1,721,128 research outputs found

    Sancti Bernardini Senensis Ordinis Seraphici Minorum Opera omnia : synopsibus ornata postillis illustrata, necnon variis tractatibus praecipuè Eximiis in Apocalypsim commentariis locupletata

    No full text
    Son el t. primus y el secundus, con portadilla propia antes de cada tomoMarca tip. en port.: "NP élais fe"ColofónSign.: ã>64666662466664666464Front. grab. calc. alegórico"Vita S\pti \s Bernardini Senensis...", con portadilla y pag. propia

    Título: In Apocalypsum beati Ioannis commentarii

    No full text
    Título tomado de antepEl pie de imp. consta en colofónSign. : [ ], A, A, a-o, pError de pag., de p. 74 pasa a p. 7

    [Sancti Bernardini Senensis, Ordinis Seraphici Minorum, Sermones eximii de Christo Domino, augustissimi Eucharistiae Sacramento, Deipara Virgine, de tempore nec non de Sanctis tomus quartus].

    No full text
    Tit. y autor tomados de antepEl pie de imp. consta en colofónSign.: ¶\p4\s, A-Z\p6\s, 2A-2D\p6\s, A-B\p6\s, C\p2\s, A-B\p6\sError de pág., de p. 320 pasa a 32

    Título: Enarrationes quas catenam vere auream dicunt in quator Euangelia

    No full text
    Marca tip. na portSign.: [], a, A-Z, 2A-2H, 2ITexto a dúas col., con apostillas marxinaisAnte

    Título: Enarrationes quas catenam vere auream dicunt in duos posteriores euangelistas Lucam et Ioannem

    No full text
    Marca tip. na portSign.: 2K, 2L-2Z, 3A-3YTexto a dúas col., con apostilas marxinai

    Sancti Bernardini Senensis Ordinis Seraphici Minorum Duo aduentualia : unum de vita christiana ..., secundum de inspirationibus ...

    No full text
    Marca tip. calc. en port.: "M'élaÞs fe."Sign.: []¡4, a-z¡6, 2a-2z¡6, 3a-3d¡6, A-C¡6, A-B¡6Errores de pag., de p. 76 pasa a 79 y de 327 pasa a la 339Texto a dos col. con apostillas marginalesAntepPort. a dos tinta

    PE3S (Perception et Evaluation des Soft Skills des Etudiants)

    No full text
    L’objectif de cette étude est de mesurer le niveau de perception des compétences dites soft skills ou compétences transversales (Bauvet, 2022) dans la valorisation personnelle, académique et professionnelle des étudiants de l’université de Lille, partant de l’observation que celles-ci sont peu prises en compte et le plus souvent sous-évaluées par cette population. Plus précisément, notre intention est d’apprécier comment différents outils numériques et méthodologiques peuvent amener les étudiants à mieux penser leur agir académique et professionnel. La plus-value de notre projet de recherche est donc de favoriser la prise de conscience et l’appropriation (plus que l’apport) de compétences transférables par les étudiants et de contribuer à l’amélioration de leur perception et estime de soi dans la construction de leur ethos professionnel

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore