714 research outputs found
Jeff Hewitt, 29th Annual ODU Literary Festival
No full textJeff Hewitt, a poet, musician, actor, visual artist and spoken word performer, was born in Naples, Italy in 1972. He studied acting at the prestigious Otterbein College near Columbus, Ohio. He helped found Norfolk\u27s Slam Poetry scene in the early 90\u27s, representing the city most recently at the 2005 South Eastern Poetry Slam. He is the author of nine collections of poetry and a member of several poetry collectives throughout the nation
Directional Footing, Degeneracy, and Alignment
No full textThis paper argues from an Optimality Theory perspective that no one-to-one correspondence exists between directional footing effects and individual constraints. Recent work in OT claims that directional footing effects are best captured by the constraints All-Feet-Left (Ft-Left) and All-Feet-Right (Ft-Right) in (1) (e.g. McCarthy & Prince 1993b, 1994; Kirchner 1993; Cohn & McCarthy 1994; Crowhurst & Hewitt, in press; Hewitt 1994a; Kager 1994).
(1) a. All-Feet-Left: Align(Foot, L, PrWd, L)
b. All-Feet-Right: Align(Foot, R, PrWd, R)
This paper argues that the relationship between the alignment constraints in (1) and directional footing is more complicated than has been envisioned. In fact, the OT account presented here reveals directional effects to be epiphenomenal: either of the constraints in (1) may yield rightward or leftward footing, depending on its interaction with constraints requiring syllable-to-foot parsing and binary foot structure (see below). We also show that directionality and stray syllable parsing at edges are dependent: right-to-left and left-to-right effects under Ft-Left dominance co-occur with either the presence or the absence of a degenerate foot, but not with both. This relationship is inverted when Ft-Right dominates Ft-Left. One outcome of this study is that interactions among a small number of constraints leads to a modified typological view of metrical patterns familiar from earlier work.The definitive version of this paper was published in NELS 25: Proceedings of the North East Linguistics Society (1995) and is available at http://glsa.hypermart.net/Crowhurst, M., & Hewitt, M. S. (1995). Directional footing, degeneracy, and alignment. In J. N. Beckman (Ed.), NELS 25: Proceedings of the North East Linguistics Society (pp. 47-61). Amherst, MA: GLSA (Graduate Linguistic Student Association), Dept. of Linguistics, University of Massachusetts
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
First person – Jennifer Hewitt
No full textFirst Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms, helping early-career researchers promote themselves alongside their papers. Jennifer Hewitt is first author on ‘Muscle strength deficiency and mitochondrial dysfunction in a muscular dystrophy model of Caenorhabditis elegans and its functional response to drugs’, published in DMM. Jennifer is a PhD student in the lab of Siva Vanapalli at Texas Tech University, Lubbock, USA, investigating using C. elegans as a model for studying the mechanisms of and interventions for Duchenne muscular dystrophy
Egypt Visual Sourcebook : For Artists, Architects, and Designers / Jim Hewitt
No full text385 pages :An essential reference to Egypt's architectural heritage. This unique visual reference guide will be an invaluable resource to professional designers-from architects to illustrators, production designers, art directors, decorators, film concept artists, sculptors, and painters. It utilizes color photographs to illustrate a wide range of locations and styles of architecture throughout Egypt, particularly highlighting universal architectural elements that may be incorporated into a variety of designs and styles including arches, doorways, windows, balconies, wall finishes, and more. Photographic plates of modern and ancient Egypt, showing markets, buildings, temples, tombs, and daily life are cross-referenced with enlarged details and grouped for functional comparisons to cater to the various approaches a designer may take from conception to completion. With some 1,000 color illustrations, thorough referencing, and detailed observation, this book will serve a very specific need while also appealing to a wider audience as a visual celebration of many aspects of Egypt, familiar and unfamiliar
Connecting Research with Communities through Performative Social Science
No full textA pioneer in Performative Social Science, Kip Jones makes a case for the potential of arts-based social science to reach audiences and engage communities. Jones contextualises both the use of the arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. The discussion turns next to examples from his own work and what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production of a professional short film. In conclusion, Performative Social Science is redefined in terms of synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement
Conceptual integrated science
No full text"This book will change the way you look at science. Written by best-selling author Paul Hewitt, Conceptual Integrated Science is more than a collection of facts-it's a guidebook for understanding the world around you. Using his successful "concepts first" method, accessible writing, and fun and informative illustrations, Hewitt and his team of science experts have crafted a text that focuses on unifying concepts and real-life examples across physics, chemistry, earth science, biology, and astronomy." "The book includes Hewitt's effective teaching method, straight-forward learning features, approachable style, and rigorous coverage. The result is a wide-ranging science text that is uniquely effective and motivational. Conceptual Integrated Science is accompanied by an unparalleled media package that combines Interactive Tutorials, Interactive Figures, and renowned demonstration videos to help you outside of class. Book jacket."--BOOK JACKET
Cassandra: the definitive guide
No full textWhat could you do with data if scalability wasn't a problem? With this hands-on guide, you'll learn how Apache Cassandra handles hundreds of terabytes of data while remaining highly available across multiple data centers -- capabilities that have attracted Facebook, Twitter, and other data-intensive companies. Cassandra: The Definitive Guide provides the technical details and practical examples you need to assess this database management system and put it to work in a production environment. Author Eben Hewitt demonstrates the advantages of Cassandra's nonrelational design, and pays specia
Portfolio of recorded performances and exegesis: Messiaen’s musical language for the jazz pianist - an exploration through performance.
No full textMoving beyond Gunther Schuller’s Third Stream amalgamation of classical and jazz, this study explores whether the musical language of Olivier Messiaen can make a valid contribution to jazz piano performance. Initially, my project sought to answer such questions as: What elements of the musical language of Messiaen already exist in the jazz vocabulary? Am I able to extend this further? What are the timbral structures and pianistic effects within Messiaen’s musical language? What will be the most effective application of Messiaen’s musical language to jazz piano performance? Endeavouring to answer the final question led me to consider such aspects as whether the project should be limited to quoting Messiaen motifs, arranging Messiaen melodies, replacing jazz harmonic structures on standards with examples from Messiaen’s musical language or whether it would be better to approach the research conceptually. The work of Hubert Nuss provided encouraging reassurance that this was not an impossible task. In order to articulate this conception, the initial challenge was to decide how the classical and jazz worlds might meet in a ‘Messiaen’ technique. The approach adopted was similar to that used for undergraduate jazz study, namely, immersion in the piano scores and recordings of Messiaen’s music as well as by live performances. This was followed by the development and assessment of a contrived approach when specific techniques, such as tonal colourings or harmonic structures, were developed through prepared exercises and consciously included in my performance. It was then compared with an intuitive approach when no such precise parameters were established. This submission consists of CD recordings of two public recitals and an exegesis. It documents the development of this Messiaen technique and discusses its application in my performances. It also demonstrates the ways that Messiaen’s musical language can be used within jazz piano performance to provide a colour that distinguishes jazz piano performance in a competitive field.Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 201
The Epistemic Responsibility of 1930s Eugenicists: What the Trial of Ann Cooper Hewitt Shows about Modern Disinformation Discourse
No full textIn this paper, the author analyzes the 1936 eugenic sterilization trial surrounding Ann Cooper Hewitt, looking at the epistemic harms and wrong associated with the results and how those connect to modern day discourses of disinformation. It centers on the actions of two eugenicists involved, Ezra S. Gosney and Paul Popenoe
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