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Rabbi Morris M. Feuerlicht
No full textFacing KKK anti-Semitism as a prominent Jew and appointee to the Indiana Board of Charities, Rabbi Morris M. Feuerlicht felt "a disturbed state of mind" but responded thru quiet protest, political activism, interfaith meetings, and public speaking
Interview with Morris M. Shuster
Full text linkFor transcript, click the Download button above. For video index, click the link below.
After 35 years in private practice, Morris M. Shuster (L\u2756) began teaching clinical practice and dispute resolution at Penn Law School in 1991. He endowed a faculty chair in clinical practice at Penn Law (currently held by Douglas Frenkel) and a public interest fellowship program through the Philadelphia Bar Foundation. He died in 2012
Morris, M C
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/428193Surname: Morris . Given Name(s) or Initials: M C. Military Service Number or Last Known Location: [No Service Number]. Prisoner of War Enquiry Card Index Number: K 328. Division Enquiry: NSW. Rank: PTE. Unit: 1 Aust. RAR Korea326949
Item: [2016.0049.60455] "Morris, M C
Chaplain Morris M. Matthews conducts memorial services..., November 11, 1945
No full textText on back of photograph: 11 November 1945. Chaplain (Capt.) Morris M. Matthews conducts memorial services over the graves of the Jewish dead on a military cemetery in Mid-Pac [Mid-Pacific Area] on Armistice Day. Left to right: Sgt. Jerome Reznick, Boston, Mass. ; T/5 Salvatora [sic?] Pesce, Boston, Mass ; T/5 Irving Meedelman, Brooklyn, N.Y. ; and Chaplain (Capt.) Morris M. Matthews. (Signal Corps Photo) Stone, 3925 Sig. Photo Sv. Co.Names on grave markers: Solomon Bessel, Charles F. Davidson, Elmer F. Hahn, Earl F. Border, Lee T. Depee, Stanley Romm. All died in 1942.Digital imag
Chaplain Morris M. Matthews conducts memorial services..., November 11, 1945
No full textText on back of photograph: 11 November 1945. Chaplain (Capt.) Morris M. Matthews conducts memorial services over the graves of the Jewish dead on a military cemetery in Mid-Pac [Mid-Pacific Area] on Armistice Day. Left to right: Sgt. Jerome Reznick, Boston, Mass. ; T/5 Salvatora [sic?] Pesce, Boston, Mass ; T/5 Irving Meedelman, Brooklyn, N.Y. ; and Chaplain (Capt.) Morris M. Matthews. (Signal Corps Photo) Stone, 3925 Sig. Photo Sv. Co.Names on grave markers: Solomon Bessel, Charles F. Davidson, Elmer F. Hahn, Earl F. Border, Lee T. Depee, Stanley Romm. All died in 1942.Digital imag
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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