25 research outputs found
Create your own website using WordPress in a weekend
No full textHaving a website built can be a complicated and expensive undertaking. For large businesses this is a necessary expense, but for the ever-increasing number of independents and small businesses, this can easily be handled by the intrepid amateur. In Create Your Own Website Using WordPress in a Weekend, author Alannah Moore draws on her extensive experience to show how, in just a weekend, almost anyone can create a website in WordPress that looks professional and is entirely tailored to their needs and preferences. Through carefully structured step-by-step tutorials, the book takes th
The Student Movement Volume 107 Issue 17: I Dreamed a Dream : AU One Day Closer to Spring
No full textHUMANS
Joyful Resilience: An Interview with Artist Jasmin Hislop, Interviewed by Solana Campbell
Love is in the Air, Interviewed by Grace No
Working at the Writing Center: Interview With Camilia Howell, Interviewed by Gloria Oh
Arts & Entertainment
Blackventist Praise, Nathaniel Reid
Ceramics: Revival of the Art Elective, Ysabelle Fernando
Currently: The Romantics, Solana Campbell
Freedom: a Black History Month Playlist, Amelia Stefanescu
NEWS
Dinosaurs Under the Microscope: Mary Higby Schweitzer Visits Andrews, Alannah Tjhatra
Les Misérables at the Chicago Cadillac Palace Theatre, Gloria Oh
IDEAS
Engineering What We Eat: The Past, Present, and Future of Genetically Modified Food, Alexander Navarro
Russia and Ukraine: New Year, New Direction?, Melissa Moore
Stress and Video Games, Rachel Ingram-Clay
PULSE
Can Political Parties Be Inherently Christ-Like?, Wambui Karanja
Is Honors an Advantage to our Students?, Melissa Moore
The Wellness Center Happenings, Lexie Dunham
LAST WORD
Why Read? Practice Makes Better. Terika Williamshttps://digitalcommons.andrews.edu/sm-107/1016/thumbnail.jp
The Student Movement Volume 107 Issue 7: Hot Drinks & Hayrides: Barn Party Comes to Campus
No full textHUMANS
Meet David Springer: AUGSA President, Interviewed by: Kavya Mohanram
Meet Rock Choi: AUSA Presidential Assistant, Interviewed by: Anna Pak
Women in Stem: Minseo Kang, Interviewed by: Anna Pak
ARTS & ENTERTAINMENT
Creatives on Campus: Passion Through A New Lens, Amelia Stefanescu
Currently..., Solana Campbell
Fatphobic or Sensitive?, Lily Rodriguez
Take 3: Is Love Truly Blind?, Hannah Cruse
NEWS
AUSA & AFIA End Filipino American History Month On A High Note, Nicholas C. Gunn
AUSA Hosts Barn Party, Alannah Tjhatra
Honors Outing to Chicago Shakespeare Theater, Nora Martin
IDEAS
Reader\u27s Digest: Midterm Election, Terika Willliams
The Death of the Rom-Com, Grace No
When Art and Activism Collide, Valerie Akinyi
PULSE
Cafe Cutlery: What\u27s the Deal with the Dishwasher?, Ralph Gifford
Dress Code?, Abraham Bravo
Homesick, Gloria Oh
How to Have a Devotional Life as a College Student, Melissa Moore
LAST WORD
Andrews University: Diverse But Divided?, Alannah Tjhatrahttps://digitalcommons.andrews.edu/sm-107/1006/thumbnail.jp
The Student Movement Volume 107 Issue 6: Night Market Lights Up Andrews Campus
No full textHUMANS
Meet Franky Paypa, AUSA Executive Secretary, Interviewed by: Lauren Kim
Meet 19-Year-Old Female CS Major: Andrea Stanko, Interviewed by Kavya Mohanram
Meet Jaden Leiterman, AFIA President, Interviewed by: Nora Martin
ARTS & ENTERTAINMENT
WAUS: A Michiana Music Oasis, Aiko J. Ayala Rios
Conductor Profile: Dr. Marc Élysée, Wambui Karanja
Currently..., Solana Campbell
That\u27s What I Like! The Essential Filipino Jam Playlist, Bella Hamann
NEWS
Community Engagement Initiative Celebrates Third Year, Scott Moncrieff
Illegal Exports: Why Mexico is Suing US Arms Dealers, Julia Randall
KASA x SASA Night Market, Alannah Tjhatra
IDEAS
DeFINE Chapel: A Proposition, Bella Hamann
Docuseries: To Love or to Hate?, Abigail Shim
For the Love of Food: A Celebration of Filipino American Cuisine, Rachel Ingram-Clay
PULSE
A Guide to Worship in Berrien Springs, Zothile Sibanda
Help Me! How To Survive The Mid-Semester Crisis, Amelia Stefanescu
Students Speak on Co-Curricular Credits, Wambui Karanja
The Gazebo\u27s Post-Covid Makeover, Melissa Moore
LAST WORD
The Meaning of Student Movement , Alannah Tjhatrahttps://digitalcommons.andrews.edu/sm-107/1005/thumbnail.jp
The Student Movement Volume 107 Issue 3: Running Home: Andrews Alumni Return to Campus
