline position on the manuscript were analyzed using Mann–Whitney U test and Moses test of extreme reactions. Results The number of authors per manuscript ranged from 1 to 26 (median=4, IQR=3-6), with the median of 2 contributions per author (IQR=2-3). Authors’ responses could be matched to the ICMJE criteria in 1116 (87.0%) cases. Among these, only 15.6% clearly declared contributions from all 3 ICMJE criteria; however, if signing of the authorship form was taken as the fulfillment of the third ICMJE criterion, overall fraction of deserving authorship was 54.2%. Non-ICMJE contributions were declared by 98 (7.6%) authors whose other contributions could be matched to ICMJE criteria, and by 116 (13.0%) authors whose contributions could not be matched to ICMJE criteria. The most frequently reported non-ICMJE contribution was literature review. Authors on manuscripts with more than 8 authors declared more contributions than those on manuscript with 8 or fewer authors: median 2, IQR 1–4, vs. median 2, IQR 1–3, respectively (Mann Whitney U test, p=0.001; Moses Test of Extreme Reactions, p Conclusions In cases of multi-author collaborative efforts but not in manuscripts with fewer authors open-ended authorship declaration without instructions on ICMJE criteria elicited responses from authors that were similar to responses when ICMJE criteria were explicitly required. Current authorship criteria and the practice of contribution declaration should be revised in order to capture deserving authorship in biomedical research.</p
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