264 research outputs found
Chanter Renée Vivien au XXIe siècle : réécriture et militantisme dans «Treize poèmes », de Pauline Paris
No full textRESUMEN: Renée Vivien (Londres 1877 - París 1909) es a la vez una autora de culto para las comunidades lesbianas y una gran desconocida para el gran público en Francia. En los últimos años, sin embargo, su figura ha suscitado un interés creciente a raíz de los esfuerzos por (re)descubrir a autoras olvidadas de la historia literaria francesa (Planté, 2003). Es en el ámbito de la música actual donde encontramos uno de los proyectos más interesantes para redescubrir a Vivien, con el álbum-libro «Treize poèmes», en el que la cantautora Pauline Paris pone música a una selección de poemas de Vivien con ilustraciones de Élisa Franz. El objetivo de este artículo es analizar el álbum como una reescritura de Vivien en el contexto de la poesía lesbiana. El artículo presenta primero la figura y la obra de Vivien y examina después la musicalización de su obra por parte de Pauline Paris. Por último, reflexiona sobre la situación de las producciones artísticas LGBTQ+ en el contexto actual.RÉSUMÉ: Renée Vivien (Londres 1877 - Paris 1909) est à la fois une autrice culte pour les communautés lesbiennes et une grande inconnue pour le grand public en France. Or, depuis quelques années, sa figure suscite un intérêt croissant dans le sillage des efforts visant à (re)découvrir les autrices méconnues de l’histoire littéraire en France (Planté, 2003). C’est dans le domaine des musiques actuelles où l’on retrouve un des gestes forts visant à redécouvrir la figure de Vivien avec la parution en 2019 du livre-album «Treize poèmes», où l’ACI Pauline Paris met en musique une sélection de poèmes de Vivien avec les illustrations d’Élisa Franz. L’objectif de cet article consiste précisément à analyser «Treize poèmes» comme une réécriture de l’œuvre de Vivien dans le contexte de la poésie lesbienne. Pour ce faire, l’article présente d’abord la figure et l’œuvre de Vivien, puis étudie la mise en musique de son œuvre par Pauline Paris. Enfin, il réfléchit à la situation des créations LGBTQ+ dans le contexte actuel.ABSTRACT: Renée Vivien (London 1877 - Paris 1909) is both a cult author for lesbian communities and a great unknown to the general reading public in France. In recent years, however, her figure has aroused growing interest in the wake of efforts to (re-)discover women authors who have been ignored or erased from French literary history (Planté, 2003). It is in the field of popular music that we find one of the strong gestures aimed at rediscovering Vivien in the form of a book-album «Treize poèmes» by singer-songwriter Pauline Paris, which sets to music a selection of Vivien's poems, accompanied by illustrations by Élisa Franz. The aim of this article is to analyse this album as a rewriting of Vivien's work within the tradition of lesbian poetry. The article first presents the figure and work of Renée Vivien. Then, it examines the musical setting of her poems in the album by Pauline Paris. Finally, it reflects on the situation of LGBTQ+ culture nowadays.Depto. de Estudios Románicos, Franceses, Italianos y TraducciónFac. de FilologíaInstituto de Investigaciones FeministasTRUEpu
[No author] to Vivien McCracken, April 23, 1975
No full textThanks McCracken for Easter card, newspaper clippings and letter during Mamie's hospitalization.Note not authored by Mamie. Date taken from postmark.This note brings to you Mrs. Eisenhower’s warm thanks for the lovely Easter card, newspaper clippings and friendly letters you wrote to her while she was hospitalized at Fort Gordon and Walter Reed Army Medical Center
NOTA AGGIORNATA SU “UNE FEMME M’APPARUT…” DI RENÉE VIVIEN
No full textAn Updated Note on Une Femme m’apparut… di Renée Vivien. The author reapproaches her pioneering reading of Renée Vivien\u27s 1904 novel Une Femme m\u27apparut..., updating it in the light of the most recent theoretical-critical studies on the autobiographical novel as a hybrid genre between fact and fiction.
Article history: Received 29 June 2022; Revised 31 November 2022; Accepted 5 November 2022; Available online 20 December 2022; Available print 30 December 2022.
