1,721,032 research outputs found
Die jüdische Genremalerei der voremanzipatorischen Zeit als Motivquelle für Moritz Daniel Oppenheims Zyklus zum altjüdischen Familienleben : eine gattungs- und motivgeschichtliche Untersuchung
No full textDie Arbeit befasst sich sowohl mit der Genese der Gattung Jüdische Genremalerei als auch mit dem Genrewerk des jüdischen Malers Moritz Daniel Oppenheim. Den ersten Teil der Dissertation bildet eine umfassende Begriffsbestimmung (was bedeutet Genremalerei und speziell jüdische Genremalerei?) und Gattungsgeschichte der jüdischen Genremalerei. In einem zweiten Teil findet eine Auseinadnersetzung mit dem jüdischen Maler Moritz Daniel Oppenheim und seinem jüdischen Genrewerk statt. Seine herausragende Stellung innerhalb der jüdischen Kunst beruht vor allem auf seinen jüdischen Genrewerken, die sich im Rahmen einer motivgeschichtlichen Untersuchung in eine Bildtradition einreihen lassen. Seine Bilder stehen im Zeichen des jüdischen Emanzipationskampfes des 19. Jahrhunderts. Sie verbinden innovative Bildfindungen des Künstlers mit einer traditionsreichen Motivik des 17. und 18. Jahrhunderts. Darüber hinaus habe ich seine jüdischen Genrewerke rezeptionsästhetisch und rezeptionsgeschichtlich untersucht
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Portrait of Wolf Zacharias Wertheimer.
No full textThe sitter is wearing a high white collar and cravat with a black jacket against a dark background.WOLF ZACHARIAS WERTHEIMER (1782-1844) was a banker and a descendent of the prominent Viennese banking family Wertheimer. One of his ancestors was the Imperial Court Agent Samson Wertheimer (1658 –1724). In 1769 Wolf Zacharias Wertheimer's parents Zacharias Isaac Wertheimer (1744-1809) and Frommet Speyer (1755-1826) settled permanently in Frankfurt am Main where they lived in the house Roter Turm. Wolf Zacharias Wertheimer and his wife, his cousin Eleanora (Lea) Wertheimer, married in 1803, they had 14 children. He died on October 17, 1844 in Frankfurt am Main and was buried at the Jewish cemetery in the Rat-Beil-Strasse, Feld 1.MORITZ DANIEL OPPENHEIM (1799–1882), German-Jewish painter. His life reflects the new possibilities opened up to Jews by the emancipation. Born in the Hanau ghetto, near Frankfurt, he was raised in a strictly Orthodox home, but his parents had no objections to their son's artistic aspirations. Oppenheim received his art training in Hanau, Frankfurt, Munich and Paris. From 1821 to 1825 Oppenheim lived in Rome, then the European art center. There he came under the influence of the Nazarenes, a group of Christian artists who painted New Testament scenes. Having obtained the patronage of Adolph Rothschild on a trip to Naples in 1823, Oppenheim's career was launched. After his return to Frankfurt, his clientele included the five Rothschild brothers and, through Goethe, the protection of the Grand Duke of Saxe-Weimar. He was soon known as "painter of the Rothschilds" and – on account of his financial success – as "the Rothschild of the painters." He earned praise from Goethe to whom he sent two drawings based on Goethe's Hermann und Dorothea. Goethe, whom Oppenheim visited in Weimar and whose portrait he painted, persuaded the grand duke of Weimar to bestow upon the painter the title of honorary professor. In 1833 a picture with the narrative title "Return of a Jewish Volunteer from the Wars of Liberation to his Family Still Living According to the Old Tradition" brought the artist further renown.Openheim's paintings of Old and New Testament scenes as well as his numerous portraits, pencil sketches as well as oils, were soon widely appreciated. His fame later in life was based on his cyclus "Bilder aus dem altjüdischen Familienleben" [Scenes of Traditional Jewish Family Life] (1865) which appeared in the United States as "Family Scenes from Jewish Life of Former Days" (1866). They were popular in reproductions all over Europe. His career marks a significant turning point in the modern history of Jewish artists. Moritz Oppenheim became the first Jewish painter to receive classical artistic training and exposure to modern artistic movements. He was also the first to gain official recognition from the non-Jewish world while remaining an observant Jew throughout his life.Moritz Daniel Oppenheim: die Entdeckung des jüdischen Selbstbewusstsseins in der Kunst = Jewish identity in 19th century art, Exhibition at the Jüdisches Museum Frankfurt, Dec. 16th, 1999 - April 2nd, 2000. Köln: Wienand, 1999, here: catalog entry II. 16 (illustration p. 72 & catalog entry p. 353).Der Zyklus “Bilder aus dem altjüdischen Familienleben” und sein Maler Moritz Daniel Oppenheim. 1. Aufl. Hanau: CoCon-Verlag, 1996, here: p. 26.Jettchen Geberts Kinder: Der Beitrag des deutschen Judentums zur deutschen Kultur des 18. bis 20. Jahrhunderts am Beispiel einer Kunstsammlung = Jettchen Gebert’s Children: The Contribution of German Jewry to German Culture from the Eighteenth to the Twentieth Century, Exemplified on the Leo Baeck Institute Art Collection, New York. Berlin: New York: Berlinische Galerie; The Institute, [1988], here: catalog entry 36.Families & feasts: paintings by Moritz Daniel Oppenheimer and isidor Kaufmann, April 24- June 19, 1977. New York: Yeshiva University. Museum 1977; here: catalog entry 10
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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