No full textHUMANS
Meet Meryen Gonzalez, AUSA Religious VP, Interviewed by: Caryn Cruz
Seasons of Change: Alumni Weekend 2022, Grace No
Summer Mission Trip Interview with Nick Bishop, Interviewed by: Gloria Oh
ARTS & ENTERTAINMENT
Alumni Homecoming Gala, Wambui Karanja
Currently..., Solana Campbell
Hispanic Heritage Month : Highlighting the Beauty of Hispanic Crativity, Amelia Stefanescu
Get Up and Go to Iceland, Jonathon Woolford-Hunt
NEWS
Alumni Take a Win at Saturday Night Game, Alannah Tjhatra
Bradley Harvest Run Interview with Andrews Students, Interviewed by: Gloria Oh
Hispanic Heritage Month-Mosaico: Colorism and Racism, Taznir Smalling, with additions by Terika Williams
IDEAS
Ezra Miller and The Flash , Marcel Mattox
Greyhound Therapy and Forced Relocation, Valerie Akinyi
The New Era of Standardized Testing, Abby Shim
PULSE
Andrews Celebrates the Opening of New Career Center, Reagan McCain
Hispanic Heritage Month: How to Celebrate, Melissa Moore
Tips for Relaxing on Campus, Wambui Karanja
What Comes First is a Question, Part I, Desmond H. Murray
LAST WORD
Marvel\u27s Storytelling: Why We Need to Ask for Better, Alannah Tjhatrahttps://digitalcommons.andrews.edu/sm-107/1002/thumbnail.jp
The Student Movement Volume 107 Issue 21: Evensong Vespers Honors President Luxton\u27s Gift of Service
No full textHUMANS
Apple vs Android, Grace No
Senior Plans, Interviewed by: Solana Campbell
Student Workers: Claudia Ruiz, Interviewed by: Nora Martin
ARTS & ENTERTAINMENT
WAUS: An Update on our Beloved Campus Radio Station, Grace No
Creatives on Campus: Mateo Banks, Grace No
Meditation for the Easter Season: Community Celebrates President Luxton, Lily Burke and Alannah Tjhatra
NEWS
A Night of Avant-Garde, Solana Campbell
Environmental Events Bring Awareness to Berrien County, Andrew Francis
Interview with Dr. Heather Thompson Day: Becoming an Author and Inspiring Change, Brendan Oh
The Living Library: Stories from the Andrews Community, Isabella Koh
IDEAS
Enough with the Self Help Books, Valerie Akinyi
Social Media and Authenticity, Nathaniel Reid
The Resurgence of the Jim Crow Era in America, Shania Watts
PULSE
At Home at Andrews University, Elizabeth Dovich
Sex Education in Adventist Institutions, Lexie Dunham
The Importance of the Office of Culture and Inclusion, Zothile Sibanda
LAST WORD
Last Word, Solana Campbellhttps://digitalcommons.andrews.edu/sm-107/1020/thumbnail.jp
The Student Movement Volume 107 Issue 2: We Prayed, We Changed, We Glowed: Week Three at Andrews University
No full textHUMANS
Change Day Interview: Jessica Bowen, Interviewed by: Gloria Oh
Interview with Brandon Alvarez, Interviewed by: Grace No
Meet Andrew Rappette, AUSA Executive Vice President, Interviewed by: Lauren Kim
ARTS & ENTERTAINMENT
Change Day: Art as a Service, Skyler Campbell
Currently..., Solana Campbell
Disney\u27s D23 Expo Concludes, Andrew Francis
In the Rick of Time: Season 6 Launces Off My 2022 School Year, Grace No
NEWS
Almost Anything Goes, Glow Edition, Yoel Kim & Editors
Lead Levels in Benton Harbor, Abigail Kim
Students React to Queen Elizabeth\u27s Passing, Andrew Francis
IDEAS
iOS 16 and the new iPhone: Bop or Flop?, Rachel Ingram-Clay
Meghan Markle and the British Media, Terika Williams
The Little Mermaid and the Importance of Representation, Genevieve Prouty
PULSE
Change Day 2022, Elizabeth Dovich
Clubs & Organizations Ice Cream Fair, Charisse Lapuebla
Scientists Engaging Beyond Classroom & Lab, Desmond Hartwell Murray
Divine Direction: Week of Prayer at Andrews University, Melissa Moore
LAST WORD
Thoughts at 30,000 Feet, Alannah Tjhatrahttps://digitalcommons.andrews.edu/sm-107/1001/thumbnail.jp
Haunting temporalities: Creolisation and black women's subjectivities in the diasporic science fiction of Nalo Hopkinson
