4,243 research outputs found
Arcades du Capitole [series]
No full textOverall view, Raymond IV et la Croisade; The Arcades du Capitole also known as the Galerue des Arcades is a series of 29 serigraphs (silk screen prints) on translucent material fastened to illuminated cases on the ceiling of the arcade of the Capitole building. Each serigraph measures 2.50 x 3.10 metres. The series depicts the history of Toulouse. Moretti executed 89 works from which the 29 were chosen. Moretti also installed a huge Occitan cross (cross of Languedoc) made of bronze measuring 18 metres wide and weighing 20 tons embedded in the square in front of the Capitole. This panel depicts Raymond IV of Toulouse (ca. 1041 or 1042-1105), one of the leaders of the First Crusade (1096-1099). Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 4/18/2011
Arcades du Capitole [series]
No full textOverall view, Clémence Isaure, la Belle Paule; The Arcades du Capitole also known as the Galerue des Arcades is a series of 29 serigraphs (silk screen prints) on translucent material fastened to illuminated cases on the ceiling of the arcade of the Capitole building. Each serigraph measures 2.50 x 3.10 metres. The series depicts the history of Toulouse. Moretti executed 89 works from which the 29 were chosen. Moretti also installed a huge Occitan cross (cross of Languedoc) made of bronze measuring 18 metres wide and weighing 20 tons embedded in the square in front of the Capitole. This panel depicts Clémence Isaure, legendary founder (in 1323) of the Consistori del Gay Saber with the goal of encouraging Occitan poetry. Also known as Académie des Jeux floraux ("Academy of the Floral Games"), or Collège de la gaie science ("College of the Happy Science"), it is the most ancient literary institution of the western world. The true founders were seven men and Clemence Isaure (Clemença Issaura) was probably an imaginary patroness. At some point, the legendary Clemence became conflated with the real Paule de Viguier “La Belle Paule,” born in 1518. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 4/18/2011
Moretti (Gabriella). Gli antipodi. Avventure letterarie di un mito scientifico.
No full textChevallier Raymond. Moretti (Gabriella). Gli antipodi. Avventure letterarie di un mito scientifico. . In: Revue belge de philologie et d'histoire, tome 75, fasc. 1, 1997. Antiquite - Oudheid. p. 166
Moretti (Aloisius), Cæremoniale juxta ritum romanum seu de sacris functionibus, episcopo assistente, absente
No full textJanin Raymond. Moretti (Aloisius), Cæremoniale juxta ritum romanum seu de sacris functionibus, episcopo assistente, absente. In: Échos d'Orient, tome 36, n°185, 1937. p. 110
A análise da linguagem matemática como elemento para pensar o ensino e a aprendizagem da prática de esboço de curvas no ensino superior: Adriano Luiz dos Santos Né ; orientador, Méricles Thadeu Moretti
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Físicas e Matemáticas, Florianópolis, 2013Na presente pesquisa tenho a intenção de realizar uma investigação a respeito do processo de ensino e aprendizagem da prática de esboço de curvas do ensino superior, particularmente na disciplina de Cálculo. Para tal tarefa, buscarei estudar o uso que se faz da linguagem matemática em sala de aula, tomando como estudo de caso uma turma de estudantes da disciplina Cálculo A, da Universidade Federal de Santa Catarina. Nesta investigação, utilizarei-me de ferramentas teóricas fornecidas pela Teoria dos Registros de Representação Semiótica, de Raymond Duval, e o Enfoque Ontosemiótico, de Juan Dìaz Godino, o que atribui a esta pesquisa uma perspectiva semiótica da atividade matemática. A articulação que pretendo realizar com estas teorias parece fornecer informações importantes a respeito da prática matemática realizada pelos estudantes em sala de aula e a prática que a academia tem a intenção de ensinar, o que possibilita um meio de compará-las para então se intervir no processo de ensino e aprendizado da prática de esboço de curvas.Abstract : In this research I intend to conduct a investigation about the process of teaching and learning in the sketching curves practice on the higher education, particularly in the Calculus' discipline. For such task, I seek study the use made of mathematical language in the classroom, taking as case study a students' class of Calculus A discipline, from the Federal University of Santa Catarina (Brazil). In this research, I will use the theoretical tools provided by the Registers of Semiotic Representation's Theory, by Raymond Duval, and the Ontosemiotic Approach, by Juan Dìaz Godino, which attaches to the research a semiotic perspective of mathematical activity. The articulation that I intend to accomplish with these theories seem to provide important information about the mathematical practice performed by students in the classroom and the practice that the academy intends to teach, which provides a means to compare them and so intervene in the process of teaching and learning on the sketch curves practice
FLORILÉGIO DE PESQUISAS QUE ENVOLVEM A TEORIA SEMIOCOGNITIVA DE APRENDIZAGEM MATEMÁTICA DE RAYMOND DUVAL FLORILÉGIO DE PESQUISAS QUE ENVOLVEM A TEORIA SEMIOCOGNITIVA DE APRENDIZAGEM MATEMÁTICA DE RAYMOND DUVAL (parte 2)
No full textNeste e-book você encontrará 14 capítulos resultantes de pesquisas que utilizaram a Teoria dos Registros de Representação Semiótica (TRRS), desenvolvida por Raymond Duval, para discutir o ensino e aprendizagem da matemática. Alguns capítulos são resultados de dissertações e tese orientadas pelo Professor Dr. Méricles Thadeu Moretti e outros, de autores convidados que também tem se debruçado na teoria de Duval.CNP
Laura Moretti, Pleasure in Profit: Popular Prose in Seventeenth‐Century Japan. New York: Columbia University Press, 2020. xvi + 416 pp. $40.00 / £34.00. ISBN 9780231197236 (pb).
No full textThis is the pre-peer reviewed version of the following article: Raymond, J. (2021), Moretti, Laura, Pleasure in Profit: Popular Prose in Seventeenth‐Century Japan. New York: Columbia University Press, 2020. xvi + 416 pp. $40.00 / £34.00. ISBN 9780231197236 (pb). . Ren. Stud.. https://doi.org/10.1111/rest.12733, which has been published in final form at https://doi.org/10.1111/rest.12733. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions
Raymond Williams and the limits of cultural materialism
No full textCultural materialism has become an influential discipline in recent
years, particularly so in 'Renaissance' studies, but also more generally in
'English', as well as departments defined as practising 'cultural' or
'communications' studies. The phrase is usually linked with the name of
Raymond Williams, but a cursory examination of Williams's own work
quickly establishes that it is a phrase he rarely uses, and only schematically
attempts to define. The thesis therefore takes the form of an investigation into
the way cultural materialism has come to be understood, by examining in
detail the trajectory of Raymond Williams's theoretical development, and how
his own engagement with various theoretical positions has helped to set
'limits' on the meaning of cultural materialism.
Chapters 1 and 2 deal with some of Williams's earliest work,
particularly Reading and Criticism, as a way of investigating how reasonable
it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted
influence is resisted (though not entirely rejected) from a very early stage. The
first chapter considers in detail Leavis's work at Cambridge, the influence of
Eliot, and the significance of the 'Organic Community'. Chapter 2, which is
based around a comparative analysis of Williams's and Leavis's readings of
Dickens, argues that Williams rejects the 'organic community' in favour of his
'knowable community'. Chapters 4 and 5 deal with specific 'theoretical'
issues: the first, based around a reading of Terry Eagleton's critique of
Williams's use of the Marxist metaphor of 'base and superstructure', shows
some of the problems which arise from Williams's cultural model, as well as
suggesting refinements; the second deals with the influence of Volosinov's
theories on Williams. Chapter 6 comes out of Williams's readings of the
'Country-House' poems in The Country and the City, showing how his
practice of literary criticism relies on an acceptance of 'ideology' apparently
denied in his more 'theoretical' writings. This analysis is extended as a result
of investigations into the 'De L'Isle' manuscripts relating to the Penshurst
estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson
as developing Williams's cultural materialism into Jameson's debates on
postmodernism.
In the Introduction and Conclusion, I have taken the opportunity to
look briefly at the activity of cultural materialism as it has developed since
Raymond Williams's death in 1988. The Introduction emphasizes what I see
to be important methodological differences between 'cultural materialism'
and 'new historicism'; the Conclusion deals with the continuing debate over
the value of a cultural materialist approach by considering the 'appropriation'
of Shakespeare
Le grand chez-nous : roman / Jean-Marie Magnan ; frontispice... de Raymond Moretti
No full textContient une table des matièresAvec mode text
Moretti (Luigi). Inscriptiones Graecae Urbis Romae
No full textBogaert R. Moretti (Luigi). Inscriptiones Graecae Urbis Romae. In: Revue belge de philologie et d'histoire, tome 53, fasc. 1, 1975. Antiquité — Oudheid. p. 154
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