272,416 research outputs found
¡Traiga el palito y cantamos! Everyday life, experiences, and representations of the affective musical practices of the Prieto Monroy family
No full textEste estudio busca comprender la configuración de las prácticas musicales en la cotidianidad de la familia Prieto Monroy. La investigación implicó observar los nodos y la redes entre actores, lugares y espacios, objetos y acciones; identificar patrones y rutinas de escucha, habla e interpretación; y analizar de forma compleja las prácticas musicales de la familia. El estudio de caso alrededor de la música que acontece con y en la familia Prieto Monroy se plantea como una investigación de tipo micro social que aborda el espacio privado, escrita en primera persona. Así, pretende interpelar y ser un punto de perspectiva y reflexión sobre cómo se ha entendido la práctica musical desde los estudios culturales y las ciencias sociales.
A través de la teoría del actor-red y el giro afectivo, la tesis presenta el concepto de prácticas musicales afectivas entendidas como una configuración de relaciones de actores, espacios y lugares, acciones y objetos que suceden con y a
través de la música como fenómeno sonoro. El ensamblaje social que presenta el caso de la familia Prieto Monroy puede mostrar las relaciones y nodos entre agencias conectadas (Latour, 2013), como también es un reflejo de un compendio de emociones y conocimientos que pasan a través del cuerpo y la intersubjetividad (Wetherell, 2012). Los datos se recogieron a través de entrevistas semiestructuradas; observación, participación y entrevista etnográfica; recopilación de fotografías familiares y videos familiares; y la reflexión los recuerdos propios de la investigadora.
Los resultados que presenta esta investigación se establecen en 3 vías principales: la reconstrucción de la historia familiar vista desde el lente de la música, la comprensión de las prácticas entendidas como prácticas musicales afectivas, y la presentación de una perspectiva metodológica que incluye las vivencias propias de la investigadora y que tiene la posibilidad de ser un aporte para las investigaciones musicales desde el eje de la vida cotidiana y el espacio privado. Por lo tanto, el trabajo está constituido con base en el cruce de las trayectorias familiares y la música en la vida cotidiana de cuatro generaciones. Esto se aborda por medio de la noción de los grooves generacionales, que sirven como puntos focales para la comprensión de gustos, prácticas musicales, y usos de lo material a través del tiempo. Adicionalmente, se expone una interpretación de la vida cotidiana en la que se analizan los afectos, las prácticas musicales dentro de la familia, el espacio de la vivienda y sus relaciones, las tecnologías, los instrumentos musicales y la música misma; todo esto de manera compleja. Para ello se apela al análisis de las relaciones entre seres humanos y materialidad, por medio de la idea de la resonancia, la cuál es el resultado de un trabajo de mediación entre lo natural y lo cultural, lo local (música en la vida privada) y lo global (música institucional). (Texto tomado e la fuente)This study aims to understand the configuration of musical practices in the
everyday life of the Prieto Monroy family. The research involved observing the nodes
and networks among actors, places and spaces, objects, and actions; identifying
patterns and routines of listening, speaking, and interpretation; and conducting a
complex analysis of the family's musical practices. The case study revolving around
music that occurs with and within the Prieto Monroy family is proposed as a
microsocial research conducted within the private sphere, written in the first person.
Thus, it intends to challenge and provide a perspective and reflection on how musical
practice has been understood from cultural studies and social sciences. Through the actor-network theory and the affective turn, the thesis introduces
the concept of affective musical practices, understood as a configuration of
relationships among actors, spaces and places, actions, and objects that occur with
and through music as a sound phenomenon. The social assemblage presented by the
case of the Prieto Monroy family can reveal the relationships and nodes among
connected agencies (Latour, 2013), as well as reflect a compilation of emotions and
knowledge that pass through the body and intersubjectivity (Wetherell, 2012). Data
was collected through semi-structured interviews; observation, participation, and
ethnographic interviews; collection of family photographs and family videos; and the
reflection on the researcher's own memories. The results presented by this research are established in three main analisys
pathways: the reconstruction of family history seen through the lens of music, the
understanding of practices as affective musical practices, and the presentation of a
methodological perspective that includes the researcher's own experiences and has
the potential to contribute to musical research from the perspective of everyday life
and private space. Therefore, the work is based on the intersection of family
trajectories and music in the everyday life of four generations. This is addressed
through the notion of generational grooves, which serve as focal points for understanding tastes, musical practices, and the use of material over time.
