5,899 research outputs found
Audiomobiles, Sculptures and Conundrums
Roberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Filologia editoriale, Roberto Calasso in dialogo con Paola Italia e Francisco Rico
Paola Italia e Francisco Rico intervengono sul libro di Roberto Calasso, presidente e fondatore di Adelphi Edizioni, L'impronta dell'editore, e discutono di problemi di filologia delle forme editoriali, dal punto di vista dell'autore, del lettore e dell'editore.Paola Italia and Francisco Ricos interview Roberto Calasso, Publisher, Writer, and Founder of Adelphi Edizioni, about his book: L'impronta dell'editore, talking about philology, publishing and editing, from the author, the reader and the publisher's point of view
Roberto Tibau and the process of making architecture
Este estudo documenta a vida e a obra de Roberto José Goulart Tibau (1924-2003), arquiteto brasileiro. O objetivo fundamental - e mais importante - é reunir informações sobre os projetos e obras mais significativos desenvolvidos durante sua atividade profissional, tornando-os acessíveis através dessa pesquisa. O trabalho baseou-se em pesquisa bibliográfica, levantamento e registro das obras e projetos realizados, currículo profissional, e depoimento de Tibau, concedido ao autor, em 1998. Em Roberto Tibau e o fazer arquitetura são descritos os caminhos percorridos pelo arquiteto; o contexto histórico de sua formação e atuação profissional; a relação de sua produção arquitetônica com outras obras da época; e eventuais referências projetuais utilizadas na criação dos seus projetos. Este trabalho vem preencher uma lacuna bibliográfica considerável, trazendo à luz, a obra deste significativo arquiteto, que dedicou sua vida ao trabalho na prancheta, na qual deixou sua marca de humanista.This study documents the life and work of Roberto José Goulart Tibau (1924-2003), a Brazilian architect. It aims to collect information about the most significant projects developed during the years of his professional career, which will become available through this research. The present study based on bibliographical research, examination and registration of the projects executed by the architect, his resumé, and his testimonial to the author of this research, in 1998. In Roberto Tibau and the process of making architecture there is a description of the ways in which his projects were conceived; the historical context through his professional activity since graduation, the relation between his own production and the production of other architects of the same period, and the projecting references used for his creations. This research is also an attempt to fill a signicant bibliographical gap of architecture history in Brazil by bringing to light the work of this relevant architect, who dedicated his life to working on his drawing table, leaving to us his humanistic style
Roberto Bolaño, la memoria antiheroica del exilio chileno
This article discusses the personality and the work of the Chilean writer Roberto Bolaño in an attempt to expand on the relationship between the author and his homeland Chile. Even though Bolaño left Chile at an early age and lived in many countries throughout his life, he tried to regain his roots as reflected in the novels about the Chilean dictatorship, Estrella distante and Nocturno de Chile. The author also attempts to vindicate his own origin in his literary alterego Arturo Belano. Thus, this article will highlight and analyse the relation between Roberto Bolaño and Chile through the antiheroic vision given not only to the characters but also to the settings of the narratives.Este artículo se centra en la personalidad del escritor chileno Roberto Bolaño y su obra para profundizar en la relación existente entre el autor y Chile, su país de origen. Pese a haber abandonado el país siendo muy joven y a haber residido en otros países a lo largo de su vida, Bolaño nunca perdió el interés por recuperar sus raíces chilenas tanto como lo reflejan las novelas que dedica a la dictadura chilena, Estrella distante y Nocturno de Chile sobre todo, así como por reivindicar su propio origen a través de su álter ego literario Arturo Belano. En este artículo se señalarán y analizarán estas relaciones entre Roberto Bolaño y Chile a través de la visión antiheroica que el autor confiere tanto a los ambientes como a los personajes que articulan su narrativa
Roberto Bolaño, the antiheroic memory of Hispanicamerican exile
Este artículo se centra en la personalidad del escritor chileno Roberto Bolaño y su obra para profundizar en la relación existente entre el autor y Chile, su país de origen. Pese a haber abandonado el país siendo muy joven y a haber residido en otros países a lo largo de su vida, Bolaño nunca perdió el interés por recuperar sus raíces chilenas tanto como lo reflejan las novelas que dedica a la dictadura chilena, Estrella distante y Nocturno de Chile sobre todo, así como por reivindicar su propio origen a través de su álter ego literario Arturo Belano. En este artículo se señalarán y analizarán estas relaciones entre Roberto Bolaño y Chile a través de la visión antiheroica que el autor confiere tanto a los ambientes como a los personajes que articulan su narrativa.This article discusses the personality and the work of the Chilean writer Roberto Bolaño in an attempt to expand on the relationship between the author and his homeland Chile. Even though Bolaño left Chile at an early age and lived in many countries throughout his life, he tried to regain his roots as reflected in the novels about the Chilean dictatorship, Estrella distante and Nocturno de Chile. The author also attempts to vindicate his own origin in his literary alterego Arturo Belano. Thus, this article will highlight and analyse the relation between Roberto Bolaño and Chile through the antiheroic vision given not only to the characters but also to the settings of the narratives
Italian Philosopher Roberto Esposito
Italian Philosopher Roberto Esposito is the author of such works as Communitas and Bios: Biopolitics and Philosophy
Uncertainty: Words on the loose [Future Trends in I&M]
Dear readers,
The guest author for writing the column of this issue dedicated to young and brilliant engineers is Roberto Tin- arelli. Perhaps no longer so young but surely brilliant! He is Senior Member IEEE and recipient of the 2013 “Outstanding Reviewers” award from the IEEE Instrumentation and Measurement Society. Roberto distinguishes himself not only for his long list of publications but also for his presence in three world patents: a presettable trans- ducer for electrical quantities; a capacitive sensor to sense an electric field generated by a conductor; and an apparatus for sensing the im- pact of a body on a strip located on a support.
I leave you to his nice contribution
New forms of offences to the Community’s financial interestscommitted through the Information Technologiesin a comparative perspective (Picotti L., ed.) 1-239
Roberto Flor is the author of: Part I New forms of offences committed through new technologies: an empiric survey - Part II Comparative review and the criminal legal framework (European Union and criminal law: the fight against cybercrime; The Convention on Cybercrime; Comparative analysis of the substantive law; Frauds, Computer-related fraud and Identity-related fraud - Italy - Germany - Spain - Romania - France; Computer-related forgery; Comparative analysis of the offences against the confidentiality, integrity and availability of computer data and systems; Corporate liability) - Part III OLAF activity. Activities of investigation, data protection and means of investigation of electronic evidence - Parte IV (with Lorenzo Picotti) De jure condendo perspective and conclusion
Federico De Roberto, «L’imperio»
Il breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
- …