REZUMAT. O nota actualizată despre Une Femme m’apparut… de Renée Vivien. Autoarea repropune interpretarea sa de pionierat asupra romanului lui Renée Vivien Une Femme m\u27apparut..., publicat în 1904, cu actualizări prin prisma celor mai recente studii teoretice și critice despre romanul autobiografic ca gen hibrid poziționat la interfața dintre factualitate și ficțiune.
Cuvinte-cheie: roman autobiografic, gen hibrid, ficțiune, factualitate și ficțiune, transpuner
Chanter Renée Vivien au XXIe siècle: réécriture et militantisme dans "Treize poèmes", de Pauline Paris
No full textRenée Vivien (London 1877 - Paris 1909) is both a cult author for lesbian communities and a great unknown to the general reading public in France. In recent years, however, her figure has aroused growing interest in the wake of efforts to (re-)discover women authors who have been ignored or erased from French literary history (Planté 2003). It is in the field of popular music that we find one of the strong gestures aimed at rediscovering Vivien in the form of a book-album Treize poèmes by singer-songwriter Pauline Paris, which sets to music a selection of her poems. The aim of this article is to analyse this album as a rewriting of Vivien's work within the tradition of lesbian poetry. The article first presents Vivien's poetry. Then it examines the musical setting of her poems by Pauline Paris. Finally, it reflects on the situation of LGTBIQ+ culture nowadays.Renée Vivien (Londres 1877 - Paris 1909) est à la fois une autrice culte pour les communautés lesbiennes et une grande inconnue pour le grand public en France. Or, depuis quelques années, sa figure suscite un intérêt croissant dans le sillage des efforts visant à (re-)découvrir les autrices méconnues de l’histoire littéraire en France (Planté 2003). C’est dans le domaine des musiques actuelles où l’on retrouve un des gestes forts visant à redécouvrir sa poésie, avec la parution en 2019 du livre-album Treize poèmes, où l’ACI Pauline Paris met en musique une sélection de textes de Vivien. L’objectif de l'article consiste à analyser Treize poèmes comme une réécriture de l’œuvre de Vivien dans le contexte de la poésie lesbienne. Pour ce faire, il présente d’abord l’œuvre de Vivien, puis étudie sa mise en musique par Pauline Paris. Enfin, il réfléchit à la situation des créations LGTBIQ+ dans le contexte actuel.Renée Vivien (Londres 1877 - París 1909) es una autora de culto para las comunidades lesbianas y una gran desconocida para el gran público en Francia. No obstante, en los últimos años su figura ha suscitado un interés creciente gracias a los esfuerzos por (re)descubrir a autoras olvidadas de la historia literaria francesa (Planté 2003). Es en el ámbito de la música actual donde encontramos uno de los proyectos más interesantes para redescubrir a Vivien, con el álbum-libro Treize poèmes, en el que la cantautora Pauline Paris pone música a una selección de sus poemas. El objetivo de este artículo es analizar el álbum como una reescritura de Vivien en el contexto de la poesía lesbiana. El artículo presenta primero la figura y la obra de Vivien y examina después la musicaliazación en Treize poèmes. Por último, reflexiona sobre la situación de las producciones artísticas LGTBIQ+ en el contexto actual
Social Constructionism in Security Protocols (Transcript of Discussion)
No full textThis is joint work between myself and my co-author, Vivien Rooney. I’m a computer scientist, and Vivien’s an applied psychologist. We’re interested in understanding how humans experience working with security protocols. And, when I use the word “security protocol”, I mean it in the most general sense: a set of rules that people and machines are supposed to follow
Lawyers' Ethics in the Anthropocene
No full textParker and Evans's Inside Lawyers' Ethics provides a practical and engaging introduction to ethical decision-making in legal practice in Australia. Underpinned by four theoretical concepts – adversarial advocacy, responsible lawyering, moral activism and ethics of care – this text analyses legal and professional frameworks, highlighting relevant parts of the Australian Solicitors' Conduct Rules. Case studies and discussion questions offer contemporary, practical examples of the application of ethics. The book also addresses the challenge of ethical action and offers techniques to deal with ethical conflicts. This edition has been comprehensively updated and discusses the implications of advances in legal technology, mental ill-health in the profession and the complexities of government legal practice. A new chapter covers lawyers' ethical obligation to address the legal challenges posed by climate change. Written by an expert author team, Parker and Evans's Inside Lawyers' Ethics empowers readers to identify ethical challenges and resolve them through good decision-making practices