Additionally, an interpretation of everyday life is presented in which affections,
musical practices within the family, the living space and its relationships,
technologies, musical instruments, and music itself are analyzed; all of this in a
complex mode. This involves the analysis of relationships between humans and
materiality, through the idea of resonance, which is the result of a mediation between
the natural and the cultural, the local (music in private life) and the global (institutional
music).MaestríaMagisterEtnografí
Polombian show. : Creación colectiva de la Cátedra teatro y decolonialidad 2023 – I.
No full textDramaturgical text resulting from the course Theater and decoloniality of 2023 - I, teacher Luis Monroy.Texto dramatúrgico resultante del curso Teatro y decolonialidad del 2023 - I, profesor Luis Monroy
Tabla genealógica de la familia de Monroy, señores y condes de Canillas. [Manuscrito]
No full textEmpieza en Luis Enríquez de Monroy, señor de Canillas.
Termina en su nieto Luis Enríquez de Monroy, I conde de Canillas, caballero de Calatrava, (Ortega y Enríquez de Monroy).Pertenece a la Colección Salazar y Castro de la RA
Tabla genealógica de la familia de Monroy, señores y condes de Canillas. [Manuscrito]
No full textEmpieza en Luis Enríquez de Monroy, señor de Canillas.
Termina en su nieto Luis Enríquez de Monroy, I conde de Canillas, caballero de Calatrava, (Ortega y Enríquez de Monroy).Pertenece a la Colección Salazar y Castro de la RA
Searching for a Solution to Program Verification=Equation Solving in CCS
No full textUnique Fixpoint Induction, UFI, is a chief inference rule to prove the equivalence of recursive processes in CCS [7]. It plays a major role in the equational approach to verification. This approach is of special interest as it offers theoretical advantages in the analysis of systems that communicate values, have infinite state space or show parameterised behavior.The use of UFI, however, has been neglected, because automating theorem proving in this context is an extremely difficult task. The key problem with guiding the use of this rule is that we need to know fully the state space of the processes under consideration. Unfortunately, this is not always possible, because these processes may contain recursive symbols, parameters, and so on.We introduce a method to automate the use of UFI. The method uses middle-out reasoning and, so, is able to apply the rule even without elaborating the details of the application. The method introduces variables to represent those bits of the processes’ state space that, at application time, were not known, hence, changing from equation verification to equation solving.Adding this method to the equation plan developed by Monroy, Bundy and Green [8], we have implemented an automated verification planner. This planner increases the number of verification problems that can be dealt with fully automatically, thus improving upon the current degree of automation in the field
Reseña/Book Review (Vargas-Monroy, Liliana, Pujal i Llombart, Margot, (coord. /ed.), “Género y poder: exploraciones situadas en el sistema colonial-moderno”, Pontificia Universidad Javeriana, ISBN/DOI: 978-958-781-822-2, 328, 2023)
No full textReseña/Book Review (Vargas-Monroy, Liliana, Pujal i Llombart, Margot, (coord. /ed.), “Género y poder: exploraciones situadas en el sistema colonial-moderno”, Pontificia Universidad Javeriana, ISBN/DOI: 978-958-781-822-2, 328, 2023)Reseña/Book Review (Vargas-Monroy, Liliana, Pujal i Llombart, Margot, (coord. /ed.), “Género y poder: exploraciones situadas en el sistema colonial-moderno”, Pontificia Universidad Javeriana, ISBN/DOI: 978-958-781-822-2, 328, 2023
Allegro di molto from Trio I - ASAB Oboe Ensemble
No full textAllegro di molto from Trio I
G. Aber
Oboe trios
Edición:James Brown
Oboe 1: Juan David Monroy
Oboe 2: Andrea Selene Camelo
Oboe 3 y edición: Miguel Ángel Quiroga
Dirección: Yudy Rocío Bonilla PatarroyoAllegro di molto from Trio I
G. Aber
Oboe Trios
Edition: James Brown
Oboe 1: Juan David Monroy
Oboe 2: Andrea Selene Camelo
Oboe 3 and Edition: Miguel Ángel Quiroga
Conductor: Yudy Rocío Bonilla Patarroy
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Deep Green Diagnostics
No full textThe following dataset was created to cover the necessity of getting images of urban areas to estimate the health vegetation using a drone to 30 hight meters. The images were taken with a drone Phantom 4 of the DJI family and cut them to get a size of 200x200px.Into the pictures, there are different types of vegetation such as grass, trees of different size, and shrubs. Also, streets, buildings, cars, people and other types of objects commonly present in these areas.Contamination is an agent that is almost always found in all of the cities, so we consider as contamination as all the garbage that could be found in an urban environment, such as waste of food, empty containers of sweets or chips, plastic bottles, and other things
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
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