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    Punctuation is prosody: Making historic transcriptions of Karuk accessible for revitalization and research

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    Transcription of utterance-level prosody is difficult; historically, many field linguists have employed standard punctuation of their own language to represent prosodic boundaries in the language of study, with varying degrees of consistency within and across languages. A standardized system such as ToBI (Beckman et al. 2005) is appropriate for phonetic analysis, but requires a level of detail and knowledge of a language's structure that is impractical in many fieldwork situations, and is not accessible to language learners. In the case of Karuk, a highly endangered language of northern California, a great deal of historic transcriptions of textual material in the language exists. Because few first-language speakers of Karuk remain, historic records of the language are an important resource for ongoing language revitalization efforts by the Karuk tribe, as well as for theoretical linguistic research on the language. However, differing methods of transcribing utterance boundaries and prosody by past researchers has made extracting this type of data from the archival materials a challenge. For instance, Harrington (1930; 1932b) transcribed much larger units as single sentences than Bright (1957) did, and while Bright was explicit about the intonational types his punctuation represented, how Harrington used punctuation was unclear. In this paper, we ask first whether the speakers recorded by these two linguists were, in fact, using equivalent intonation and groupings of utterances. Confirming that their speech is indeed comparable, we then strive to relate the two transcription systems to each other and to current speakers' language. Utilizing archival recordings and transcriptions, we create a key that allows us to translate between the two historical transcription systems and modern transcription conventions. Gaining a better understanding of the phonetics of prosody represented in historic materials will be helpful in language revitalization efforts. It is obvious that the prosody of Karuk is significantly different from that of English. However, without a vibrant speech community, it is difficult to transmit this aspect of a language, and even to determine what the patterns to be taught are. A better understanding of prosodic boundaries in Karuk is also expected to shed light on theoretical questions regarding Karuk word order. It is not clear which word orders are permissible, and results of elicitation have been confounding due to conflicting judgments, especially in the post-verbal position. It is likely that conflicting judgments are related to different prosodic boundaries which have been previously overlooked. References Beckman, M. E., Hirschberg, J., & Shattuck-Hufnagel, S. (2005). The original ToBI system and the evolution of the ToBI framework. In S.-A. Jun (ed.) Prosodic Typology -- The Phonology of Intonation and Phrasing Bright, William. 1957. The Karok language. University of California Publications in Linguistics 13. Berkeley and Los Angeles: University of California Press. Harrington, John P. 1907-1959. The papers of John Peabody Harrington. Ms., National Anthropological Archives, Smithsonian Institution, Washington, D.C. Microfilm. Harrington, John P. 1930. Karuk texts. International Journal of American Linguistics 6(2). 121-161. Harrington, John P. 1932a. Tobacco among the Karuk Indians of California. Smithsonian Institution Bureau of American Ethnology Bulletin 94. Harrington, John P. 1932b. Karuk Indian myths. Smithsonian Institution Bureau of American Ethnology Bulletin 107

    Documenting, analyzing, and teaching the grammar of direction in Karuk

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    We are developing an online resource to support research, teaching, learning, and revitalization of Karuk (Hokan, northern California). To illustrate the value of integrating a morphologically analyzed lexical and text database with a syntactically parsed text corpus, we discuss how research on the morphosyntax of directional suffixes can inform pedagogy

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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