1,720,960 research outputs found
The Chemistry of Character in Breaking Bad
No full textThis multimedia, open access project explores the landmark American television series Breaking Bad (2008–13) via the emerging format of videographic criticism. Featuring a collection of open access video essays, this “videographic book” aims to interpret the particular modes of characterization within the series and discusses the significance of character as an aspect of media storytelling. With this innovative project, author Jason Mittell demonstrates the vital importance and exciting possibilities of analyzing a medium using its own media form. Videographic criticism examines media using the same material that it seeks to analyze: sounds and moving images. Videographic practices can reveal otherwise hidden facets of media, with videographic works potentially exploring aesthetic, experimental, poetic, and affective dimensions more effectively than written scholarship. Breaking Bad, which won dozens of awards throughout its five seasons, is particularly suitable for videographic criticism due to its notably vivid visual and aural style. Additionally, its construction of character is distinctive and groundbreaking, making it a welcome series to advance understanding of characterization in television and its connections to important facets like identity politics, morality, and viewer engagement. Each video essay can be viewed separately or watched together in the context of the book.This book will be of interest to academics focused on television, media studies, and narrative theory, and also to fans of the series and its vibrant characters. The format of this project is truly unique: it acts almost as a viewing guide with more than 20 embedded video essays alongside brief written commentaries contextualizing the videos. The Chemistry of Character in Breaking Bad is a great resource for any reader or viewer who wants to dive into the series once again
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Playing for Plot in the Lost and Portal Franchises
No full textThe rising prominence of transmedia storytelling in the digital era has helped to spur the intertwining of narrative and ludic media. In this presentation, I will discuss the way that gameplay and storytelling co-mingle in two very different franchises with both cult and mainstream appeal: the television series Lost and the game series Portal. While each privileges the typical form of their medium, with Lost emphasizing plot and Portal foregrounding play, looking at the cultural practices of each franchise’s “forensic fans” highlights how ludic and narrative pleasures are embedded within both media and their transmedia extensions. Contrasting the appeals encouraged by their transmedia extensions and the innovative practices embraced by fans highlights how both gameplay and storytelling can work together and potentially come into conflict within contemporary media environments
A filmes és a televíziós elbeszélés
No full textAdaptált digitalizált tankönyv. Az ELTE Fogyatékosügyi Központja a fogyatékossággal élő hallgatók megsegítése céljából tankönyveket adaptál. A tananyag akadálymentes, adaptált változata az arra jogosult (a fogyatékosügyi koordinátoroknál regisztrált) hallgatók számára érhető el
Mindenki játszik
No full textAdaptált digitalizált tankönyv. Az ELTE Fogyatékosügyi Központja a fogyatékossággal élő hallgatók megsegítése céljából tankönyveket adaptál. A tananyag akadálymentes, adaptált változata az arra jogosult (a fogyatékosügyi koordinátoroknál regisztrált) hallgatók számára érhető el
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