Towards a Feminine Symbolic Order: La passió segons Renée Vivien
No full textThis article is an interpretation of the novel which Maria-Mercè Marçal published in 1994. It highlights the main elements of the feminine symbolic space constructed out of her own sexuality and declared as different from the masculine one, taking the mythical, symbolical and real character of Renée Vivien as a starting point. Around this figment of imagination the feminine past is brought to mind and a possible future is worked out, a historical and literary universe which allows us to talk about women –with a paricular emphasis placed on the woman artist– from a complete perspective. Some referents which stand out in the novel out of her own imaginary, reproduced and created by the author, are described. In this respect, the writer's intellectual, poetic and ironical response in the cultural debate which women´s creativity continues to assume is stressed, and a few keys to the respect are given.This article is an interpretation of the novel which Maria-Mercè Marçal published in 1994. It highlights the main elements of the feminine symbolic space constructed out of her own sexuality and declared as different from the masculine one, taking the mythical, symbolical and real character of Renée Vivien as a starting point. Around this figment of imagination the feminine past is brought to mind and a possible future is worked out, a historical and literary universe which allows us to talk about women –with a paricular emphasis placed on the woman artist– from a complete perspective. Some referents which stand out in the novel out of her own imaginary, reproduced and created by the author, are described. In this respect, the writer's intellectual, poetic and ironical response in the cultural debate which women´s creativity continues to assume is stressed, and a few keys to the respect are given
Towards a Feminine Symbolic Order: La passió segons Renée Vivien
No full textThis article is an interpretation of the novel which Maria-Mercè Marçal published in 1994. It highlights the main elements of the feminine symbolic space constructed out of her own sexuality and declared as different from the masculine one, taking the mythical, symbolical and real character of Renée Vivien as a starting point. Around this figment of imagination the feminine past is brought to mind and a possible future is worked out, a historical and literary universe which allows us to talk about women –with a particular emphasis placed on the woman artist– from a complete perspective. Some referents which stand out in the novel out of her own imaginary, reproduced and created by the author, are described. In this respect, the writer’s intellectual, poetic and ironic response in the cultural debate which women’s creativity continues to assume is stressed, and a few keys to the question are given
Theoretical studies of the historical development of the accounting discipline: a review and evidence
No full textMany existing studies of the development of accounting thought have either been atheoretical or have adopted Kuhn's model of scientific growth. The limitations of this 35-year-old model are discussed. Four different general neo-Kuhnian models of scholarly knowledge development are reviewed and compared with reference to an analytical matrix. The models are found to be mutually consistent, with each focusing on a different aspect of development. A composite model is proposed. Based on a hand-crafted database, author co-citation analysis is used to map empirically the entire literature structure of the accounting discipline during two consecutive time periods, 1972–81 and 1982–90. The changing structure of the accounting literature is interpreted using the proposed composite model of scholarly knowledge development
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The Two Ds - Divorce and Death: A Discussion on What You Need to Know
No full textLawyers advise clients through god times and hard times. Navigating divorce and death are difficult in any circumstance and have become more prevalent as a result of the global COVID-19 pandemic. Join us to hear answers to tough questions that can help make the two Ds more manageable for you and your clients.
Speakers:
Jacqueline Newman ’99
Managing Partner at Berkman Bottger Newman & Schein, LLP, and Author of The New Rules of Divorce – Twelve Secrets to Protecting Your Wealth, Health and Happiness
Stuart Riemer ’04
Managing Director and Financial Advisor at Treasury Partners
Moderator:
Vivien Naim ’88
Commercial Litigator and Bank Regulatory Counsehttps://larc.cardozo.yu.edu/alumni_affairs_recordings/1000/thumbnail.jp
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