No full textPhilosophiae Doctor - PhDThis study examines temporal entanglement in three novels by Jamaican-born author Nalo Hopkinson. The novels are: Brown Girl in the Ring (1998), Midnight Robber (2000), and The Salt Roads (2004). The study pays particular attention to Hopkinson's use of narrative temporalities, which are shape by creolisation. I argue that Hopkinson creatively theorises black women's subjectivities in relation to (post) colonial politics of domination. Specifically, creolised temporalities are presented as a response to predatory Western modernity. Her innovative diasporic science fiction displays common preoccupations associated with Caribbean women writers, such as belonging and exile, and the continued violence enacted by the legacy of colonialism and slavery. A central emphasis of the study is an analysis of how Hopkinson not only employs a past gaze, as the majority of both Caribbean and postcolonial writing does to recover the subaltern subject, but also how she uses the future to reclaim and reconstruct a sense of selfhood and agency, specifically with regards to black women. Linked to the future is her engagement with notions of technological and social betterment and progress as exemplified by her emphasis on the use of technology as a tool of empire. By writing science fiction, Hopkinson is able to delve into the nebulous nexus of technology, empire, slavery, capitalism and modernity. And, by employing a temporality shaped by creolisation, she is able to collapse discrete historical time-frames, tracing obscured connections between the nodes of this nexus from its beginnings on the plantation, the birthplace of creolisation and, as some have argued, of modernity itself
Haunting temporalities: Creolisation and black women's subjectivities in the diasporic science fiction of Nalo Hopkinson
No full textPhilosophiae Doctor - PhDThis study examines temporal entanglement in three novels by Jamaican-born author Nalo Hopkinson. The novels are: Brown Girl in the Ring (1998), Midnight Robber (2000), and The Salt Roads (2004). The study pays particular attention to Hopkinson's use of narrative temporalities, which are shape by creolisation. I argue that Hopkinson creatively theorises black women's subjectivities in relation to (post) colonial politics of domination. Specifically, creolised temporalities are presented as a response to predatory Western modernity. Her innovative diasporic science fiction displays common preoccupations associated with Caribbean women writers, such as belonging and exile, and the continued violence enacted by the legacy of colonialism and slavery. A central emphasis of the study is an analysis of how Hopkinson not only employs a past gaze, as the majority of both Caribbean and postcolonial writing does to recover the subaltern subject, but also how she uses the future to reclaim and reconstruct a sense of selfhood and agency, specifically with regards to black women. Linked to the future is her engagement with notions of technological and social betterment and progress as exemplified by her emphasis on the use of technology as a tool of empire. By writing science fiction, Hopkinson is able to delve into the nebulous nexus of technology, empire, slavery, capitalism and modernity. And, by employing a temporality shaped by creolisation, she is able to collapse discrete historical time-frames, tracing obscured connections between the nodes of this nexus from its beginnings on the plantation, the birthplace of creolisation and, as some have argued, of modernity itself
Art and Science in the Age of the Anthropocene
No full textRohr's text is a contribution to the dialogue of art to science and proposes that art is effective in raising ecological awareness. Rohr argues that such intentions are reconcilable with John Ruskin’s proposal to interpret nature in a holistic way. The author reflects on how contemporary visual art contributes to topical issues of ecology, climate and loss of biodiversity, and discusses the relevance of visual methods such as painting and drawing, locating the author’s own drawing practice in critical and visual cultural contexts. Case studies are Josef Beuys (drawings in relation to environmental actions), Jane Rushton (drawing and painting plein air in landscape through deep immersion), Chris Drury's drawings and prints ('Everything Nothing'), and Eoin McHugh’s series of paintings titled 'Romantic Science'. McHugh’s paintings address Russian neurologist Alexander Luria’s concept that romantic science can accommodate the fictional or improbable. Rohr concludes that creative fiction, imagination and fantasy complement laboratory research. Artists not only need to challenge claims of objectivity in scientific research and enrich such through poetic imagination, they also have a moral duty to provide a critical and imaginative voice in a challenged ecology of post human relations with the natural world
